"You know some people say that you make watches or perfume bottles, it's all different things"
About this Quote
Newson’s offhand line is doing a very designerly kind of persuasion: it shrugs at the false hierarchy between “serious” objects and supposedly frivolous ones. Watches and perfume bottles are classic status artifacts - tiny, intimate products that live on the body, telegraph taste, and sell a lifestyle as much as a function. By pairing them, he’s collapsing the usual distinction people make between engineering and styling, between utility and seduction.
The intent isn’t to claim everything is identical; it’s to puncture the amateur critique that a designer who moves across categories is dabbling. “Some people say” signals a familiar chorus: the gatekeepers who want craft to stay in its lane. Newson answers with a calm refusal. The subtext is that the real continuity isn’t the object type, it’s the thinking: proportion, materials, manufacturing constraints, brand narrative, and the choreography of how a hand grips, twists, sprays, or clicks. He’s defending industrial design as a transferable method, not a niche skill.
Context matters because Newson’s career has been built on exactly this promiscuity - from furniture and interiors to aircraft, consumer tech, and luxury collaborations. In an era when “design” gets dismissed as surface, he’s arguing that surface is never just surface: it’s the interface where desire meets use. The line’s casual grammar is part of the point. It’s not a manifesto; it’s a weary, confident aside from someone who’s heard the same category-policing for decades and kept shipping anyway.
The intent isn’t to claim everything is identical; it’s to puncture the amateur critique that a designer who moves across categories is dabbling. “Some people say” signals a familiar chorus: the gatekeepers who want craft to stay in its lane. Newson answers with a calm refusal. The subtext is that the real continuity isn’t the object type, it’s the thinking: proportion, materials, manufacturing constraints, brand narrative, and the choreography of how a hand grips, twists, sprays, or clicks. He’s defending industrial design as a transferable method, not a niche skill.
Context matters because Newson’s career has been built on exactly this promiscuity - from furniture and interiors to aircraft, consumer tech, and luxury collaborations. In an era when “design” gets dismissed as surface, he’s arguing that surface is never just surface: it’s the interface where desire meets use. The line’s casual grammar is part of the point. It’s not a manifesto; it’s a weary, confident aside from someone who’s heard the same category-policing for decades and kept shipping anyway.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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