Screenplay: Network

Introduction
"Network" is a 1976 American satirical drama film composed by Paddy Chayefsky and directed by Sidney Lumet. The film provides a vital and satirical take a look at television media, business greed, and manipulation in the 1970s. The film won four Academy Awards, including Best Original Screenplay for Chayefsky, and remains an extremely prominent film in conversations about media and television today.

Plot Summary
"Network" follows the life of a television network, particularly the Union Broadcasting System (UBS) and its staff members. The protagonist of the story, Howard Beale (played by Peter Finch), is a news anchor at the station who has actually been recently informed that due to bad ratings, his time at UBS will quickly concern an end. Troubled by this news, Beale goes on air and angrily reveals that he will dedicate suicide on live tv in a week. This shocking revelation amazes the rankings and gains widespread attention.

Diana Christensen (played by Faye Dunaway), a young and enthusiastic television manufacturer, together with her manager, worldwide division head Frank Hackett (played by Robert Duvall), see this moment as a chance to revitalize UBS by making use of Beale's psychological breakdown. They obstruct Beale's program prior to the date of his proposed suicide and persuade him to end up being a new kind of television host, a "mad prophet", where he regularly tirades and raves about the perceived evils of society on live air.

Beale's program, renamed "The Howard Beale Show", attains massive success and becomes a cultural phenomenon filled with outrage, debate, and growing ratings. Concurrently, Christensen pursues other exploitative shows for UBS, consisting of a docudrama series called "The Mao Tse-Tung Hour" chronicling the lives of domestic terrorists.

However, Beale's psychological health and unpredictability quickly show to be a double-edged sword. Beale continues his tirades and even undermines CCA, the international corporation that owns UBS, by denouncing them for corruption and scheming to manipulate the public for their own motives.

Arthur Jensen (played by Ned Beatty), the CCA's CEO, takes it upon himself to have an individually meeting with Beale. In a dramatic fight, Jensen recommends Beale to alter the focus of his program, prompting him to preach about the rights of corporations and how the international economy, not individualistic human woes, is accountable for societal issues.

Regardless of Beale following Jensen's advice, the general public's interest in him wanes. Scores start to decrease, and Christensen, Hackett, and other executives at UBS select a desperate relocation-- they conspire to assassinate Beale on live tv to shock audiences and revive rankings.

Consequently, Beale is killed by domestic terrorists during his broadcast, thus bringing his story of manipulation and media exploitation to a terrible end.

Styles and Impact
"Network" is understood for its informative and satirical exploration of tv media, its role in society, and the disputes between profit-making and ethical journalism. The film's messages are still appropriate and thought-provoking today, as discussions around the influence of media continue.

Chayefsky's screenplay masterfully dissects business greed, personal aspiration, and the perversion of journalistic principles in pursuit of audience engagement. It satirizes the growing sensationalism in television news and the unsafe effects of valuing scores over genuine, accountable reporting.

The film's most well-known line, Beale's exclamation, "I'm as mad as hell, and I'm not going to take this any longer!" is a long-lasting symbol of public disappointment with the state of tv, media manipulation, and the world in general.

In conclusion, "Network" is an effective and influential film that remains relevant in continuous debates about media usage, integrity in journalism, and the responsibilities of those who form popular opinion. Paddy Chayefsky's movie script supplies an incisive review of tv's darker side and a cautionary tale about the course media can take when earnings is the primary goal.