Novel: A Hazard of New Fortunes
Overview
A Hazard of New Fortunes sketches a wide, vivid panorama of New York City at the end of the 19th century through the lives of an interlocking circle gathered around the creation of a new literary magazine. The narrative follows their aspirations, misgivings, friendships, and conflicts as social and economic forces press in: upward mobility, immigration, labor unrest, and the city's uneven prosperity. Howells weds intimate character study with a broad social canvas to examine how private ambitions collide with public crises.
Plot and Structure
The action centers on the launch of a publishing venture and the personal dramas that intersect with it. As editorial plans advance, conversations and quarrels reveal differences in taste, principle, and priorities among contributors and supporters. The novel shifts between parlor debates and street-level scenes, building toward a public emergency when labor tensions erupt into violence. That rupture forces characters to confront the moral consequences of their choices and to reassess their assumptions about society, art, and responsibility.
Characters and Social Conflict
The cast is deliberately diverse: men and women of the literary and commercial middle classes, a band of idealists and opportunists, immigrants, and working people who press against the social order. Personal ambitions and aesthetic disputes, over art's relation to life and market forces, play out against urgent political questions about labor, wealth, and justice. The book treats each figure with nuance; sympathies are distributed across different viewpoints, producing a mosaic rather than a single moral mouthpiece.
Themes and Style
Realism guides both the moral inquiry and the narrative technique. Dialogue is central: public conversations, editorial meetings, and domestic talk reveal characters' principles more than expository narration would. Howells probes the possibility of democratic culture amid economic inequality, testing the limits of liberal optimism. He explores the interplay of private conscience and public duty, asking whether aesthetic pursuits can remain detached from the social conditions that shape readers' lives. Humor and irony lighten the book's tone at times, but scenes of social conflict and loss introduce a sobering moral gravity.
Reception and Significance
The novel was long praised as one of the most ambitious American realist works of its time, admired for its moral seriousness and its panoramic urban portrait. Critics praised the fidelity of its social observation while some faulted its episodic structure and diffuse focus. Over time it has been read as both a critique of laissez-faire complacency and a nuanced sketch of a transitional America, where old certainties yield to pluralism and contested modern values. Its combination of literary debate and civic concern makes it a key text for understanding late 19th-century American thought about culture, class, and the responsibilities of public life.
A Hazard of New Fortunes sketches a wide, vivid panorama of New York City at the end of the 19th century through the lives of an interlocking circle gathered around the creation of a new literary magazine. The narrative follows their aspirations, misgivings, friendships, and conflicts as social and economic forces press in: upward mobility, immigration, labor unrest, and the city's uneven prosperity. Howells weds intimate character study with a broad social canvas to examine how private ambitions collide with public crises.
Plot and Structure
The action centers on the launch of a publishing venture and the personal dramas that intersect with it. As editorial plans advance, conversations and quarrels reveal differences in taste, principle, and priorities among contributors and supporters. The novel shifts between parlor debates and street-level scenes, building toward a public emergency when labor tensions erupt into violence. That rupture forces characters to confront the moral consequences of their choices and to reassess their assumptions about society, art, and responsibility.
Characters and Social Conflict
The cast is deliberately diverse: men and women of the literary and commercial middle classes, a band of idealists and opportunists, immigrants, and working people who press against the social order. Personal ambitions and aesthetic disputes, over art's relation to life and market forces, play out against urgent political questions about labor, wealth, and justice. The book treats each figure with nuance; sympathies are distributed across different viewpoints, producing a mosaic rather than a single moral mouthpiece.
Themes and Style
Realism guides both the moral inquiry and the narrative technique. Dialogue is central: public conversations, editorial meetings, and domestic talk reveal characters' principles more than expository narration would. Howells probes the possibility of democratic culture amid economic inequality, testing the limits of liberal optimism. He explores the interplay of private conscience and public duty, asking whether aesthetic pursuits can remain detached from the social conditions that shape readers' lives. Humor and irony lighten the book's tone at times, but scenes of social conflict and loss introduce a sobering moral gravity.
Reception and Significance
The novel was long praised as one of the most ambitious American realist works of its time, admired for its moral seriousness and its panoramic urban portrait. Critics praised the fidelity of its social observation while some faulted its episodic structure and diffuse focus. Over time it has been read as both a critique of laissez-faire complacency and a nuanced sketch of a transitional America, where old certainties yield to pluralism and contested modern values. Its combination of literary debate and civic concern makes it a key text for understanding late 19th-century American thought about culture, class, and the responsibilities of public life.
A Hazard of New Fortunes
The book examines the lives and fortunes of a group of characters involved in the founding of a new literary magazine in New York City, highlighting their personal growth and the social changes taking place around them.
- Publication Year: 1890
- Type: Novel
- Genre: Literary Fiction
- Language: English
- Characters: Basil March, Isabel March, Mrs. Horn, Fulkerson
- View all works by William Dean Howells on Amazon
Author: William Dean Howells

More about William Dean Howells
- Occup.: Author
- From: USA
- Other works:
- The Rise of Silas Lapham (1885 Novel)
- The Minister's Charge (1886 Novel)
- Indian Summer (1886 Novel)
- Annie Kilburn (1888 Novel)