Poetry: Lamia
Overview
"Lamia" tells the tragic tale of a supernatural being who takes human form and the mortal whose love binds him to illusion. Set against a classical backdrop of winding streets, ornate palaces, and moonlit gardens, the narrative follows Lamia, a creature with a serpent's nature who becomes a beautiful woman, and Lycius, a young man enchanted by her. Their brief, incandescent union unfolds in language rich with visual and sensory detail, only to be shattered by the cold scrutiny of skeptical reason.
The poem moves from private enchantment to a public unmasking that irrevocably alters the lovers' fate. What begins as intimate metamorphosis and passionate devotion culminates in a confrontation between two modes of knowing: the imaginative, embracing wonder; and the rational, exposing illusion. The collision of these forces produces a swift, devastating end that questions the cost of knowledge and the fragility of beauty.
Characters and pivotal scenes
Lamia herself is an emblem of ambivalence: part serpent, part woman, she embodies both dangerous otherness and poignant vulnerability. Her transformation into human guise is an act of love and artifice, a conjuring that allows her to move among mortals and experience the tenderness of mutual desire. Her dual identity haunts the poem, so that every moment of tenderness is shadowed by the knowledge that she is not entirely what she appears.
Lycius personifies youthful ardor and aesthetic responsiveness. In Lamia's presence he abandons caution and reason, surrendering to the imaginative life she offers. Their domestic idyll, private rooms, soft light, and the everyday intimacies of lovers, becomes a kind of temporal paradise where enchantment seems durable and real. That tranquillity is rendered with Keatsian sensory opulence, heightening the sense of what will be lost.
Apollonius, the philosopher, represents skeptical inquiry and public truth. His entrance into the lovers' sphere disrupts the spell: through argument and exposure he forces Lamia's true form into view, and the theatrical revelation dissolves the lovers' sanctuary. The public unmasking takes place at a banquet and a subsequent confrontation, and the aftermath is immediate and fatal, Lycius dies of despair, and Lamia, stripped of her constructed human beauty, vanishes. The narrative arc thus pivots on a single decisive act that reframes the entire tale.
Themes and conflicts
At the core is a meditation on imagination versus reason. Lamia's enchantment stands for poetic imagination and the sustaining power of beauty; Apollonius' skepticism stands for empirical scrutiny and philosophical rectitude. Keats probes whether truth exposed by reason is always superior to truth felt through imagination, and whether the aesthetic life can survive the harshness of analytic demystification.
Love, transience, and the tragic cost of revelation are intertwined. The poem suggests that some truths, if forced into daylight, annihilate the very value they might otherwise illuminate. Beauty here is both a balm and a fragile construct; the attempt to dissect or explain it destroys the emotional reality that gives it meaning. There is a mournful ambivalence toward knowledge, its moral and intellectual authority is acknowledged even as its cruelty is mourned.
Language and tone
The poem's diction is lush and sensuous, overflowing with tactile and visual imagery that immerses the reader in Lamia's world. Keats' versification crafts a music that alternates between narrative drive and lyric intensity, using vivid metaphors and classical references to deepen the mythic resonance. The result is a tonal balance of wonder and elegy, where the pleasures of description heighten the poignancy of loss.
Overall, the narrative reads as both fairy tale and philosophical parable: an ornate, affective story that interrogates the limits of perception and the perils of exposing enchantment to relentless scrutiny. The finale leaves a lingering question about whether poetic illusion and rational truth can ever coexist without destroying one another.
"Lamia" tells the tragic tale of a supernatural being who takes human form and the mortal whose love binds him to illusion. Set against a classical backdrop of winding streets, ornate palaces, and moonlit gardens, the narrative follows Lamia, a creature with a serpent's nature who becomes a beautiful woman, and Lycius, a young man enchanted by her. Their brief, incandescent union unfolds in language rich with visual and sensory detail, only to be shattered by the cold scrutiny of skeptical reason.
The poem moves from private enchantment to a public unmasking that irrevocably alters the lovers' fate. What begins as intimate metamorphosis and passionate devotion culminates in a confrontation between two modes of knowing: the imaginative, embracing wonder; and the rational, exposing illusion. The collision of these forces produces a swift, devastating end that questions the cost of knowledge and the fragility of beauty.
Characters and pivotal scenes
Lamia herself is an emblem of ambivalence: part serpent, part woman, she embodies both dangerous otherness and poignant vulnerability. Her transformation into human guise is an act of love and artifice, a conjuring that allows her to move among mortals and experience the tenderness of mutual desire. Her dual identity haunts the poem, so that every moment of tenderness is shadowed by the knowledge that she is not entirely what she appears.
Lycius personifies youthful ardor and aesthetic responsiveness. In Lamia's presence he abandons caution and reason, surrendering to the imaginative life she offers. Their domestic idyll, private rooms, soft light, and the everyday intimacies of lovers, becomes a kind of temporal paradise where enchantment seems durable and real. That tranquillity is rendered with Keatsian sensory opulence, heightening the sense of what will be lost.
Apollonius, the philosopher, represents skeptical inquiry and public truth. His entrance into the lovers' sphere disrupts the spell: through argument and exposure he forces Lamia's true form into view, and the theatrical revelation dissolves the lovers' sanctuary. The public unmasking takes place at a banquet and a subsequent confrontation, and the aftermath is immediate and fatal, Lycius dies of despair, and Lamia, stripped of her constructed human beauty, vanishes. The narrative arc thus pivots on a single decisive act that reframes the entire tale.
Themes and conflicts
At the core is a meditation on imagination versus reason. Lamia's enchantment stands for poetic imagination and the sustaining power of beauty; Apollonius' skepticism stands for empirical scrutiny and philosophical rectitude. Keats probes whether truth exposed by reason is always superior to truth felt through imagination, and whether the aesthetic life can survive the harshness of analytic demystification.
Love, transience, and the tragic cost of revelation are intertwined. The poem suggests that some truths, if forced into daylight, annihilate the very value they might otherwise illuminate. Beauty here is both a balm and a fragile construct; the attempt to dissect or explain it destroys the emotional reality that gives it meaning. There is a mournful ambivalence toward knowledge, its moral and intellectual authority is acknowledged even as its cruelty is mourned.
Language and tone
The poem's diction is lush and sensuous, overflowing with tactile and visual imagery that immerses the reader in Lamia's world. Keats' versification crafts a music that alternates between narrative drive and lyric intensity, using vivid metaphors and classical references to deepen the mythic resonance. The result is a tonal balance of wonder and elegy, where the pleasures of description heighten the poignancy of loss.
Overall, the narrative reads as both fairy tale and philosophical parable: an ornate, affective story that interrogates the limits of perception and the perils of exposing enchantment to relentless scrutiny. The finale leaves a lingering question about whether poetic illusion and rational truth can ever coexist without destroying one another.
Lamia
A narrative poem about Lamia, a woman who is revealed to be a serpent; it traces her love for the mortal Lycius and their tragic undoing, interrogating the conflict between imagination, enchantment, and skeptical reason.
- Publication Year: 1820
- Type: Poetry
- Genre: Romanticism, Narrative
- Language: en
- Characters: Lamia, Lycius, Apollonius
- View all works by John Keats on Amazon
Author: John Keats
John Keats, his life, major poems, key relationships, and notable quotes from his letters and odes.
More about John Keats
- Occup.: Poet
- From: England
- Other works:
- O Solitude! If I must with thee dwell (1816 Poetry)
- Sleep and Poetry (1816 Poetry)
- On First Looking into Chapman's Homer (1816 Poetry)
- Isabella, or The Pot of Basil (1818 Poetry)
- When I Have Fears that I may Cease to Be (1818 Poetry)
- Endymion (1818 Poetry)
- The Human Seasons (1818 Poetry)
- Hyperion (1818 Poetry)
- The Eve of St. Agnes (1819 Poetry)
- La Belle Dame sans Merci (1819 Poetry)
- Ode on Indolence (1819 Poetry)
- Ode to Psyche (1819 Poetry)
- To Autumn (1819 Poetry)
- Ode on Melancholy (1819 Poetry)
- Ode on a Grecian Urn (1819 Poetry)
- Ode to a Nightingale (1819 Poetry)
- Bright Star (1819 Poetry)
- The Fall of Hyperion: A Dream (1819 Poetry)