"You can't relate to a superhero, to a superman, but you can identify with a real man who in times of crisis draws forth some extraordinary quality from within himself and triumphs but only after a struggle"
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Dalton punctures the glossy myth of invulnerability with an actor’s instinct for what an audience actually leans toward: effort. The line sets up “superhero” and “superman” as cold icons - clean, prepackaged power fantasies - then pivots to the “real man” who surprises even himself. That’s the hook. We don’t bond with perfection; we bond with the moment someone nearly fails and keeps going anyway.
His phrasing does quiet work. “Relate” suggests emotional access, the sense that a character’s inner life maps onto yours. “Identify” is stronger: you step into their skin. Dalton argues that identification requires friction. The extraordinary quality isn’t a permanent trait, it’s “drawn forth” under pressure, implying it was latent, untested, maybe doubted. Crisis becomes a moral X-ray.
The subtext is also a critique of escapist hero-making. Superman is a category, a brand. “Real man” is deliberately grounded, even a little old-fashioned, and it carries Dalton’s era’s anxiety about masculinity: heroism as character rather than dominance. Triumph “but only after a struggle” is the key clause - the victory matters because it costs something. Without the cost, there’s no story, just spectacle.
Contextually, Dalton’s coming from a career built on playing competence with cracks showing (and, famously, redefining Bond with more bruises than winks). He’s staking a claim for a more human template of heroism: not powers, but choices under stress, visible effort, and the dignity of not being bulletproof.
His phrasing does quiet work. “Relate” suggests emotional access, the sense that a character’s inner life maps onto yours. “Identify” is stronger: you step into their skin. Dalton argues that identification requires friction. The extraordinary quality isn’t a permanent trait, it’s “drawn forth” under pressure, implying it was latent, untested, maybe doubted. Crisis becomes a moral X-ray.
The subtext is also a critique of escapist hero-making. Superman is a category, a brand. “Real man” is deliberately grounded, even a little old-fashioned, and it carries Dalton’s era’s anxiety about masculinity: heroism as character rather than dominance. Triumph “but only after a struggle” is the key clause - the victory matters because it costs something. Without the cost, there’s no story, just spectacle.
Contextually, Dalton’s coming from a career built on playing competence with cracks showing (and, famously, redefining Bond with more bruises than winks). He’s staking a claim for a more human template of heroism: not powers, but choices under stress, visible effort, and the dignity of not being bulletproof.
Quote Details
| Topic | Overcoming Obstacles |
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