"You would never expect a black woman to be the hero"
About this Quote
The sting of Sanaa Lathan's line is how casually it mirrors an industry reflex: the "default hero" is still imagined as white, male, and safely universal, while everyone else is cast as specific, niche, or supporting. She doesn't dress it up as a theory. She delivers it like an observation you arrive at after years of auditions, press junkets, and scripts where Black women are asked to be the best friend, the suffering mother, the punchline, the temptress, the moral compass - anything but the center of the story.
The phrasing matters. "You would never expect" implicates the audience and the machine at once: a collective conditioning so deep it reads as common sense. It's not just about prejudice; it's about narrative habit. Hollywood sells expectation as pleasure. The hero's journey is built on recognition, and recognition has been rationed. When a Black woman is positioned as the hero, the industry often treats it as a "statement" project, not simply entertainment. That extra burden of representation becomes its own obstacle, making heroism feel like an exception that must justify itself.
Lathan, as a working actress, is also talking about opportunity structure: which roles get greenlit, who gets top billing, whose complexity is allowed without being framed as a lesson. The subtext is weary but strategic. Naming the expectation is a way of breaking it - because once the bias is audible, it starts sounding less like taste and more like a choice.
The phrasing matters. "You would never expect" implicates the audience and the machine at once: a collective conditioning so deep it reads as common sense. It's not just about prejudice; it's about narrative habit. Hollywood sells expectation as pleasure. The hero's journey is built on recognition, and recognition has been rationed. When a Black woman is positioned as the hero, the industry often treats it as a "statement" project, not simply entertainment. That extra burden of representation becomes its own obstacle, making heroism feel like an exception that must justify itself.
Lathan, as a working actress, is also talking about opportunity structure: which roles get greenlit, who gets top billing, whose complexity is allowed without being framed as a lesson. The subtext is weary but strategic. Naming the expectation is a way of breaking it - because once the bias is audible, it starts sounding less like taste and more like a choice.
Quote Details
| Topic | Equality |
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