"You can't always go by the book, even in comedy"
About this Quote
Comedy punishes obedience. Alan Bates, an actor better known for volcanic restraint than mugging, is quietly warning against the comfort blanket of rules: the script, the “right” timing, the textbook arc of set-up and punchline. “You can’t always go by the book” sounds like a rehearsal-room aside, but it carries a professional ethic. Acting training and comic theory can teach structure, yet the thing that actually lands in front of an audience is often the unteachable: a micro-pause, a glance held too long, the decision to underplay where the line “should” be pushed.
The subtext is about risk and responsiveness. Comedy is live even when it’s filmed; it’s an electrical exchange with the room. A joke that reads perfectly can die if delivered with dutiful precision, because humor feeds on surprise and specificity, not compliance. Bates’s phrasing also deflates the myth of comedy as lightweight. The “even” matters: we’re trained to treat drama as art and comedy as craft, as if drama demands intuition while comedy is just mechanics. Bates flips that. If anything, comedy is less forgiving of formula, because audiences can sense the gears.
Contextually, coming from an actor of Bates’s era - steeped in stage discipline and literary adaptations - it’s a small act of rebellion. He’s defending play against propriety: the permission to bend the script, break the rhythm, and follow the moment, because the “book” can’t anticipate the human weirdness that makes something funny.
The subtext is about risk and responsiveness. Comedy is live even when it’s filmed; it’s an electrical exchange with the room. A joke that reads perfectly can die if delivered with dutiful precision, because humor feeds on surprise and specificity, not compliance. Bates’s phrasing also deflates the myth of comedy as lightweight. The “even” matters: we’re trained to treat drama as art and comedy as craft, as if drama demands intuition while comedy is just mechanics. Bates flips that. If anything, comedy is less forgiving of formula, because audiences can sense the gears.
Contextually, coming from an actor of Bates’s era - steeped in stage discipline and literary adaptations - it’s a small act of rebellion. He’s defending play against propriety: the permission to bend the script, break the rhythm, and follow the moment, because the “book” can’t anticipate the human weirdness that makes something funny.
Quote Details
| Topic | Funny |
|---|
More Quotes by Alan
Add to List




