Short Story: Lamb to the Slaughter
Overview
Roald Dahl's "Lamb to the Slaughter" is a darkly comic short story about a seemingly ordinary domestic life that cracks open in a single, shocking instant. The tale follows Mary Maloney, a devoted, pregnant housewife whose life revolves around her husband and their small rituals. What begins as a serene, familiar evening becomes a study in sudden violence, quick thinking, and bitter irony.
Plot Summary
The story opens with Mary waiting lovingly for her husband Patrick to return from work, her care taking on almost ritualistic tenderness. Patrick arrives, acts distant, and then delivers a few terse words that crush Mary: he is leaving her. In a flash of stunned fury and desperation, Mary seizes the nearest thing she can find, a frozen leg of lamb from the freezer, and strikes him, killing him instantly.
After the initial shock, Mary shifts into practical mode. She carefully stages the scene to appear as if she has only just discovered the crime, calls the police with a composed act of grief, and goes to the grocer to build an alibi. At the apartment, the officers treat her with easy sympathy, and their casual, almost brotherly manner undermines the horror of the situation. Mary cooks the leg of lamb she used to kill Patrick and later offers it to the detectives as a hospitable gesture. They eat it with gusto, commenting wryly that the murder weapon must be nearby and likely "right under our noses," while Mary listens, a private smile forming as forensic evidence literally disappears.
Characters and Tone
Mary Maloney is drawn with a mix of tenderness and cunning; her devotion to domestic routine gives way to a startling resourcefulness. Patrick is sketched more thinly, his announcement drives the plot and exposes the brittle edge beneath his ordinary life. The policemen come across as warm, somewhat bumbling professionals, more human than heroic, and their easy humor heightens the story's ironic cruelty. Dahl's tone is spare, economical, and mordantly witty, balancing sympathy for Mary with an amused distance from the violence she commits.
Themes and Irony
The story explores themes of betrayal, agency, and the hidden violence simmering beneath polite domesticity. Mary's transformation from devoted wife to shrewd manipulator interrogates assumptions about gender, vulnerability, and power in midcentury marriage. The narrative also probes the slipperiness of justice: legal guilt is a matter of evidence, and Dahl delights in how ordinary habits and kindness can erase culpability.
The central irony, the choice of a lamb, an emblem of innocence and sacrifice, as the instrument of murder, amplifies the black humor. Feeding the cooked weapon to the detectives turns the crime into an act of grotesque hospitality, and the policemen's casual remarks become an unwitting accomplice to Mary's concealment. The story leaves moral judgment ambiguous; the reader oscillates between horror, amusement, and a grudging admiration for Mary's cunning.
Legacy and Reception
"Lamb to the Slaughter" is one of Dahl's most anthologized and frequently discussed adult stories, often cited as a masterclass in short fiction economy and tonal control. Its blend of macabre humor and psychological insight has secured its place in crime and short-story canons, and it has been adapted for radio and television, including an episode of Alfred Hitchcock Presents. The tale endures because it upends expectations about domesticity and justice while delivering a twist that remains shockingly precise and darkly satisfying.
Roald Dahl's "Lamb to the Slaughter" is a darkly comic short story about a seemingly ordinary domestic life that cracks open in a single, shocking instant. The tale follows Mary Maloney, a devoted, pregnant housewife whose life revolves around her husband and their small rituals. What begins as a serene, familiar evening becomes a study in sudden violence, quick thinking, and bitter irony.
Plot Summary
The story opens with Mary waiting lovingly for her husband Patrick to return from work, her care taking on almost ritualistic tenderness. Patrick arrives, acts distant, and then delivers a few terse words that crush Mary: he is leaving her. In a flash of stunned fury and desperation, Mary seizes the nearest thing she can find, a frozen leg of lamb from the freezer, and strikes him, killing him instantly.
After the initial shock, Mary shifts into practical mode. She carefully stages the scene to appear as if she has only just discovered the crime, calls the police with a composed act of grief, and goes to the grocer to build an alibi. At the apartment, the officers treat her with easy sympathy, and their casual, almost brotherly manner undermines the horror of the situation. Mary cooks the leg of lamb she used to kill Patrick and later offers it to the detectives as a hospitable gesture. They eat it with gusto, commenting wryly that the murder weapon must be nearby and likely "right under our noses," while Mary listens, a private smile forming as forensic evidence literally disappears.
Characters and Tone
Mary Maloney is drawn with a mix of tenderness and cunning; her devotion to domestic routine gives way to a startling resourcefulness. Patrick is sketched more thinly, his announcement drives the plot and exposes the brittle edge beneath his ordinary life. The policemen come across as warm, somewhat bumbling professionals, more human than heroic, and their easy humor heightens the story's ironic cruelty. Dahl's tone is spare, economical, and mordantly witty, balancing sympathy for Mary with an amused distance from the violence she commits.
Themes and Irony
The story explores themes of betrayal, agency, and the hidden violence simmering beneath polite domesticity. Mary's transformation from devoted wife to shrewd manipulator interrogates assumptions about gender, vulnerability, and power in midcentury marriage. The narrative also probes the slipperiness of justice: legal guilt is a matter of evidence, and Dahl delights in how ordinary habits and kindness can erase culpability.
The central irony, the choice of a lamb, an emblem of innocence and sacrifice, as the instrument of murder, amplifies the black humor. Feeding the cooked weapon to the detectives turns the crime into an act of grotesque hospitality, and the policemen's casual remarks become an unwitting accomplice to Mary's concealment. The story leaves moral judgment ambiguous; the reader oscillates between horror, amusement, and a grudging admiration for Mary's cunning.
Legacy and Reception
"Lamb to the Slaughter" is one of Dahl's most anthologized and frequently discussed adult stories, often cited as a masterclass in short fiction economy and tonal control. Its blend of macabre humor and psychological insight has secured its place in crime and short-story canons, and it has been adapted for radio and television, including an episode of Alfred Hitchcock Presents. The tale endures because it upends expectations about domesticity and justice while delivering a twist that remains shockingly precise and darkly satisfying.
Lamb to the Slaughter
A darkly comic short story in which a pregnant housewife kills her husband with a frozen leg of lamb and then manipulates the ensuing police investigation, turning the weapon into an inadvertent alibi.
- Publication Year: 1954
- Type: Short Story
- Genre: Short story, Crime, Dark humour
- Language: en
- Characters: Mary Maloney, Patrick Maloney
- View all works by Roald Dahl on Amazon
Author: Roald Dahl
Roald Dahl covering his life, works, controversies, and notable quotations for readers and researchers.
More about Roald Dahl
- Occup.: Novelist
- From: United Kingdom
- Other works:
- Someone Like You (1953 Collection)
- Kiss Kiss (1960 Collection)
- James and the Giant Peach (1961 Children's book)
- Charlie and the Chocolate Factory (1964 Novel)
- The Magic Finger (1966 Children's book)
- Fantastic Mr Fox (1970 Children's book)
- Switch Bitch (1974 Collection)
- Danny, the Champion of the World (1975 Novel)
- Tales of the Unexpected (1979 Collection)
- My Uncle Oswald (1979 Novel)
- The Twits (1980 Children's book)
- George's Marvellous Medicine (1981 Children's book)
- The BFG (1982 Novel)
- The Witches (1983 Novel)
- Boy: Tales of Childhood (1984 Autobiography)
- The Giraffe and the Pelly and Me (1985 Children's book)
- Going Solo (1986 Autobiography)
- Matilda (1988 Novel)
- Esio Trot (1990 Children's book)