"You start to look at it with a deeper respect and I think that deeper respect for what you do builds more self-respect"
About this Quote
Chamberlin’s line reads like a drummer’s version of recovery: not a motivational poster, but a hard-won feedback loop between craft and character. He’s not talking about self-respect as a vibe you summon; he frames it as something you earn by changing how you look at the work itself. “Deeper respect” is the hinge phrase. It implies that early on, you might treat music (or any calling) as identity fuel, adrenaline, maybe even escape. Then time, mistakes, and repetition force a different relationship: the work becomes a discipline with rules, limits, and a history bigger than your ego.
The intent feels practical and slightly corrective. Chamberlin is pointing at a common artist trap: confusing the thrill of performing with the slower, quieter obligation to the craft. Respect, here, isn’t reverence for yourself. It’s reverence for the thing you serve - the instrument, the song, the band, the audience, the lineage. That shift in posture changes behavior: you practice differently, you listen more, you show up soberly (emotionally, sometimes literally), you take responsibility for consistency instead of chasing peaks.
The subtext is almost moral without getting preachy: self-respect is downstream of commitments kept. For a musician with Chamberlin’s arc - virtuosic acclaim, public turbulence, and return - the quote lands as a blueprint for stability. When you stop treating your art as proof that you’re special and start treating it as work worth honoring, your sense of self stops being so fragile.
The intent feels practical and slightly corrective. Chamberlin is pointing at a common artist trap: confusing the thrill of performing with the slower, quieter obligation to the craft. Respect, here, isn’t reverence for yourself. It’s reverence for the thing you serve - the instrument, the song, the band, the audience, the lineage. That shift in posture changes behavior: you practice differently, you listen more, you show up soberly (emotionally, sometimes literally), you take responsibility for consistency instead of chasing peaks.
The subtext is almost moral without getting preachy: self-respect is downstream of commitments kept. For a musician with Chamberlin’s arc - virtuosic acclaim, public turbulence, and return - the quote lands as a blueprint for stability. When you stop treating your art as proof that you’re special and start treating it as work worth honoring, your sense of self stops being so fragile.
Quote Details
| Topic | Confidence |
|---|---|
| Source | Help us find the source |
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