Book: More Animals
Introduction
Oliver Herford's More Animals offers a companion to the gentle mock-natural histories of earlier children's primers, presenting a collection of short, witty animal poems and sketches meant to amuse and charm young readers. The book continues Herford's playful approach to natural history, treating familiar creatures with affectionate absurdity rather than strict scientific accuracy. Each entry pairs a compact, often epigrammatic poem with an equally expressive drawing, creating a steady rhythm of surprise and delight.
Structure
The book is organized as a series of brief pieces, each focusing on a single species or a small group of animals. Poems are concise and self-contained, usually no more than a few stanzas, so attention rarely lags and a reader can hop from one creature to the next. There is no forced narrative arc; cohesion comes from tone and format rather than plot, with the sequence effectively functioning as a gallery of curious vignettes that together form a lighthearted portrait of the animal kingdom.
Style and Humor
Herford's voice is conversational, ironic, and fondly mischievous. Lines often play on the disparity between the lofty language of natural history and the comic, sometimes stubbornly human behavior he ascribes to animals. The humor ranges from gentle wordplay to sly anthropomorphism, turning instincts and habits into mini-dramas with punchy, memorable endings. Wit is never cruel; the target is the absurdity of rigid categorization and the seriousness with which adults explain the world to children.
Illustrations
Illustrations are integral rather than merely decorative, matching the tone of the verses with expressive pen-and-ink drawings. Figures are stylized and economical, often exaggerating posture or expression to underscore the joke in the text. The drawings frequently enhance or invert the poem's claim, inviting children to read both image and word together and to savor the incongruity. The visual economy makes the book visually accessible while giving each plate a distinct personality.
Themes and Tone
Beneath the jests, a gentle curiosity threads through the book: an encouragement to look closely, to notice oddities, and to enjoy the unpredictability of living things. Respect for animals is implicit even when they are teased, and the tone remains affectionate rather than condescending. The book also plays with the boundary between education and entertainment, suggesting that learning about nature can come through laughter as well as fact.
Audience and Use
More Animals is aimed at young readers and the adults who read with them. Its short pieces make it ideal for read-aloud sessions, bedtime reading, or quick independent perusal by children who appreciate comic rhythm and bold drawings. It also suits slightly older readers who enjoy the cleverness of Herford's verbal turns. The book functions as a gentle primer in observation and imagination rather than a reference manual.
Legacy
Herford's blend of affectionate satire and lively illustration contributed to a tradition of children's literature that prizes humor as a vehicle for curiosity. The book preserves the charm of turn-of-the-century children's verse while remaining accessible and appealing; its concise structure and droll sensibility continue to reward readers who enjoy playful language and expressive picture-making. More Animals stands as a cheerful example of how wit and warmth can make the natural world endlessly entertaining.
Oliver Herford's More Animals offers a companion to the gentle mock-natural histories of earlier children's primers, presenting a collection of short, witty animal poems and sketches meant to amuse and charm young readers. The book continues Herford's playful approach to natural history, treating familiar creatures with affectionate absurdity rather than strict scientific accuracy. Each entry pairs a compact, often epigrammatic poem with an equally expressive drawing, creating a steady rhythm of surprise and delight.
Structure
The book is organized as a series of brief pieces, each focusing on a single species or a small group of animals. Poems are concise and self-contained, usually no more than a few stanzas, so attention rarely lags and a reader can hop from one creature to the next. There is no forced narrative arc; cohesion comes from tone and format rather than plot, with the sequence effectively functioning as a gallery of curious vignettes that together form a lighthearted portrait of the animal kingdom.
Style and Humor
Herford's voice is conversational, ironic, and fondly mischievous. Lines often play on the disparity between the lofty language of natural history and the comic, sometimes stubbornly human behavior he ascribes to animals. The humor ranges from gentle wordplay to sly anthropomorphism, turning instincts and habits into mini-dramas with punchy, memorable endings. Wit is never cruel; the target is the absurdity of rigid categorization and the seriousness with which adults explain the world to children.
Illustrations
Illustrations are integral rather than merely decorative, matching the tone of the verses with expressive pen-and-ink drawings. Figures are stylized and economical, often exaggerating posture or expression to underscore the joke in the text. The drawings frequently enhance or invert the poem's claim, inviting children to read both image and word together and to savor the incongruity. The visual economy makes the book visually accessible while giving each plate a distinct personality.
Themes and Tone
Beneath the jests, a gentle curiosity threads through the book: an encouragement to look closely, to notice oddities, and to enjoy the unpredictability of living things. Respect for animals is implicit even when they are teased, and the tone remains affectionate rather than condescending. The book also plays with the boundary between education and entertainment, suggesting that learning about nature can come through laughter as well as fact.
Audience and Use
More Animals is aimed at young readers and the adults who read with them. Its short pieces make it ideal for read-aloud sessions, bedtime reading, or quick independent perusal by children who appreciate comic rhythm and bold drawings. It also suits slightly older readers who enjoy the cleverness of Herford's verbal turns. The book functions as a gentle primer in observation and imagination rather than a reference manual.
Legacy
Herford's blend of affectionate satire and lively illustration contributed to a tradition of children's literature that prizes humor as a vehicle for curiosity. The book preserves the charm of turn-of-the-century children's verse while remaining accessible and appealing; its concise structure and droll sensibility continue to reward readers who enjoy playful language and expressive picture-making. More Animals stands as a cheerful example of how wit and warmth can make the natural world endlessly entertaining.
More Animals
A sequel to 'A Child's Primer of Natural History,' containing more humorous animal poems and illustrations for young readers.
- Publication Year: 1920
- Type: Book
- Genre: Children's literature, Poetry
- Language: English
- View all works by Oliver Herford on Amazon
Author: Oliver Herford

More about Oliver Herford
- Occup.: Author
- From: USA
- Other works:
- A Child's Primer of Natural History (1899 Book)
- The Bashful Earthquake (1899 Book)
- An Alphabet of Celebrities (1899 Book)
- The Rubaiyat of a Persian Kitten (1904 Book)
- Cupid's Cyclopedia (1908 Book)
- The Deb's Dictionary (1913 Book)
- Excuse It, Please (1930 Book)