Memoir: A Circle of Quiet
Overview
A Circle of Quiet is a contemplative memoir and journal by Madeleine L'Engle, first published in 1972. It collects short, intimate pieces, meditations, anecdotes, brief essays, that move between the domestic and the transcendent. The book presents everyday scenes and private reflections with a writer's eye for detail and a believer's hunger for meaning, making ordinary life feel like the proper setting for spiritual and creative discovery.
L'Engle does not present a single, continuous narrative so much as a shape of thought and feeling: recurring concerns, writing, solitude, family, faith, appear and reappear, and the reader gains a sense of the author's interior landscape through accumulation. Moments of humor and tenderness sit beside sober questioning; practical matters such as household routines and caregiving are treated as worthy of attention alongside prayer and philosophical musing.
Themes
Solitude and silence are central. L'Engle treats quiet not as escape but as a productive condition, a circle in which imagination can breathe and the self can listen. She explores how solitude interacts with responsibilities to family and community, arguing that the capacity for concentrated attention is necessary for both prayer and artistic work. The book reflects a sustained conviction that inner life and outer tasks are not opposites but partners.
Creativity and vocation receive continual attention. L'Engle writes honestly about the discipline of writing, the daily negotiations that a creative life demands, and the elusive relationship between inspiration and toil. Her reflections on failure, discipline, and the small satisfactions of craft make the book especially resonant for writers and anyone who cares about making things with integrity. Faith is woven through these concerns, not as doctrine but as a lived conversation with mystery, doubt, and gratitude.
Style and Structure
The prose is spare, luminous, and often conversational. Entries range from vignettes to aphorisms to more extended contemplations, and the tone combines keen observation with a gentle authority. L'Engle's voice can be witty and homespun one moment, quietly theological the next, maintaining a consistent compassion and curiosity throughout.
The structure allows the reader to dip in at will or to read straight through; the modular nature of the pieces gives the book the feel of an ongoing journal while still delivering carefully shaped insights. Recurring images and motifs, domestic objects, seasons, books, and the everyday gestures of family life, create coherence without rigid plot, producing instead the rhythm of a reflective life.
Reception and Legacy
A Circle of Quiet has become one of L'Engle's most beloved nonfiction works, admired for its spiritual insight, literary craft, and frank engagement with the tensions of domestic and creative life. It helped define the Crosswicks journals as a place where art and faith could meet without pretense, and it continues to attract readers who seek writing that is both intellectually alive and warmly humane.
The book's lasting appeal lies in its invitation to pay attention: to see the sacred in ordinary routines, to accept the necessity of solitude for inner growth, and to approach work and relationship with patience and honesty. For readers drawn to contemplative prose that refuses to separate the life of the mind from the demands of the heart, A Circle of Quiet remains a quietly powerful companion.
A Circle of Quiet is a contemplative memoir and journal by Madeleine L'Engle, first published in 1972. It collects short, intimate pieces, meditations, anecdotes, brief essays, that move between the domestic and the transcendent. The book presents everyday scenes and private reflections with a writer's eye for detail and a believer's hunger for meaning, making ordinary life feel like the proper setting for spiritual and creative discovery.
L'Engle does not present a single, continuous narrative so much as a shape of thought and feeling: recurring concerns, writing, solitude, family, faith, appear and reappear, and the reader gains a sense of the author's interior landscape through accumulation. Moments of humor and tenderness sit beside sober questioning; practical matters such as household routines and caregiving are treated as worthy of attention alongside prayer and philosophical musing.
Themes
Solitude and silence are central. L'Engle treats quiet not as escape but as a productive condition, a circle in which imagination can breathe and the self can listen. She explores how solitude interacts with responsibilities to family and community, arguing that the capacity for concentrated attention is necessary for both prayer and artistic work. The book reflects a sustained conviction that inner life and outer tasks are not opposites but partners.
Creativity and vocation receive continual attention. L'Engle writes honestly about the discipline of writing, the daily negotiations that a creative life demands, and the elusive relationship between inspiration and toil. Her reflections on failure, discipline, and the small satisfactions of craft make the book especially resonant for writers and anyone who cares about making things with integrity. Faith is woven through these concerns, not as doctrine but as a lived conversation with mystery, doubt, and gratitude.
Style and Structure
The prose is spare, luminous, and often conversational. Entries range from vignettes to aphorisms to more extended contemplations, and the tone combines keen observation with a gentle authority. L'Engle's voice can be witty and homespun one moment, quietly theological the next, maintaining a consistent compassion and curiosity throughout.
The structure allows the reader to dip in at will or to read straight through; the modular nature of the pieces gives the book the feel of an ongoing journal while still delivering carefully shaped insights. Recurring images and motifs, domestic objects, seasons, books, and the everyday gestures of family life, create coherence without rigid plot, producing instead the rhythm of a reflective life.
Reception and Legacy
A Circle of Quiet has become one of L'Engle's most beloved nonfiction works, admired for its spiritual insight, literary craft, and frank engagement with the tensions of domestic and creative life. It helped define the Crosswicks journals as a place where art and faith could meet without pretense, and it continues to attract readers who seek writing that is both intellectually alive and warmly humane.
The book's lasting appeal lies in its invitation to pay attention: to see the sacred in ordinary routines, to accept the necessity of solitude for inner growth, and to approach work and relationship with patience and honesty. For readers drawn to contemplative prose that refuses to separate the life of the mind from the demands of the heart, A Circle of Quiet remains a quietly powerful companion.
A Circle of Quiet
A reflective, contemplative memoir and journal in which L'Engle meditates on writing, creativity, family life, faith and solitude; part of her Crosswicks journals and valued for its spiritual insight and literary craft.
- Publication Year: 1972
- Type: Memoir
- Genre: Memoir, Non-Fiction
- Language: en
- Characters: Madeleine L'Engle
- View all works by Madeleine L'Engle on Amazon
Author: Madeleine L'Engle

More about Madeleine L'Engle
- Occup.: Novelist
- From: USA
- Other works:
- And Both Were Young (1949 Novel)
- Camilla Dickinson (1951 Novel)
- Meet the Austins (1960 Novel)
- A Wrinkle in Time (1962 Novel)
- The Moon by Night (1963 Novel)
- The Arm of the Starfish (1965 Novel)
- A Wind in the Door (1973 Novel)
- The Irrational Season (1977 Essay)
- A Swiftly Tilting Planet (1978 Novel)
- A Ring of Endless Light (1980 Novel)
- A House Like a Lotus (1984 Novel)
- Many Waters (1986 Novel)
- Two‑Part Invention: The Story of a Marriage (1988 Autobiography)
- An Acceptable Time (1989 Novel)
- Troubling a Star (1994 Novel)
- Walking on Water: Reflections on Faith and Art (2001 Non-fiction)