"You know, when it was done originally, they always had to fight to keep it going at the end of each season. Now, The Odd Couple has become part of our language and culture"
About this Quote
There is a special kind of triumph in Brett Somers's amazement: not that a show succeeded, but that it escaped the usual entertainment graveyard and graduated into something people casually reference without thinking. When she recalls The Odd Couple being "fought" for at the end of each season, she's pointing to the old, brutal math of network TV: art as a weekly referendum, survival contingent on executives, ratings, and sponsor patience. The subtext is labor. A comedy that now feels inevitable once felt fragile, contested, perpetually one bad quarter away from cancellation.
Somers also slips in a quiet rebuke to cultural amnesia. Audiences experience classics as if they were always classics; creators remember the messy contingency. Her line punctures the myth that quality automatically wins. It doesn't. It gets negotiated, defended, and sometimes rescued by sheer stubbornness.
The kicker is "part of our language and culture", a phrase that sounds almost too big until you think about what The Odd Couple actually did: it turned a specific domestic setup into a portable shorthand for incompatible personalities forced to coexist. That is the ultimate entertainment upgrade: from product to metaphor. Somers isn't merely nostalgic; she's taking a victory lap on behalf of everyone who kept the thing alive long enough for the public to adopt it. In her telling, the real punchline isn't Felix and Oscar. It's that the industry tried to cancel the idea, and the culture kept renewing it.
Somers also slips in a quiet rebuke to cultural amnesia. Audiences experience classics as if they were always classics; creators remember the messy contingency. Her line punctures the myth that quality automatically wins. It doesn't. It gets negotiated, defended, and sometimes rescued by sheer stubbornness.
The kicker is "part of our language and culture", a phrase that sounds almost too big until you think about what The Odd Couple actually did: it turned a specific domestic setup into a portable shorthand for incompatible personalities forced to coexist. That is the ultimate entertainment upgrade: from product to metaphor. Somers isn't merely nostalgic; she's taking a victory lap on behalf of everyone who kept the thing alive long enough for the public to adopt it. In her telling, the real punchline isn't Felix and Oscar. It's that the industry tried to cancel the idea, and the culture kept renewing it.
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| Topic | Movie |
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