"You can use martial arts to tell a different story. Ang Lee used martial arts in "Crouching Tiger, Hidden Dragon" to talk about love"
About this Quote
Jet Li is making a quiet argument for martial arts as cinema’s sneakiest language: a form audiences read as action, but directors can load with feeling. The intent isn’t to elevate kung fu into “high art” so much as to reclaim it from its most marketable stereotype. In his framing, choreography becomes narrative grammar, not garnish. A kick can be punctuation; a pause mid-fight can be confession.
Pointing to Ang Lee’s Crouching Tiger, Hidden Dragon is strategic. That film arrived as a crossover event: wuxia aesthetics filtered through an art-house sensibility, sold globally without translating its emotional logic into something more “Western.” Lee uses wirework and balletic motion not to prove toughness but to externalize longing. The fights don’t interrupt the love story; they are the love story, because these characters have been trained to speak with restraint. What can’t be said outright gets displaced into movement: the distance between bodies, the near-touch that becomes a strike, the discipline that reads like devotion and repression at once.
The subtext in Li’s quote is a pushback against the reduction of martial-arts stars to pure physicality. He’s insisting that performers aren’t just athletes on camera; they’re storytellers operating inside a tradition where combat has always been metaphor - for honor, duty, desire, the ache of choices made too late. In a Hollywood ecosystem that often treats fights as content, Li is reminding us they can be character.
Pointing to Ang Lee’s Crouching Tiger, Hidden Dragon is strategic. That film arrived as a crossover event: wuxia aesthetics filtered through an art-house sensibility, sold globally without translating its emotional logic into something more “Western.” Lee uses wirework and balletic motion not to prove toughness but to externalize longing. The fights don’t interrupt the love story; they are the love story, because these characters have been trained to speak with restraint. What can’t be said outright gets displaced into movement: the distance between bodies, the near-touch that becomes a strike, the discipline that reads like devotion and repression at once.
The subtext in Li’s quote is a pushback against the reduction of martial-arts stars to pure physicality. He’s insisting that performers aren’t just athletes on camera; they’re storytellers operating inside a tradition where combat has always been metaphor - for honor, duty, desire, the ache of choices made too late. In a Hollywood ecosystem that often treats fights as content, Li is reminding us they can be character.
Quote Details
| Topic | Movie |
|---|
More Quotes by Jet
Add to List

