"You know, if I wrote the arrangements two years from now, they would probably be a lot slicker"
About this Quote
Perfectionism is always a moving target, and Bruce Johnston names the trick: time doesn’t just improve the work, it improves your taste. “Slicker” isn’t a humblebrag about future virtuosity so much as a quiet warning about revision culture in pop music - the way experience can sand down the very edges that made something feel alive.
As a Beach Boys insider and a craftsman steeped in harmony, Johnston is speaking from the arranger’s seat, where decisions are microscopic but permanent: which voices land where, how bright the chords are, how much space the track is allowed to breathe. Saying he could do it “two years from now” frames skill as a timeline, but it also frames the recording as a snapshot. The subtext is that the original arrangement carries the urgency of the moment: limited tools, limited time, a certain innocence about what “should” be done. Later, you’d know more - and that knowledge can turn into over-design.
The line also reveals an artist negotiating his own authority. He’s not dismissing the arrangement; he’s refusing the mythology of flawless genius. In a music industry that rewards polish and punishes roughness, Johnston’s admission defends a different value system: authenticity as process, not branding. “Slicker” becomes a loaded word - synonymous with professionalism, yes, but also with distance, caution, and the loss of risk.
As a Beach Boys insider and a craftsman steeped in harmony, Johnston is speaking from the arranger’s seat, where decisions are microscopic but permanent: which voices land where, how bright the chords are, how much space the track is allowed to breathe. Saying he could do it “two years from now” frames skill as a timeline, but it also frames the recording as a snapshot. The subtext is that the original arrangement carries the urgency of the moment: limited tools, limited time, a certain innocence about what “should” be done. Later, you’d know more - and that knowledge can turn into over-design.
The line also reveals an artist negotiating his own authority. He’s not dismissing the arrangement; he’s refusing the mythology of flawless genius. In a music industry that rewards polish and punishes roughness, Johnston’s admission defends a different value system: authenticity as process, not branding. “Slicker” becomes a loaded word - synonymous with professionalism, yes, but also with distance, caution, and the loss of risk.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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