"You know, that's kind of the thing, I can't freestyle and I used to always wonder why I couldn't, and when I would try once out of every six months, but I was always a great writer!"
About this Quote
There is a quiet flex hiding inside what sounds like a confession. Bubba Sparxxx isn’t romanticizing limitation; he’s drawing a hard line between two kinds of hip-hop credibility and choosing the one he can actually cash. In a culture that often treats freestyling as the purest proof of “realness,” admitting “I can’t freestyle” risks demotion. He disarms that risk by reframing the hierarchy: spontaneity is a party trick, but writing is craft. The punch is in the pivot - “but I was always a great writer!” - a self-authorization that turns a perceived weakness into an identity.
The phrasing matters. “Kind of the thing” signals a shrugging self-awareness, like he’s tired of auditioning for a skill he doesn’t need. “Once out of every six months” is almost comedic, the cadence of someone who’s tried just enough to be honest but not enough to be obsessed. The subtext: he’s made peace with how he creates, and he’s done chasing a myth of the effortless genius.
Contextually, Sparxxx comes from a moment when Southern rap was still fighting for respect in a gatekept conversation dominated by coastal narratives. For an artist already tagged as an outsider - regionally, stylistically, culturally - the insistence on writing is also a demand to be judged by output, not by a single ritual of authenticity. It’s not anti-freestyle; it’s pro-work.
The phrasing matters. “Kind of the thing” signals a shrugging self-awareness, like he’s tired of auditioning for a skill he doesn’t need. “Once out of every six months” is almost comedic, the cadence of someone who’s tried just enough to be honest but not enough to be obsessed. The subtext: he’s made peace with how he creates, and he’s done chasing a myth of the effortless genius.
Contextually, Sparxxx comes from a moment when Southern rap was still fighting for respect in a gatekept conversation dominated by coastal narratives. For an artist already tagged as an outsider - regionally, stylistically, culturally - the insistence on writing is also a demand to be judged by output, not by a single ritual of authenticity. It’s not anti-freestyle; it’s pro-work.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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