Skip to main content

Play: Allegro

Overview
"Allegro" is a 1947 Rodgers and Hammerstein musical with a book and lyrics by Oscar Hammerstein II and music by Richard Rodgers. It is an austere, concept-driven experiment that follows the life of Joseph Taylor Jr. from birth to middle age, using an ensemble that functions much like a Greek chorus to comment on and shape the action. The piece deliberately departs from the more lavish, character-driven musicals that made the team famous, aiming instead for a theatrical study of ambition, conscience, and the cost of success.

Plot
The narrative traces Joseph Taylor Jr.'s development from a small-town child nurtured by a principled mother into a professional man whose talents and choices lead him into the modern world of institutions, status, and compromise. As he ascends, professionally and socially, Joseph confronts the tensions between personal integrity and the seductive rewards of careerism. The story moves through a series of episodes and tableaux rather than conventional scene-to-scene realism, compressing time and emphasizing moral and emotional turning points up to his middle-age reckoning.

Staging and Innovation
Staging is central to the work's identity: minimalist sets, fluid transitions, and an omnipresent ensemble create a continuous, almost cinematic flow. The chorus functions as a communal conscience, a crowdsourced commentary that amplifies inner life and societal pressures without relying on individual soliloquy. Innovative use of lighting, blocking, and rhythmic movement turned the stage into a moral landscape rather than a literal environment, making the theatrical form itself part of the storytelling.

Themes
At its heart, the piece interrogates what it means to succeed and what is sacrificed along the way. Questions of integrity, family loyalty, and the influence of institutions recur, as does the contrast between simple humane values and the depersonalizing drive for status. The work treats time and memory as ethical forces: how early lessons shape later choices, and how a life can be read as a series of allegorical moments rather than a straightforward plot.

Music and Tone
Rodgers' score supports the concept with restraint, favoring ensemble textures and thematic underscoring over show-stopping solos. Music and lyrics work together to blur the line between narrative exposition and psychological insight, often allowing the chorus to carry the emotional implications of a scene. The result is music that feels integrated and purposeful, designed to advance the moral argument rather than provide mere entertainment.

Reception and Legacy
Contemporary responses were mixed: critics and audiences admired the ambition and theatrical daring while some found the austerity and moralizing tone challenging. "Allegro" did not achieve the popular longevity of its creators' more conventional hits, yet it left an important imprint on musical theatre by expanding what the form could attempt. Directors and scholars continue to study it for its formal innovations and its willingness to make the musical stage a forum for social and ethical examination, and periodic revivals and readings treat it as a provocative experiment in storytelling and stagecraft.
Allegro

A Rodgers and Hammerstein musical experiment that follows the life of Joseph Taylor Jr. from birth to middle age, examining success, compromise, and personal integrity. Noted for its innovative staging and use of a Greek chorus-like ensemble, it was more austere and concept-driven than typical mid-century musicals.


Author: Oscar Hammerstein

Oscar Hammerstein II, his collaborations with Kern and Rodgers, and his lasting influence on American musical theater.
More about Oscar Hammerstein