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Play: Amadeus (play)

Overview
Peter Shaffer's Amadeus dramatizes a fictionalized rivalry between Antonio Salieri and Wolfgang Amadeus Mozart, told through the anguished voice of an older Salieri who confesses and reconstructs his actions. The play juxtaposes ordinary ambition and mediocrity with seemingly supernatural talent, creating a bitter study of envy, worship, and moral collapse. Music serves as both character and catalyst, driving the action and exposing inner lives without needing lengthy exposition.

Narrative and Plot
The narrative is presented as a long confession by Salieri, who recounts his rise as a court composer in Vienna and his first encounter with Mozart's startling genius. Salieri admires Mozart's music while recoiling at the composer's irreverence, childish behavior, and apparent disrespect for sacred art. As Mozart's talent wins public and private bursts of recognition, Salieri becomes consumed with jealousy and plots subtle, corrosive ways to undermine him while masking his admiration as hatred.
Salieri engineers petty intrigues at court, manipulates officials, and sabotages opportunities to estrange Mozart from patrons and stability. He also uses the anonymity of a mysterious commission to ensnare Mozart into composing the haunting Requiem, a piece that becomes a vessel for both genius and tragedy. The story moves toward Mozart's decline in health and finances, and Salieri faces the paradox of adoring a talent he has destroyed. The play ends on the note of Salieri's obsessive need to confess and to be remembered as the antithesis of Mozart's divinely bestowed gift.

Characters and Perspective
Salieri is the central consciousness: cultured, articulate, devoutly religious, and painfully self-aware of his limitations. Mozart is portrayed as riotously brilliant, vulgar, generous, and childlike, a man whose music seems to come from a place beyond calculation. Other figures, including Mozart's wife Constanze, Emperor Joseph II, and various courtiers, orbit the two men and reveal the social pressures of imperial Vienna.
The first-person, often unreliable narration forces the audience to reconcile Salieri's subjective moralizing with the theatrical evidence of events. That tension, between what Salieri claims and what is shown onstage, drives much of the play's psychological power.

Themes
Envy is the play's motor, explored as both destructive force and perverse form of devotion. Shaffer probes what it means to live beside a genius: how admiration can poison into spite and how the yearning for divine favor warps piety into vengeance. The play interrogates artistic value, asking whether skill can be earned and measured, and whether genius is a blessing, a curse, or a test of faith.
Faith and hypocrisy intertwine as Salieri, a devout believer, grapples with theodicy, the question of why God would grant such unequal gifts. The piece raises moral ambiguities rather than offering tidy answers, showing how institutions, vanity, and human frailty shape reputations and histories.

Dramatic Techniques and Music
Shaffer structures the drama as a confessional frame with vivid flashbacks and theatrical flourishes. Dialogues oscillate between sharp comic set pieces and tragicomic assaults on pride. Music, especially Mozart's compositions, functions as an aural protagonist, illustrating emotional truths that language cannot convey and underscoring ironic contrasts between sound and circumstance.
Staging often leans on baroque pageantry and contrasting intimacy, using lighting, costume, and recorded or performed music to make the composer's genius viscerally present. The tension between what is heard and what is witnessed becomes a central theatrical device.

Legacy
Amadeus earned widespread acclaim and became one of Shaffer's best-known plays, reaching international audiences and later inspiring Miloš Forman's acclaimed 1984 film adaptation. The play endures as a penetrating meditation on artistry, envy, and the way personal mythmaking shapes cultural memory. Its portrayal of genius and mediocrity continues to provoke discussion about creativity, justice, and the costs of living in the shadow of an incomparable talent.
Amadeus (play)
Original Title: Amadeus

A dramatized, largely fictionalized rivalry between Antonio Salieri and Wolfgang Amadeus Mozart, told from Salieri's perspective as he obsesses over Mozart's genius and contemplates revenge and worship. The play examines envy, artistic genius and faith.


Author: Peter Shaffer

Peter Shaffer covering his life, major plays such as Equus and Amadeus, collaborations, awards, and legacy.
More about Peter Shaffer