Book: Art as Experience
Overview
John Dewey reconceives art as a form of experience rooted in everyday life rather than as an isolated class of objects or a specialized realm reserved for the elite. He argues that aesthetics should be understood in terms of the active, consummatory episodes that integrate perception, emotion, and meaning. For Dewey, the value of art lies in the quality of experience it engenders, a continuity between ordinary living and the intensified, organized experience found in works of art.
Experience and Continuity
Dewey emphasizes that experience is an ongoing stream shaped by interactions between organism and environment. Aesthetic experience emerges when routine materials and actions are transformed into an integrated whole, producing a sense of fulfillment and unity. Disruptions or fragmentation of experience, whether by social conditions, alienation, or poor design, diminish the possibility of aesthetic completeness and thus reduce both personal and communal well-being.
Perception, Emotion, and Meaning
Perception for Dewey is not passive reception but an active, interpretive engagement that fuses sensation with memory, desire, and imagination. Emotion is not a separate ingredient but is interwoven with perception, helping to organize and charge experience with significance. Meaning arises from this dynamic interchange; art crystallizes and intensifies it, making evident relations that ordinarily remain diffuse or latent in daily life.
Expression, Communication, and the Artist
Artistic creation is described as a deliberate transaction between the artist and materials of expression. The artist must be sensitive to the medium, sound, color, form, rhythm, and must shape materials so that the finished work carries both the marks of personal experience and an openness that invites communal recognition. Art communicates by converting private moods and situations into forms that others can perceive and share, thereby enlarging common experience and fostering empathy.
Form, Organic Unity, and the Artifact
Dewey insists that genuine works of art attain an organic unity in which means and ends fuse; form is not merely decorative but is the vehicle through which experience attains completeness. Aesthetic form arises when material and structure are harmonized to produce a consummatory event. Objects that are merely ornamental or voyeuristically sensational fail to achieve the transformative integration that characterizes authentic art.
Aesthetics in Everyday Life
Dewey extends the aesthetic domain into ordinary activities such as cooking, gardening, and social rituals, arguing that the potential for aesthetic experience is ubiquitous. The conditions that encourage aesthetic quality include attentive perception, engaged practice, and environments that sustain coherent activity. Conversely, fragmentation of labor, mass production, and indifferent environments obstruct the formation of meaningful experience and thereby impoverish both private life and civic culture.
Social Implications and Legacy
Dewey connects aesthetics with education, democracy, and social reform, contending that cultivating aesthetic sensitivity supports critical thinking, cooperation, and democratic participation. By democratizing art and grounding it in common life, he challenges hierarchies that sequester culture and expertise. The legacy of this view has influenced philosophy, art education, and cultural criticism, offering a framework that treats art as a transformative human practice rather than an isolated spectacle.
John Dewey reconceives art as a form of experience rooted in everyday life rather than as an isolated class of objects or a specialized realm reserved for the elite. He argues that aesthetics should be understood in terms of the active, consummatory episodes that integrate perception, emotion, and meaning. For Dewey, the value of art lies in the quality of experience it engenders, a continuity between ordinary living and the intensified, organized experience found in works of art.
Experience and Continuity
Dewey emphasizes that experience is an ongoing stream shaped by interactions between organism and environment. Aesthetic experience emerges when routine materials and actions are transformed into an integrated whole, producing a sense of fulfillment and unity. Disruptions or fragmentation of experience, whether by social conditions, alienation, or poor design, diminish the possibility of aesthetic completeness and thus reduce both personal and communal well-being.
Perception, Emotion, and Meaning
Perception for Dewey is not passive reception but an active, interpretive engagement that fuses sensation with memory, desire, and imagination. Emotion is not a separate ingredient but is interwoven with perception, helping to organize and charge experience with significance. Meaning arises from this dynamic interchange; art crystallizes and intensifies it, making evident relations that ordinarily remain diffuse or latent in daily life.
Expression, Communication, and the Artist
Artistic creation is described as a deliberate transaction between the artist and materials of expression. The artist must be sensitive to the medium, sound, color, form, rhythm, and must shape materials so that the finished work carries both the marks of personal experience and an openness that invites communal recognition. Art communicates by converting private moods and situations into forms that others can perceive and share, thereby enlarging common experience and fostering empathy.
Form, Organic Unity, and the Artifact
Dewey insists that genuine works of art attain an organic unity in which means and ends fuse; form is not merely decorative but is the vehicle through which experience attains completeness. Aesthetic form arises when material and structure are harmonized to produce a consummatory event. Objects that are merely ornamental or voyeuristically sensational fail to achieve the transformative integration that characterizes authentic art.
Aesthetics in Everyday Life
Dewey extends the aesthetic domain into ordinary activities such as cooking, gardening, and social rituals, arguing that the potential for aesthetic experience is ubiquitous. The conditions that encourage aesthetic quality include attentive perception, engaged practice, and environments that sustain coherent activity. Conversely, fragmentation of labor, mass production, and indifferent environments obstruct the formation of meaningful experience and thereby impoverish both private life and civic culture.
Social Implications and Legacy
Dewey connects aesthetics with education, democracy, and social reform, contending that cultivating aesthetic sensitivity supports critical thinking, cooperation, and democratic participation. By democratizing art and grounding it in common life, he challenges hierarchies that sequester culture and expertise. The legacy of this view has influenced philosophy, art education, and cultural criticism, offering a framework that treats art as a transformative human practice rather than an isolated spectacle.
Art as Experience
Develops an aesthetic theory placing art within lived experience, examining perception, expression, and the conditions that make aesthetic experience meaningful in everyday life.
- Publication Year: 1934
- Type: Book
- Genre: Aesthetics, Philosophy
- Language: en
- View all works by John Dewey on Amazon
Author: John Dewey
John Dewey, American philosopher and educator who shaped pragmatism, progressive education, and democratic theory.
More about John Dewey
- Occup.: Philosopher
- From: USA
- Other works:
- My Pedagogic Creed (1897 Essay)
- School and Society (1899 Book)
- The Child and the Curriculum (1902 Book)
- Studies in Logical Theory (1903 Book)
- The Influence of Darwin on Philosophy and Other Essays (1910 Collection)
- How We Think (1910 Book)
- Democracy and Education (1916 Book)
- Reconstruction in Philosophy (1920 Book)
- Human Nature and Conduct (1922 Book)
- Experience and Nature (1925 Book)
- The Public and Its Problems (1927 Book)
- Impressions of Soviet Russia and the Revolutionary World (1929 Book)
- Individualism Old and New (1930 Book)
- A Common Faith (1934 Book)
- Logic: The Theory of Inquiry (1938 Book)
- Experience and Education (1938 Book)
- Creative Democracy , The Task Before Us (1939 Essay)
- Freedom and Culture (1939 Book)