"You're in a profession in which absolutely everybody is telling you their opinion, which is different. That's one of the reasons George Lucas never directed again"
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Filmmaking is the rare job where “collaboration” often means death by committee, and Coppola is naming the quiet brutality of that arrangement. The line starts as a shrugging observation about noise - “absolutely everybody is telling you their opinion” - then tightens into a cautionary tale. Not just that people have opinions, but that they’re “different,” mutually incompatible, and delivered with the confidence of ownership. It’s a portrait of a set where authority is constantly renegotiated: studio notes, producers, executives, actors, crew, marketers, test audiences, fandom. In that environment, directing isn’t merely craft; it’s psychological endurance.
Dropping George Lucas as the example is doing a lot of work. Lucas is the modern myth of the filmmaker who built a universe, then stepped away from the specific ordeal Coppola is describing. After Star Wars, Lucas didn’t stop creating; he shifted power. He built infrastructure (Industrial Light & Magic, Skywalker Sound), produced, wrote, engineered a system where he could control outcomes without standing in the daily crossfire of on-set adjudication. Coppola’s subtext: the most rational response to nonstop second-guessing is to redesign your career so you don’t have to absorb it.
There’s also a sly self-portrait here. Coppola, who fought studios and nearly broke himself making films like Apocalypse Now, is speaking as a veteran of that war. The intent isn’t gossip about Lucas; it’s a thesis about authorship under capitalism: the director is treated as both visionary and service worker, expected to have a singular voice while accommodating everyone else’s. The quote lands because it frames “notes” not as feedback, but as a structural pressure that can permanently reroute an artist’s life.
Dropping George Lucas as the example is doing a lot of work. Lucas is the modern myth of the filmmaker who built a universe, then stepped away from the specific ordeal Coppola is describing. After Star Wars, Lucas didn’t stop creating; he shifted power. He built infrastructure (Industrial Light & Magic, Skywalker Sound), produced, wrote, engineered a system where he could control outcomes without standing in the daily crossfire of on-set adjudication. Coppola’s subtext: the most rational response to nonstop second-guessing is to redesign your career so you don’t have to absorb it.
There’s also a sly self-portrait here. Coppola, who fought studios and nearly broke himself making films like Apocalypse Now, is speaking as a veteran of that war. The intent isn’t gossip about Lucas; it’s a thesis about authorship under capitalism: the director is treated as both visionary and service worker, expected to have a singular voice while accommodating everyone else’s. The quote lands because it frames “notes” not as feedback, but as a structural pressure that can permanently reroute an artist’s life.
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| Topic | Movie |
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