"Yeah, the record for most titles was previously held by the Fabulous Moolah, she won it four times. And a few weeks ago, I won the title for the sixth time, which has never been done before"
About this Quote
The brag lands like a victory lap, but it also reads as a quiet rewrite of wrestling history. Trish Stratus isn’t just announcing a stat; she’s staking a claim in an industry that loves to talk about “eras” the way sports talk shows talk about dynasties. The name-drop of the Fabulous Moolah is doing heavy lifting: it invokes the old guard, the sepia-toned mythology of women’s wrestling, and the long-standing habit of treating women’s divisions as novelty acts rather than main events. By citing Moolah’s record and then topping it, Stratus positions herself as both heir and disruptor.
The “Yeah” up front matters, too. It’s casual, almost chatty, the tone of someone answering a question for the hundredth time. That offhand vibe makes the flex feel more earned than rehearsed, like she’s letting you in on something obvious that the world is only now catching up to. “Which has never been done before” isn’t just emphasis; it’s a dare to a system that historically rationed prestige for women. Records are supposed to be neutral, but here they’re a kind of proof of inclusion: if you can win something six times, the division had to exist long enough, be visible enough, and be taken seriously enough to create repeatable stardom.
In the mid-2000s WWE landscape, titles were often props in broader entertainment packaging. Stratus frames the belt as legacy. That shift in framing is the point.
The “Yeah” up front matters, too. It’s casual, almost chatty, the tone of someone answering a question for the hundredth time. That offhand vibe makes the flex feel more earned than rehearsed, like she’s letting you in on something obvious that the world is only now catching up to. “Which has never been done before” isn’t just emphasis; it’s a dare to a system that historically rationed prestige for women. Records are supposed to be neutral, but here they’re a kind of proof of inclusion: if you can win something six times, the division had to exist long enough, be visible enough, and be taken seriously enough to create repeatable stardom.
In the mid-2000s WWE landscape, titles were often props in broader entertainment packaging. Stratus frames the belt as legacy. That shift in framing is the point.
Quote Details
| Topic | Victory |
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