"Yet for my part, deeply as I am moved by the religious architecture of the Middle Ages, I cannot honestly say that I ever felt the slightest emotion in any modern Gothic church"
About this Quote
There is a polite kind of brutality in Smith's sentence: he grants the Middle Ages their power, then quietly refuses to play along with modern attempts to resurrect it. The key move is the contrast between being "deeply... moved" and feeling not "the slightest emotion". That absolute phrasing doesn't just register taste; it performs a moral distinction. For Smith, medieval religious architecture isn't a style you can reapply like wallpaper. It is a fossil of belief, politics, labor, and fear - a total world made stone. Neo-Gothic, by comparison, reads as costume: technically competent, emotionally vacant.
The intent is partly aesthetic and partly historical. As a Victorian-era historian, Smith writes from a moment when Britain and North America are filling up with "modern Gothic" churches - Pugin's revival, Ruskin's moralized craftsmanship, a broad Anglican and Catholic competition for legitimacy. Smith is pushing back against the era's confidence that authenticity can be manufactured by copying forms: pointed arches, ribbed vaults, stained glass, the whole medieval mood board.
Subtext: he distrusts revival as a form of cultural self-deception. Emotion, in his view, is not triggered by ornament but by the lived conditions that produced it - a church that grew out of a shared metaphysics and a society ordered around it. Modernity can build the shell, but not the pressure system that once made those spaces feel inevitable. His complaint is less "I don't like new churches" than "you cannot fake an age."
The intent is partly aesthetic and partly historical. As a Victorian-era historian, Smith writes from a moment when Britain and North America are filling up with "modern Gothic" churches - Pugin's revival, Ruskin's moralized craftsmanship, a broad Anglican and Catholic competition for legitimacy. Smith is pushing back against the era's confidence that authenticity can be manufactured by copying forms: pointed arches, ribbed vaults, stained glass, the whole medieval mood board.
Subtext: he distrusts revival as a form of cultural self-deception. Emotion, in his view, is not triggered by ornament but by the lived conditions that produced it - a church that grew out of a shared metaphysics and a society ordered around it. Modernity can build the shell, but not the pressure system that once made those spaces feel inevitable. His complaint is less "I don't like new churches" than "you cannot fake an age."
Quote Details
| Topic | Art |
|---|
More Quotes by Goldwin
Add to List



