"You can't make people respond"
About this Quote
“You can’t make people respond” lands like a shrug, but it’s really an artist’s hard-won boundary. Boyd is refusing a fantasy that haunts every maker: that sincerity, craft, even moral urgency should automatically produce recognition. The line is blunt because the lesson is blunt. Audiences are not clay. They’re weather.
Coming from Arthur Boyd - an Australian painter who spent decades circling themes of guilt, brutality, desire, and the uneasy romance between landscape and nation - the quote reads as both self-protection and ethical stance. His work often implicates the viewer; it doesn’t flatter. But implication isn’t the same as conversion. Boyd seems to be naming the asymmetry at the heart of art: you can control the image, the pigment, the composition, the symbolic charge. You cannot control the reader, the viewer, the critic, the market, the moment.
The subtext is a quiet rebuke to the transactional mindset that treats art as persuasion or performance metrics avant la lettre. If people don’t respond, it’s not automatically a failure of the work; it may be a failure of timing, attention, willingness. Boyd’s phrasing also carries a moral restraint: “can’t make” suggests that trying to force response - through explanation, branding, coercive sentimentality - is a kind of aesthetic violence. The intent isn’t to lower ambition. It’s to relocate it: do the work with intensity, accept the silence without begging it to speak back.
Coming from Arthur Boyd - an Australian painter who spent decades circling themes of guilt, brutality, desire, and the uneasy romance between landscape and nation - the quote reads as both self-protection and ethical stance. His work often implicates the viewer; it doesn’t flatter. But implication isn’t the same as conversion. Boyd seems to be naming the asymmetry at the heart of art: you can control the image, the pigment, the composition, the symbolic charge. You cannot control the reader, the viewer, the critic, the market, the moment.
The subtext is a quiet rebuke to the transactional mindset that treats art as persuasion or performance metrics avant la lettre. If people don’t respond, it’s not automatically a failure of the work; it may be a failure of timing, attention, willingness. Boyd’s phrasing also carries a moral restraint: “can’t make” suggests that trying to force response - through explanation, branding, coercive sentimentality - is a kind of aesthetic violence. The intent isn’t to lower ambition. It’s to relocate it: do the work with intensity, accept the silence without begging it to speak back.
Quote Details
| Topic | Letting Go |
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