"You have to pretend to live in those clothes that they lived in, to live within the climate that they had then. You have to imagine with the help, obviously, of all the other technicians that are around - the writer, the director, the other actors"
About this Quote
Acting, in Derek Jacobi's framing, is less about performing a character than consenting to a temporary relocation. The key verb is "pretend", but he immediately complicates it: the pretending isn’t childish make-believe; it’s a disciplined attempt to inhabit material facts. "Those clothes" and "the climate" aren’t decorative period touches. They’re constraints that rewire posture, breath, tempo, even mood. Wool itches. Corsets compress. Heat slows you down. Cold sharpens you. Jacobi is pointing to the unglamorous physics behind believability: history becomes credible when it becomes inconvenient.
The subtext is a quiet rebuke to the modern fantasy of acting as pure self-expression. He’s arguing for craft over charisma, for empathy built from specifics rather than inspirational generalities. By emphasizing "they lived in", he also sneaks in a moral claim: past lives deserve more than a contemporary overlay. You don’t just wear the costume; you negotiate with it.
Then he widens the frame to "all the other technicians", a telling word choice that demystifies performance. This is an actor refusing the auteur myth in its most celebrity-friendly form. The writer and director shape the psychological map; the costume designer, cinematographer, and fellow actors supply the weather. Jacobi’s intent is almost civic: good acting is a collective achievement, and imagination is not solitary genius but a networked resource, shared across a set.
The subtext is a quiet rebuke to the modern fantasy of acting as pure self-expression. He’s arguing for craft over charisma, for empathy built from specifics rather than inspirational generalities. By emphasizing "they lived in", he also sneaks in a moral claim: past lives deserve more than a contemporary overlay. You don’t just wear the costume; you negotiate with it.
Then he widens the frame to "all the other technicians", a telling word choice that demystifies performance. This is an actor refusing the auteur myth in its most celebrity-friendly form. The writer and director shape the psychological map; the costume designer, cinematographer, and fellow actors supply the weather. Jacobi’s intent is almost civic: good acting is a collective achievement, and imagination is not solitary genius but a networked resource, shared across a set.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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