"You can always count on a murderer for a fancy prose style"
About this Quote
Nabokov takes a wicked little truth about literature and turns it into a threat: style is not a moral credential. The line, from Lolita, lands like a joke with teeth because it flatters the reader’s aesthetic appetite while warning them about it. A “murderer” is the last person we want to trust, yet Nabokov claims you can “always count” on him for verbal lace. The certainty is the punchline. It suggests that the impulse to beautify, to narrativize, to make a case, is strongest precisely when the stakes are ugliest.
The subtext is an indictment of rhetoric as a solvent. Humbert Humbert’s eloquence isn’t incidental; it’s his primary instrument. He seduces with syntax, turning confession into performance, harm into art, and the reader into an accomplice who keeps listening because the sentences keep sparkling. “Fancy prose” becomes evidence of premeditation: not only the crime, but the self-justification. Nabokov is baiting the cultivated reader who thinks good writing implies insight or sincerity. Here, good writing is camouflage.
Context matters: Nabokov was both a stylist and a moralist of perception, obsessed with how language rearranges reality. Lolita is famously engineered to make readers feel their own susceptibility to charm. This line is Nabokov briefly lifting the curtain on his own trick, letting us glimpse the mechanism while it’s still humming. The joke isn’t just on the murderer. It’s on anyone who confuses verbal brilliance with innocence.
The subtext is an indictment of rhetoric as a solvent. Humbert Humbert’s eloquence isn’t incidental; it’s his primary instrument. He seduces with syntax, turning confession into performance, harm into art, and the reader into an accomplice who keeps listening because the sentences keep sparkling. “Fancy prose” becomes evidence of premeditation: not only the crime, but the self-justification. Nabokov is baiting the cultivated reader who thinks good writing implies insight or sincerity. Here, good writing is camouflage.
Context matters: Nabokov was both a stylist and a moralist of perception, obsessed with how language rearranges reality. Lolita is famously engineered to make readers feel their own susceptibility to charm. This line is Nabokov briefly lifting the curtain on his own trick, letting us glimpse the mechanism while it’s still humming. The joke isn’t just on the murderer. It’s on anyone who confuses verbal brilliance with innocence.
Quote Details
| Topic | Witty One-Liners |
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