Skip to main content

Novel: Justine

Overview
Justine opens the Alexandria Quartet as a sensuous, lyrical meditation on love, memory and the elusiveness of truth. Presented as the recollection of an English writer named Darley, the narrative sketches a passionate, often tormenting attachment to Justine, a beautiful and enigmatic woman married to a wealthy Alexandrian. Alexandria itself is central: a decadent, cosmopolitan port city whose intoxicating atmosphere becomes the stage for desire, betrayal and philosophical rumination.
The book reads less like a conventional plot-driven tale and more like a layered portrait assembled from impressions, confidences and fragments of dialogue. Darley's voice oscillates between ardent lover, jealous observer and reflective narrator, producing a porous boundary between memory and invention, intimacy and artistry.

Plot and Characters
Darley, living as an expatriate in Alexandria during the late 1930s and wartime years, becomes enthralled by Justine and drawn into a tight-knit social circle that includes poets, diplomats, merchants and spies. Justine's marriage to Nessim, a prominent and charismatic man, complicates Darley's passion; the triangle is never only romantic but also social and political. Friends and rivals in the city contribute gossip, rival accounts and secrets that deepen the mystery surrounding Justine's past and motives.
Secondary figures, the cynical and world-weary, the ardent and the duplicitous, populate Darley's recollections, creating a web of loyalties and betrayals. Episodes of intense sensuality, jealous quarrels and clandestine meetings alternate with quieter scenes of remembrance and confession. The narrative often detours into long, reflective passages where memory blurs with desire, making it difficult to separate factual sequence from emotional truth.

Style and Themes
Durrell's prose is richly poetic, famously sensual and elliptical. Sentences luxuriate in color, sound and smell, evoking Alexandria as a city of layered histories and cultures. The narrative technique privileges impression over chronology: scenes are revisited, details deliberately reframed, and a sense of temporal fluidity pervades the book. This technique mirrors Durrell's thematic preoccupations with subjectivity and the instability of perspective.
Central themes include the nature of love as both creative and destructive, the instability of identity, and the ways in which memory constructs narrative. The book questions the possibility of knowing another person fully; Justine remains both muse and cipher, a repository for Darley's yearning and rhetorical energy. Political undertones, colonial tensions, espionage and wartime anxieties, lurk beneath the personal drama, reminding readers that private obsessions take shape within broader, contested environments.

Significance
Justine established Durrell's reputation for stylistic daring and for making place an essential character in fiction. Its sensual lyricism attracted praise and controversy alike, admired for its beauty and criticized by some for romanticizing exoticism and for narrative opacity. As the first volume of the Alexandria Quartet, Justine sets the pattern of successive books returning to similar events from different vantage points, inviting readers to consider how perspective alters meaning.
The novel remains influential for its ambitious blending of erotic intensity, philosophical reflection and atmospheric portraiture. Its enduring appeal lies less in the resolution of plot than in the vividness of feeling and the provocation to reconsider how stories are told and how truth is always refracted through memory and desire.
Justine

First volume of The Alexandria Quartet. Narrated by Darley, it presents a lyrical, impressionistic account of his love for Justine amid the cosmopolitan, decaying city of Alexandria; explores memory, desire and shifting perspectives.


Author: Lawrence Durrell

Lawrence Durrell, author of The Alexandria Quartet and travel writer focused on the Mediterranean (1912-1990).
More about Lawrence Durrell