Play: Belinda
Overview
A. A. Milne’s Belinda (1918), subtitled “An April Folly in Three Acts,” is a light, high-spirited comedy of manners set in an English country garden. It showcases Milne’s gift for sparkling dialogue, gentle irony, and romantic contrivance. The play centers on Belinda, an attractive, quick-witted “widow” who manages affections, her own and others’, with playful tact. When old love, new suitors, and filial hopes collide over a few April days, Belinda turns potential scandal into springtime harmony.
Plot Summary
Belinda presides cheerfully over her country home, where her grown daughter, Delia, is on the cusp of adult life. Two very different gentlemen call: Mr. Devenish, a young, impressionable poet, and Mr. Baxter, a precise, practical man of business. Each is smitten, at first, with Belinda’s grace and charm. Their rival courtship produces amiable satire: Devenish wafts in on clouds of verse and idealism, while Baxter advances with timetables and sensible proposals.
Complication arrives in the form of a courteous stranger who introduces himself as Mr. Robinson. Belinda recognizes him at once, he is in fact her long-estranged husband, returning after years away. The legal and social awkwardness of his reappearance threatens Belinda’s comfortable identity as a widow and the orderly flow of suitors through her garden. Rather than panic, Belinda plays for time. She toys with Mr. Robinson’s assumed identity, testily affectionate one moment and archly evasive the next, testing whether the man who left her has grown wiser.
Meanwhile, Delia’s presence subtly redirects the romantic energies of the household. Under Belinda’s careful orchestration, Devenish and Baxter find their attentions turning toward the younger woman. Their contrasting virtues, Devenish’s sincerity and imagination, Baxter’s steadiness and practicality, become a comic trial in front of Delia, who comes to see each man clearly. Belinda, balancing maternal care with her own complicated heart, encourages honesty all round.
As secrets peel away, Mr. Robinson drops the mask and openly claims his past with Belinda. Their repartee, half duel, half duet, reveals a bond never quite broken. The April setting hints that old love can bud anew. By the final act, declarations have been sorted, pretenses dropped, and choices made. Delia selects the suitor who proves truest in action rather than pose, while Belinda and her returned husband admit that the years apart have taught them how to be together. The curtain falls on reconciled marriage and an engagement, with everyone smiling under the spring sun.
Major Characters
- Belinda: A witty, charming “widow” who directs events with playful intelligence.
- Delia: Belinda’s daughter, perceptive and poised to choose her own future.
- Mr. Devenish: A romantic poet, idealistic and ardent.
- Mr. Baxter: A businesslike suitor, practical and literal-minded.
- Mr. Robinson: A mysterious visitor revealed as Belinda’s estranged husband.
Themes and Tone
Belinda blends romantic misrecognition, second chances, and the dance between appearance and sincerity. Milne contrasts fancy and fact, poetry versus practicality, without sneering at either. The tone is effervescent, never cruel; laughter arises from human foibles, not humiliation. Spring stands as emblem for renewal: love returns, roles are refreshed, and households reorder themselves without tragedy.
Significance
An early success in Milne’s theatrical career, Belinda exemplifies his hallmark virtues: buoyant wit, elegant structure, and affectionate observation. It sits comfortably beside his later comedies as a model of civilized, generous-hearted entertainment.
A. A. Milne’s Belinda (1918), subtitled “An April Folly in Three Acts,” is a light, high-spirited comedy of manners set in an English country garden. It showcases Milne’s gift for sparkling dialogue, gentle irony, and romantic contrivance. The play centers on Belinda, an attractive, quick-witted “widow” who manages affections, her own and others’, with playful tact. When old love, new suitors, and filial hopes collide over a few April days, Belinda turns potential scandal into springtime harmony.
Plot Summary
Belinda presides cheerfully over her country home, where her grown daughter, Delia, is on the cusp of adult life. Two very different gentlemen call: Mr. Devenish, a young, impressionable poet, and Mr. Baxter, a precise, practical man of business. Each is smitten, at first, with Belinda’s grace and charm. Their rival courtship produces amiable satire: Devenish wafts in on clouds of verse and idealism, while Baxter advances with timetables and sensible proposals.
Complication arrives in the form of a courteous stranger who introduces himself as Mr. Robinson. Belinda recognizes him at once, he is in fact her long-estranged husband, returning after years away. The legal and social awkwardness of his reappearance threatens Belinda’s comfortable identity as a widow and the orderly flow of suitors through her garden. Rather than panic, Belinda plays for time. She toys with Mr. Robinson’s assumed identity, testily affectionate one moment and archly evasive the next, testing whether the man who left her has grown wiser.
Meanwhile, Delia’s presence subtly redirects the romantic energies of the household. Under Belinda’s careful orchestration, Devenish and Baxter find their attentions turning toward the younger woman. Their contrasting virtues, Devenish’s sincerity and imagination, Baxter’s steadiness and practicality, become a comic trial in front of Delia, who comes to see each man clearly. Belinda, balancing maternal care with her own complicated heart, encourages honesty all round.
As secrets peel away, Mr. Robinson drops the mask and openly claims his past with Belinda. Their repartee, half duel, half duet, reveals a bond never quite broken. The April setting hints that old love can bud anew. By the final act, declarations have been sorted, pretenses dropped, and choices made. Delia selects the suitor who proves truest in action rather than pose, while Belinda and her returned husband admit that the years apart have taught them how to be together. The curtain falls on reconciled marriage and an engagement, with everyone smiling under the spring sun.
Major Characters
- Belinda: A witty, charming “widow” who directs events with playful intelligence.
- Delia: Belinda’s daughter, perceptive and poised to choose her own future.
- Mr. Devenish: A romantic poet, idealistic and ardent.
- Mr. Baxter: A businesslike suitor, practical and literal-minded.
- Mr. Robinson: A mysterious visitor revealed as Belinda’s estranged husband.
Themes and Tone
Belinda blends romantic misrecognition, second chances, and the dance between appearance and sincerity. Milne contrasts fancy and fact, poetry versus practicality, without sneering at either. The tone is effervescent, never cruel; laughter arises from human foibles, not humiliation. Spring stands as emblem for renewal: love returns, roles are refreshed, and households reorder themselves without tragedy.
Significance
An early success in Milne’s theatrical career, Belinda exemplifies his hallmark virtues: buoyant wit, elegant structure, and affectionate observation. It sits comfortably beside his later comedies as a model of civilized, generous-hearted entertainment.
Belinda
A drawing-room comedy centered on Belinda, a charming widow navigating suitors, secrets, and social expectations.
- Publication Year: 1918
- Type: Play
- Genre: Comedy
- Language: English
- Characters: Belinda
- View all works by A. A. Milne on Amazon
Author: A. A. Milne

More about A. A. Milne
- Occup.: Author
- From: England
- Other works:
- The Day's Play (1910 Essay Collection)
- The Holiday Round (1912 Essay Collection)
- Once a Week (1914 Essay Collection)
- Wurzel-Flummery (1917 One-act play)
- Once on a Time (1917 Novel)
- Mr. Pim Passes By (1919 Play)
- Not That It Matters (1919 Essay Collection)
- The Romantic Age (1920 Play)
- If I May (1920 Essay Collection)
- The Sunny Side (1921 Essay Collection)
- The Truth About Blayds (1921 Play)
- The Dover Road (1921 Play)
- The Red House Mystery (1922 Novel)
- The Man in the Bowler Hat (1923 One-act play)
- The Great Broxopp (1923 Play)
- When We Were Very Young (1924 Poetry Collection)
- A Gallery of Children (1925 Short Story Collection)
- Winnie-the-Pooh (1926 Children's book)
- Now We Are Six (1927 Poetry Collection)
- The House at Pooh Corner (1928 Children's book)
- The Fourth Wall (1928 Play)
- Toad of Toad Hall (1929 Play (adaptation))
- The Ivory Door (1929 Play)
- By Way of Introduction (1929 Essay Collection)
- Michael and Mary (1930 Play)
- Two People (1931 Novel)
- Peace With Honour (1934 Book)
- It's Too Late Now: The Autobiography of a Writer (1939 Autobiography)
- War With Honour (1940 Book)
- The Ugly Duckling (1941 One-act play)
- Year In, Year Out (1952 Miscellany)