"You know what the Englishman's idea of compromise is? He says, Some people say there is a God. Some people say there is no God. The truth probably lies somewhere between these two statements"
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Yeats skewers a very particular kind of “reasonable” mind: the posture that treats every dispute as if it’s a tea-table misunderstanding, solvable by splitting the difference. The joke lands because the example is deliberately absurd. God either exists or doesn’t; there’s no polite middle. By choosing metaphysics rather than, say, taxes, Yeats exposes how compromise can become not wisdom but evasion - a way to sound balanced while refusing the hard work of conviction.
The target is less England than “Englishness” as Yeats experienced it: an imperial, administratively minded culture that prized moderation, gradualism, and the appearance of fairness. In Irish nationalist circles, that temperament could feel like a strategy of control: if you can frame political demands as “extremes,” the imperial center gets to play the adult in the room, offering a midpoint that quietly preserves the status quo. Yeats’s line doesn’t argue against compromise in principle; it mocks compromise as a reflex, an aesthetic, a substitute for moral risk.
As a poet who moved between mysticism and politics, Yeats also has skin in the metaphysical game. He’s defending the idea that some questions require a leap - faith, revolt, artistic vision - not a committee-approved median. The wit is barbed because it’s diagnostic: a culture can turn skepticism into a vanity, moderation into an alibi, and “somewhere between” into a way of never having to be wrong - or brave.
The target is less England than “Englishness” as Yeats experienced it: an imperial, administratively minded culture that prized moderation, gradualism, and the appearance of fairness. In Irish nationalist circles, that temperament could feel like a strategy of control: if you can frame political demands as “extremes,” the imperial center gets to play the adult in the room, offering a midpoint that quietly preserves the status quo. Yeats’s line doesn’t argue against compromise in principle; it mocks compromise as a reflex, an aesthetic, a substitute for moral risk.
As a poet who moved between mysticism and politics, Yeats also has skin in the metaphysical game. He’s defending the idea that some questions require a leap - faith, revolt, artistic vision - not a committee-approved median. The wit is barbed because it’s diagnostic: a culture can turn skepticism into a vanity, moderation into an alibi, and “somewhere between” into a way of never having to be wrong - or brave.
Quote Details
| Topic | God |
|---|---|
| Source | Help us find the source |
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