"You can't deny laughter; when it comes, it plops down in your favorite chair and stays as long as it wants"
About this Quote
Laughter, in Stephen King’s telling, isn’t a polite reaction you choose; it’s an intruder with perfect timing and terrible manners. The line lands because it treats comedy like one of King’s classic forces: uncontrollable, bodily, faintly ominous. “You can’t deny” frames laughter as a small possession, the way fear takes over in a dark hallway before your rational brain gets a vote. And then he domesticates it with that sitcom-perfect image of the “favorite chair,” making the invasion intimate. This isn’t laughter as a tasteful accessory; it’s a creature that knows your house.
The verb “plops” is doing sly work. It’s physical, a little embarrassing, almost childish. King uses a lowbrow sound to describe a high-concept idea: the mind’s sudden coup. That’s the subtext of a lot of his writing, too: human dignity is fragile, and the body (shivering, screaming, giggling) keeps interrupting our self-image as controlled adults. The chair isn’t just comfort; it’s routine, the space you think belongs to you. Laughter commandeers it, and by extension commandeers your day.
Contextually, it fits King’s long-running interest in emotional involuntariness. He’s famous for horror, but he’s equally invested in release valves: the nervous laugh in a crisis, the absurdity that punctures dread. Here, laughter becomes a survival tactic that refuses to be scheduled, staying “as long as it wants” like an uninvited guest you secretly needed.
The verb “plops” is doing sly work. It’s physical, a little embarrassing, almost childish. King uses a lowbrow sound to describe a high-concept idea: the mind’s sudden coup. That’s the subtext of a lot of his writing, too: human dignity is fragile, and the body (shivering, screaming, giggling) keeps interrupting our self-image as controlled adults. The chair isn’t just comfort; it’s routine, the space you think belongs to you. Laughter commandeers it, and by extension commandeers your day.
Contextually, it fits King’s long-running interest in emotional involuntariness. He’s famous for horror, but he’s equally invested in release valves: the nervous laugh in a crisis, the absurdity that punctures dread. Here, laughter becomes a survival tactic that refuses to be scheduled, staying “as long as it wants” like an uninvited guest you secretly needed.
Quote Details
| Topic | Witty One-Liners |
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