"You can only do so much theatre"
About this Quote
You can hear both love and pragmatism in that line. Coming from Victor Garber, a performer steeped in stage work, it sounds less like a dismissal of the theater than a realistic boundary around an art form that is demanding, finite, and sometimes unforgiving. Theater asks for the body and the voice eight times a week, night after night, with little margin for fatigue or illness. It gathers an audience one room at a time and then vanishes, leaving only memory. Even at its most fulfilling, it can narrow an artist’s world if it becomes the only path.
Garber’s career illustrates the balance he is pointing to. He built his reputation in musicals and plays, earning respect for craft and presence, then stepped into film and television, where different muscles are used and the work lives on. Screen projects broaden reach, offer financial stability, and allow an actor to explore varied rhythms and characters without the relentless repetition of a long run. The line suggests permission to diversify, to protect one’s curiosity and stamina, and to keep the theater precious by not letting it consume everything.
There is also a sense of seasons. You can only do so much theatre before the body asks for rest, before the mind seeks new problems to solve, before the life outside the wings calls for attention. Recognizing that limit does not diminish the stage; it honors its intensity. The scarcity is part of the magic. A performance matters because it will be gone, and an artist may do fewer of them to keep each one honest.
Taken this way, the remark becomes gentle advice for working actors and artists of any stripe: stay devoted to the craft, but diversify your spaces; guard your energy; let form serve growth. The stage remains a home, just not the whole house.
Garber’s career illustrates the balance he is pointing to. He built his reputation in musicals and plays, earning respect for craft and presence, then stepped into film and television, where different muscles are used and the work lives on. Screen projects broaden reach, offer financial stability, and allow an actor to explore varied rhythms and characters without the relentless repetition of a long run. The line suggests permission to diversify, to protect one’s curiosity and stamina, and to keep the theater precious by not letting it consume everything.
There is also a sense of seasons. You can only do so much theatre before the body asks for rest, before the mind seeks new problems to solve, before the life outside the wings calls for attention. Recognizing that limit does not diminish the stage; it honors its intensity. The scarcity is part of the magic. A performance matters because it will be gone, and an artist may do fewer of them to keep each one honest.
Taken this way, the remark becomes gentle advice for working actors and artists of any stripe: stay devoted to the craft, but diversify your spaces; guard your energy; let form serve growth. The stage remains a home, just not the whole house.
Quote Details
| Topic | Art |
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