"You don't normally do another presentation of All About Eve. You do one All About Eve, and that's it"
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Pollack’s line lands like a shrug that’s actually a gauntlet. “All About Eve” isn’t just a movie title here; it’s shorthand for a kind of cultural object that’s supposed to be definitive, a one-and-done performance that seals itself off from repetition. The phrasing is deceptively casual - “You don’t normally” - but the real message is industry-hard: certain classics aren’t properties to be endlessly re-mounted; they’re benchmarks, and tampering reads as hubris.
The subtext is partly reverence, partly risk management. Pollack came up in a Hollywood that both worshipped canon and quietly feared it. Remaking or re-presenting a work like “All About Eve” invites unflattering comparison before the first scene plays. You’re not competing with other current projects; you’re competing with memory, with Bette Davis’s voice, with the movie’s acid social intelligence. That’s a rigged contest. Pollack’s “and that’s it” has the finality of a director calling wrap: the story’s already been told at the right temperature, in the right era, by the right people.
Context matters: “All About Eve” is itself about theatrical succession, the young usurping the established star, and the cruelty embedded in that cycle. Pollack’s comment echoes the film’s own skepticism about replacements. The irony is delicious: he’s warning against repeating a narrative that’s literally about how repetition and replacement are inevitable. In one sentence, he frames adaptation as both artistic temptation and professional self-sabotage.
The subtext is partly reverence, partly risk management. Pollack came up in a Hollywood that both worshipped canon and quietly feared it. Remaking or re-presenting a work like “All About Eve” invites unflattering comparison before the first scene plays. You’re not competing with other current projects; you’re competing with memory, with Bette Davis’s voice, with the movie’s acid social intelligence. That’s a rigged contest. Pollack’s “and that’s it” has the finality of a director calling wrap: the story’s already been told at the right temperature, in the right era, by the right people.
Context matters: “All About Eve” is itself about theatrical succession, the young usurping the established star, and the cruelty embedded in that cycle. Pollack’s comment echoes the film’s own skepticism about replacements. The irony is delicious: he’s warning against repeating a narrative that’s literally about how repetition and replacement are inevitable. In one sentence, he frames adaptation as both artistic temptation and professional self-sabotage.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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