"You mustn't always believe what I say. Questions tempt you to tell lies, particularly when there is no answer"
About this Quote
Picasso opens with a wink and a warning: don’t trust the oracle, especially when the oracle is him. The first sentence punctures the romantic myth of the artist as reliable seer. Coming from a figure whose public persona often rivaled his canvases, it reads like self-sabotage with purpose: he’s telling you that any neat, quotable “Picasso on Picasso” is already a performance.
Then he turns the knife on the interviewer. “Questions tempt you to tell lies” isn’t just cranky anti-press posture; it’s a diagnosis of how art talk gets manufactured. When a reporter asks for meaning, origin, or “what it represents,” the question assumes an answer exists in tidy prose. If it doesn’t, the social machinery of conversation still demands one. So the artist improvises. Not necessarily maliciously, but to satisfy the format: the demand for clarity produces a story, and the story hardens into canon.
The subtext is brutal for anyone who likes artist statements: language is often retrofitted to justify instincts. Picasso, who constantly reinvented his style and raided influences, understood that explanations can become cages, domesticating work that thrives on ambiguity and contradiction. His line also slyly absolves him in advance. If you catch him contradicting himself, that’s not failure; it’s evidence that the question was the wrong tool. The real “answer” is in the work, and even there, it refuses to sit still.
Then he turns the knife on the interviewer. “Questions tempt you to tell lies” isn’t just cranky anti-press posture; it’s a diagnosis of how art talk gets manufactured. When a reporter asks for meaning, origin, or “what it represents,” the question assumes an answer exists in tidy prose. If it doesn’t, the social machinery of conversation still demands one. So the artist improvises. Not necessarily maliciously, but to satisfy the format: the demand for clarity produces a story, and the story hardens into canon.
The subtext is brutal for anyone who likes artist statements: language is often retrofitted to justify instincts. Picasso, who constantly reinvented his style and raided influences, understood that explanations can become cages, domesticating work that thrives on ambiguity and contradiction. His line also slyly absolves him in advance. If you catch him contradicting himself, that’s not failure; it’s evidence that the question was the wrong tool. The real “answer” is in the work, and even there, it refuses to sit still.
Quote Details
| Topic | Honesty & Integrity |
|---|---|
| Source | Help us find the source |
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