"You write about what you know"
About this Quote
"You write about what you know" is advice that sounds like a creative seatbelt: safe, sensible, slightly restrictive. Coming from Larry David, it’s less a rule than a confession disguised as a maxim. David’s entire comedic brand runs on the radical refusal to sand down personal irritations for public approval. He doesn’t “invent” conflict so much as excavate it from the petty injustices, social scripts, and micro-hypocrisies most people swallow to keep the peace. The line’s intent, then, isn’t to shrink imagination; it’s to anchor it. Start with the stuff that reliably makes you feel something - annoyance, embarrassment, moral righteousness you can’t quite defend - because that’s where the funny is already metabolizing.
The subtext is almost anti-inspirational: stop chasing what sounds important and write the thing you’re privately obsessed with, even if it’s small, even if it makes you look bad. Especially if it makes you look bad. David’s comedy works because it treats discomfort as evidence, not as a problem to manage. He’s telling writers to cash in their lived experience, including their worst instincts, before polishing them into something “relatable.”
Context matters: this is a showrunner’s mantra from a career built on turning observational crankiness into narrative engines (Seinfeld’s nothingness, Curb’s social minefields). In an era that prizes hot takes and trend-chasing premises, David’s line is a blunt reminder that specificity beats novelty. “What you know” isn’t your resume; it’s your impulses, your pettiness, your shame, your patterns. That’s the material that doesn’t go out of style.
The subtext is almost anti-inspirational: stop chasing what sounds important and write the thing you’re privately obsessed with, even if it’s small, even if it makes you look bad. Especially if it makes you look bad. David’s comedy works because it treats discomfort as evidence, not as a problem to manage. He’s telling writers to cash in their lived experience, including their worst instincts, before polishing them into something “relatable.”
Context matters: this is a showrunner’s mantra from a career built on turning observational crankiness into narrative engines (Seinfeld’s nothingness, Curb’s social minefields). In an era that prizes hot takes and trend-chasing premises, David’s line is a blunt reminder that specificity beats novelty. “What you know” isn’t your resume; it’s your impulses, your pettiness, your shame, your patterns. That’s the material that doesn’t go out of style.
Quote Details
| Topic | Writing |
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