Novel: An American Dream
Overview
An American Dream follows the downward spiral of Stephen Rojack, a charismatic and famous television personality whose public persona masks a roiling private life. The novel opens with Rojack celebrating his renown and ends with a litany of violent acts and moral unraveling that probe the costs of celebrity, the instability of identity, and the latent brutality beneath American culture. The tone is dark, satirical, and unapologetically confrontational, pairing brutal events with philosophic monologues and grotesque social observation.
Mailer frames Rojack as both self-mythologizing hero and unreliable narrator, a man whose confidence and lust for power unravel into paranoia, rage, and a desperate attempt to reclaim meaning. The plot moves swiftly from a single murderous act into a chaotic sequence of encounters, escapes, and increasingly complicit alliances. Violence serves less as sensational spectacle than as a means to interrogate how a celebrated public figure navigates guilt, conscience, and the hunger for domination in a media-saturated society.
Plot
The story begins when Rojack, in a jealous rage, kills his wife. Shocked but oddly lucid, he stages the scene and flees into the night, attempting to control the narrative of his life even as it slips away. What follows is a series of morally ambiguous choices: Rojack seeks allies and lovers, hides from law and public scrutiny, and continually reframes the murder to maintain his self-image. Each new relationship and encounter amplifies his isolation, drawing him deeper into schemes of revenge, self-justification, and theatrical posturing.
Rojack's journey becomes episodic, touching on political ambition, sexual obsession, and elaborate acts of retribution. He alternates between moments of grandiloquent reflection and base impulsivity, never settling into stable remorse or redemption. The novel culminates in a brutal reckoning that leaves readers confronting the interplay between personal violence and cultural complicity, asking whether American society cultivates men like Rojack or merely permits them to thrive.
Protagonist and Supporting Figures
Stephen Rojack manifests contradictions: wartime hardness, charismatic showmanship, and a brittle, narcissistic interior that both attracts and repels others. His voice dominates the narrative, offering swaggering insights and fevered rationalizations as he moves through a landscape of admirers, rivals, and potential lovers. Secondary figures function less as fully realized individuals than as mirrors and foils, reflecting facets of fame, desire, and the social codes that shape Rojack's actions.
Allies and adversaries alternately enable and condemn him, revealing a social ecosystem in which image, rumor, and power constantly collide. Romantic entanglements are tangled with ambition and revenge, and friendships are transactional, showing how intimacy is compromised by spectacle. These relationships emphasize the novel's concern with performance: everyone plays a role in sustaining or dismantling Rojack's myth.
Themes and Motifs
Celebrit y is presented as both currency and anesthetic: Rojack's fame shields him briefly while also intensifying scrutiny and isolation. Identity emerges as unstable and performative; the protagonist repeatedly constructs narratives to justify violence and to preserve a self he can admire. Mailer interrogates masculinity and aggression, suggesting that American ideals of strength and conquest can calcify into destructive entitlement when mediated by mass culture.
Violence recurs as a motif and philosophical problem , not merely physical action, but a language through which characters assert meaning and reclaim agency. Satire colors the critique of media, politics, and entertainment, showing how public life rewards spectacle and suppresses ethical reflection. The novel probes whether redemption is possible in a society that venerates force and rewards mythmaking.
Style and Reception
Mailer's prose is muscular, elliptical, and often barbed, switching between baroque introspection and terse, pulpy scenes. The narrative's intensity is amplified by rhetorical flourishes, violent imagery, and long, persuasive monologues that aim to shock and persuade in equal measure. Critics and readers have been divided: some praise its audacity and moral complexity, others criticize its misogyny and gratuitous brutality, but few deny its force as a cultural provocation.
An American Dream endures as a combustible fusion of crime fiction, social satire, and existential inquiry. It remains provocative for how it forces readers to confront the uneasy entanglement of charisma, violence, and mass spectacle in modern America.
An American Dream follows the downward spiral of Stephen Rojack, a charismatic and famous television personality whose public persona masks a roiling private life. The novel opens with Rojack celebrating his renown and ends with a litany of violent acts and moral unraveling that probe the costs of celebrity, the instability of identity, and the latent brutality beneath American culture. The tone is dark, satirical, and unapologetically confrontational, pairing brutal events with philosophic monologues and grotesque social observation.
Mailer frames Rojack as both self-mythologizing hero and unreliable narrator, a man whose confidence and lust for power unravel into paranoia, rage, and a desperate attempt to reclaim meaning. The plot moves swiftly from a single murderous act into a chaotic sequence of encounters, escapes, and increasingly complicit alliances. Violence serves less as sensational spectacle than as a means to interrogate how a celebrated public figure navigates guilt, conscience, and the hunger for domination in a media-saturated society.
Plot
The story begins when Rojack, in a jealous rage, kills his wife. Shocked but oddly lucid, he stages the scene and flees into the night, attempting to control the narrative of his life even as it slips away. What follows is a series of morally ambiguous choices: Rojack seeks allies and lovers, hides from law and public scrutiny, and continually reframes the murder to maintain his self-image. Each new relationship and encounter amplifies his isolation, drawing him deeper into schemes of revenge, self-justification, and theatrical posturing.
Rojack's journey becomes episodic, touching on political ambition, sexual obsession, and elaborate acts of retribution. He alternates between moments of grandiloquent reflection and base impulsivity, never settling into stable remorse or redemption. The novel culminates in a brutal reckoning that leaves readers confronting the interplay between personal violence and cultural complicity, asking whether American society cultivates men like Rojack or merely permits them to thrive.
Protagonist and Supporting Figures
Stephen Rojack manifests contradictions: wartime hardness, charismatic showmanship, and a brittle, narcissistic interior that both attracts and repels others. His voice dominates the narrative, offering swaggering insights and fevered rationalizations as he moves through a landscape of admirers, rivals, and potential lovers. Secondary figures function less as fully realized individuals than as mirrors and foils, reflecting facets of fame, desire, and the social codes that shape Rojack's actions.
Allies and adversaries alternately enable and condemn him, revealing a social ecosystem in which image, rumor, and power constantly collide. Romantic entanglements are tangled with ambition and revenge, and friendships are transactional, showing how intimacy is compromised by spectacle. These relationships emphasize the novel's concern with performance: everyone plays a role in sustaining or dismantling Rojack's myth.
Themes and Motifs
Celebrit y is presented as both currency and anesthetic: Rojack's fame shields him briefly while also intensifying scrutiny and isolation. Identity emerges as unstable and performative; the protagonist repeatedly constructs narratives to justify violence and to preserve a self he can admire. Mailer interrogates masculinity and aggression, suggesting that American ideals of strength and conquest can calcify into destructive entitlement when mediated by mass culture.
Violence recurs as a motif and philosophical problem , not merely physical action, but a language through which characters assert meaning and reclaim agency. Satire colors the critique of media, politics, and entertainment, showing how public life rewards spectacle and suppresses ethical reflection. The novel probes whether redemption is possible in a society that venerates force and rewards mythmaking.
Style and Reception
Mailer's prose is muscular, elliptical, and often barbed, switching between baroque introspection and terse, pulpy scenes. The narrative's intensity is amplified by rhetorical flourishes, violent imagery, and long, persuasive monologues that aim to shock and persuade in equal measure. Critics and readers have been divided: some praise its audacity and moral complexity, others criticize its misogyny and gratuitous brutality, but few deny its force as a cultural provocation.
An American Dream endures as a combustible fusion of crime fiction, social satire, and existential inquiry. It remains provocative for how it forces readers to confront the uneasy entanglement of charisma, violence, and mass spectacle in modern America.
An American Dream
A dark, satirical novel about a celebrated TV personality who kills his wife and flees into a spiral of violence and moral decay, probing celebrity, identity, and American brutality.
- Publication Year: 1965
- Type: Novel
- Genre: Social Satire, Psychological fiction
- Language: en
- View all works by Norman Mailer on Amazon
Author: Norman Mailer
Norman Mailer covering life, major works, New Journalism, controversies, and influence on American letters.
More about Norman Mailer
- Occup.: Novelist
- From: USA
- Other works:
- The Naked and the Dead (1948 Novel)
- Barbary Shore (1951 Novel)
- The Deer Park (1955 Novel)
- The White Negro (1957 Essay)
- Advertisements for Myself (1959 Collection)
- Why Are We in Vietnam? (1967 Essay)
- The Armies of the Night (1968 Non-fiction)
- Of a Fire on the Moon (1970 Non-fiction)
- The Fight (1975 Non-fiction)
- The Executioner's Song (1979 Novel)
- Ancient Evenings (1983 Novel)
- The Garden of Eden (1986 Novel)
- Harlot's Ghost (1991 Novel)
- The Gospel According to the Son (1997 Novel)
- The Time of Our Time (1998 Collection)
- The Spooky Art: Some Thoughts on Writing (2003 Essay)
- The Castle in the Forest (2007 Novel)