Novel: Absalom, Absalom!
Overview
Absalom, Absalom! is a dense, elegiac novel centered on the rise and fall of Thomas Sutpen, a man who builds a plantation dynasty in antebellum Mississippi called Sutpen's Hundred. Told through a web of recollections and reconstructions largely driven by Quentin Compson and his Harvard roommate Shreve, the narrative pieces together Sutpen's obsessions, violent ambitions, and the racial and familial entanglements that undo him. The novel is a meditation on history, memory, and the persistent ghosts of the Old South.
Narrative Structure
The story unfolds through nested narratives and multiple perspectives that repeatedly revise and contradict one another. Quentin hears the core account from his childhood friend Rosa Coldfield and then struggles to make sense of it, working with Shreve to fill gaps and test hypotheses. Faulkner fragments time and viewpoint, moving between present-day conversation, recalled testimony, and interior monologue, forcing readers to assemble the truth from unreliable and partial witnesses.
Main Plot
Thomas Sutpen arrives in Jefferson, Mississippi, in the 1830s with a plan to establish a lasting lineage and social power. He marries Ellen Coldfield and fathers two children, Henry and Judith, but his secretive past and ruthless drive set a course for tragedy. A pivotal event occurs when Sutpen takes in Charles Bon, revealed to be his son by a mixed-race woman, and the ensuing revelations about race and legitimacy provoke catastrophic consequences, including fratricide, the collapse of Sutpen's household, and the ruin of the family estate.
Characters
Sutpen is an emblem of destructive willfulness: charismatic, remorseless, and obsessively committed to a design of grandeur that excludes ambiguity or human weakness. Rosa Coldfield embodies bitterness and wounded pride, reliving the humiliation and losses tied to Sutpen's betrayals. Quentin and Shreve serve as interpretive investigators, their dialogue exposing the limits of knowledge and empathy as they attempt to reconstruct events from fragments and rumor. Secondary figures, Ellen, Henry, Judith, and Charles, are drawn with moral ambiguity that complicates simple judgments of villainy or victimhood.
Themes and Symbols
Race, inheritance, and the weight of history dominate the novel, with Sutpen's quest standing in for the South's attempt to forge identity through domination and exclusion. The title's biblical echo, Absalom, Absalom!, invokes father-son conflict and ruinous pride, underscoring how filial bonds become battlegrounds for honor and vengeance. Repetition and failure recur as motifs: attempts to found a dynasty are met by a pattern of secrecy and violence that ensures collapse, suggesting the impossibility of escaping a violent past.
Style and Language
Faulkner's prose ranges from ornate, cascading sentences to terse, anguished bursts, reflecting the psychological intensity of memory and inquiry. The narrative resists linear clarity, relying instead on associative leaps, rhetorical layering, and fragmented chronology to reproduce the experience of trying to remember and explain a traumatic communal history. The novel demands active reading, inviting multiple re-readings to tease out nuance and reconcile contradictions.
Legacy
Absalom, Absalom! is often regarded as one of Faulkner's most ambitious achievements, notable for its formal experimentation and uncompromising confrontation with Southern culpability. Its complexity has made it a touchstone for discussions of narrative reliability, historical memory, and the literary representation of race and power. The book continues to provoke and challenge readers seeking a rigorous, painful exploration of how personal ambition and social structures can conspire to destroy lives.
Absalom, Absalom! is a dense, elegiac novel centered on the rise and fall of Thomas Sutpen, a man who builds a plantation dynasty in antebellum Mississippi called Sutpen's Hundred. Told through a web of recollections and reconstructions largely driven by Quentin Compson and his Harvard roommate Shreve, the narrative pieces together Sutpen's obsessions, violent ambitions, and the racial and familial entanglements that undo him. The novel is a meditation on history, memory, and the persistent ghosts of the Old South.
Narrative Structure
The story unfolds through nested narratives and multiple perspectives that repeatedly revise and contradict one another. Quentin hears the core account from his childhood friend Rosa Coldfield and then struggles to make sense of it, working with Shreve to fill gaps and test hypotheses. Faulkner fragments time and viewpoint, moving between present-day conversation, recalled testimony, and interior monologue, forcing readers to assemble the truth from unreliable and partial witnesses.
Main Plot
Thomas Sutpen arrives in Jefferson, Mississippi, in the 1830s with a plan to establish a lasting lineage and social power. He marries Ellen Coldfield and fathers two children, Henry and Judith, but his secretive past and ruthless drive set a course for tragedy. A pivotal event occurs when Sutpen takes in Charles Bon, revealed to be his son by a mixed-race woman, and the ensuing revelations about race and legitimacy provoke catastrophic consequences, including fratricide, the collapse of Sutpen's household, and the ruin of the family estate.
Characters
Sutpen is an emblem of destructive willfulness: charismatic, remorseless, and obsessively committed to a design of grandeur that excludes ambiguity or human weakness. Rosa Coldfield embodies bitterness and wounded pride, reliving the humiliation and losses tied to Sutpen's betrayals. Quentin and Shreve serve as interpretive investigators, their dialogue exposing the limits of knowledge and empathy as they attempt to reconstruct events from fragments and rumor. Secondary figures, Ellen, Henry, Judith, and Charles, are drawn with moral ambiguity that complicates simple judgments of villainy or victimhood.
Themes and Symbols
Race, inheritance, and the weight of history dominate the novel, with Sutpen's quest standing in for the South's attempt to forge identity through domination and exclusion. The title's biblical echo, Absalom, Absalom!, invokes father-son conflict and ruinous pride, underscoring how filial bonds become battlegrounds for honor and vengeance. Repetition and failure recur as motifs: attempts to found a dynasty are met by a pattern of secrecy and violence that ensures collapse, suggesting the impossibility of escaping a violent past.
Style and Language
Faulkner's prose ranges from ornate, cascading sentences to terse, anguished bursts, reflecting the psychological intensity of memory and inquiry. The narrative resists linear clarity, relying instead on associative leaps, rhetorical layering, and fragmented chronology to reproduce the experience of trying to remember and explain a traumatic communal history. The novel demands active reading, inviting multiple re-readings to tease out nuance and reconcile contradictions.
Legacy
Absalom, Absalom! is often regarded as one of Faulkner's most ambitious achievements, notable for its formal experimentation and uncompromising confrontation with Southern culpability. Its complexity has made it a touchstone for discussions of narrative reliability, historical memory, and the literary representation of race and power. The book continues to provoke and challenge readers seeking a rigorous, painful exploration of how personal ambition and social structures can conspire to destroy lives.
Absalom, Absalom!
A complex, densely structured novel about Thomas Sutpen's rise and fall and the intergenerational burden of history; it explores the South's past, slavery, and the creation of mythic identities.
- Publication Year: 1936
- Type: Novel
- Genre: Modernist, Southern Gothic
- Language: en
- Characters: Thomas Sutpen, Henry Sutpen, Charles Bon, Quentin Compson
- View all works by William Faulkner on Amazon
Author: William Faulkner
William Faulkner covering life, major works, themes, Yoknapatawpha, and selected quotes.
More about William Faulkner
- Occup.: Novelist
- From: USA
- Other works:
- Soldiers' Pay (1926 Novel)
- Mosquitoes (1927 Novel)
- The Sound and the Fury (1929 Novel)
- Sartoris (1929 Novel)
- A Rose for Emily (1930 Short Story)
- As I Lay Dying (1930 Novel)
- Sanctuary (1931 Novel)
- These 13 (1931 Collection)
- Light in August (1932 Novel)
- The Unvanquished (1938 Collection)
- Barn Burning (1939 Short Story)
- The Hamlet (1940 Novel)
- The Bear (1942 Novella)
- Go Down, Moses (1942 Collection)
- Intruder in the Dust (1948 Novel)
- A Fable (1954 Novel)
- The Town (1957 Novel)
- The Mansion (1959 Novel)
- The Reivers (1962 Novel)