"Yesterday I was thinking about the whole idea of genius and creative people, and the notion that if you create some magical art, somehow that exempts you from having to pay attention to the small things"
About this Quote
Genius is the oldest alibi in the culture industries: make something dazzling, and you get to live above the petty demands of care, reciprocity, and basic decency. Bell hooks is poking a hole in that myth with her trademark mix of plainspoken clarity and moral pressure. She treats "magical art" like a spell society casts on itself - an enchantment that turns accountability into an annoying footnote. The line lands because it refuses the romantic story that creativity is a rare substance that dissolves ordinary obligations.
The real target is not just individual artists behaving badly, but the audience and institutions that reward the behavior. "Exempts you" implies an unspoken social contract: we agree to overlook the "small things" (emotional labor, household work, kindness, showing up, not exploiting people) as the cost of proximity to brilliance. hooks, a feminist critic, knows those "small things" are rarely small; they are the invisible infrastructure of other people's freedom. The genius gets to be chaotic because someone else is cleaning, organizing, soothing, waiting.
Her phrasing - "Yesterday I was thinking" - matters, too. It sounds casual, almost offhand, which disarms the reader. No grand theory announcement, just an everyday observation that turns into a critique of patriarchal and capitalist permission structures: the way talent becomes a voucher for entitlement. In hooks' world, art isn't diminished by attention to the quotidian. It's judged by whether it can coexist with ethics, not replace them.
The real target is not just individual artists behaving badly, but the audience and institutions that reward the behavior. "Exempts you" implies an unspoken social contract: we agree to overlook the "small things" (emotional labor, household work, kindness, showing up, not exploiting people) as the cost of proximity to brilliance. hooks, a feminist critic, knows those "small things" are rarely small; they are the invisible infrastructure of other people's freedom. The genius gets to be chaotic because someone else is cleaning, organizing, soothing, waiting.
Her phrasing - "Yesterday I was thinking" - matters, too. It sounds casual, almost offhand, which disarms the reader. No grand theory announcement, just an everyday observation that turns into a critique of patriarchal and capitalist permission structures: the way talent becomes a voucher for entitlement. In hooks' world, art isn't diminished by attention to the quotidian. It's judged by whether it can coexist with ethics, not replace them.
Quote Details
| Topic | Art |
|---|
More Quotes by Bell
Add to List



