"You may shelve your Shakespearian plans for the present. I am going to play Peter Pan"
About this Quote
A polite line with a quiet blade inside it: Maude Adams is announcing a career swerve that doubles as a cultural verdict. “You may shelve your Shakespearian plans for the present” sounds like deference to some unseen adviser, manager, or well-meaning tastemaker pushing her toward the respectable canon. But the phrasing flips the power dynamic. She’s not asking permission; she’s issuing instructions. The “for the present” is the key little hinge of theater diplomacy: it cushions the blow to prestige without surrendering any authority.
Then comes the punchy counterclaim: “I am going to play Peter Pan.” In 1905, J.M. Barrie’s boy-who-won’t-grow-up wasn’t just a role, it was a commercial and emotional machine, a new kind of mass enchantment in a Broadway ecosystem that was professionalizing fast. Adams was already a star; choosing Peter Pan meant choosing cultural centrality over cultural approval. It’s a declaration that the modern stage isn’t obligated to genuflect at Shakespeare to be serious, or to matter.
The subtext is also gendered and slyly radical. A woman playing a boy lets Adams sidestep the era’s narrow “leading lady” scripts and claim a kind of physical freedom and symbolic timelessness. She’s trading the gravitas people want her to perform for the imaginative authority she wants to wield. That’s not escaping ambition; it’s redefining it.
Then comes the punchy counterclaim: “I am going to play Peter Pan.” In 1905, J.M. Barrie’s boy-who-won’t-grow-up wasn’t just a role, it was a commercial and emotional machine, a new kind of mass enchantment in a Broadway ecosystem that was professionalizing fast. Adams was already a star; choosing Peter Pan meant choosing cultural centrality over cultural approval. It’s a declaration that the modern stage isn’t obligated to genuflect at Shakespeare to be serious, or to matter.
The subtext is also gendered and slyly radical. A woman playing a boy lets Adams sidestep the era’s narrow “leading lady” scripts and claim a kind of physical freedom and symbolic timelessness. She’s trading the gravitas people want her to perform for the imaginative authority she wants to wield. That’s not escaping ambition; it’s redefining it.
Quote Details
| Topic | Art |
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