"You can do anything, literally, right? That's one of the exciting possibilities of the present"
About this Quote
Anything is a provocation here, not a pep talk. Olson’s “literally, right?” is doing the sly work of turning confidence into a question, as if he can already hear the room nodding along too easily. The line stages the modern predicament he spent his career mapping: the old centers don’t hold, the rules feel optional, and that freedom is both electric and dangerous. “Exciting possibilities” lands with a double edge - exhilaration, yes, but also the jittery awareness that possibility is not the same as direction.
Context matters because Olson isn’t a self-help optimist; he’s a poet of scale, of “projective verse,” of breath and field, trying to retool how language moves in a world remade by mid-century technologies, war, and expanding American power. In that landscape, “the present” isn’t just now-time. It’s an environment: a culture newly convinced it can engineer outcomes, rewrite identities, reorganize cities, even recalibrate consciousness. The subtext is that permission has outpaced wisdom. When you can “do anything,” you also inherit the burden of choosing what’s worth doing - and the suspicion that not all choices are equally human.
Olson’s offhand cadence captures the era’s speed: the sentence runs like thought, like talk, like improvisation. It enacts the very openness it describes. That’s why it works: it sounds like liberation while quietly testing whether liberation has become another kind of pressure.
Context matters because Olson isn’t a self-help optimist; he’s a poet of scale, of “projective verse,” of breath and field, trying to retool how language moves in a world remade by mid-century technologies, war, and expanding American power. In that landscape, “the present” isn’t just now-time. It’s an environment: a culture newly convinced it can engineer outcomes, rewrite identities, reorganize cities, even recalibrate consciousness. The subtext is that permission has outpaced wisdom. When you can “do anything,” you also inherit the burden of choosing what’s worth doing - and the suspicion that not all choices are equally human.
Olson’s offhand cadence captures the era’s speed: the sentence runs like thought, like talk, like improvisation. It enacts the very openness it describes. That’s why it works: it sounds like liberation while quietly testing whether liberation has become another kind of pressure.
Quote Details
| Topic | Motivational |
|---|---|
| Source | Help us find the source |
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