Book: Notes Toward a Performative Theory of Assembly
Overview
Judith Butler offers a sustained argument about the political and ethical significance of public gatherings, arguing that assemblies are not merely expressions of preexisting political subjects but are practices that help constitute collective political life. She extends her earlier work on performativity to the spatial and embodied dynamics of protest, contending that assembly is a form of doing that brings into being a "public" through repeated, embodied actions. The book treats the visible congregation of bodies as both a site of contestation over who counts as a political subject and a modality through which new forms of collective agency can emerge.
Performativity and the Making of a Public
Butler reconceives performativity away from the individual utterance and toward the collective, showing how gatherings enact political claims through bodily presence, posture, movement, and speech. Assemblies function like utterances: by appearing, occupying space, and persisting, participants repeat and cite prior forms of contestation while potentially innovating new ones. The emphasis is on repetition and citation as the mechanisms by which a public comes into being, meaning that political agency is neither fully pre-given nor simply the sum of individuals, but an emergent effect of coordinated, situated performances.
Norms, Frames, and the Limits of Visibility
Attention to norms and frames is central. Butler analyzes how laws, public narratives, media representations, and spatial regulations shape which assemblies are legible, legitimate, and protected. Frames determine how bodies are recognized or rendered invisible, and legal regimes often both enable and curtail the right to assemble by defining permissible forms of protest. The book explores how normative grammars, what counts as a proper political actor or a reasonable form of dissent, constrain the capacity of some bodies to be seen as grievable or as bearers of political claims.
Space, Materiality, and the Body
Public space is treated as contested and produced through both material architecture and social practice. Streets, squares, and borders are not neutral backdrops but agents in the production of political life, with urban design, policing, and surveillance affecting how bodies gather and act. Butler stresses embodiment: vulnerability, injury, exhaustion, and pain are not merely incidental but form part of how assemblies communicate urgency and make moral claims. The corporeal dimensions of protest, sleeping in encampments, blocking roads, collective chanting, are strategies for remaking public attention and altering the sensorium of political life.
Precarity, Grievability, and Ethical Stakes
A persistent ethical thread runs through the analysis: assemblies reveal and respond to precariousness. Butler links the visibility of lives to the possibility of mourning and moral recognition, arguing that public gatherings can insist on the grievability of lives that institutions or publics would otherwise ignore. This ethical demand calls for responsiveness from bystanders, institutions, and the state, and it raises questions about solidarity, responsibility, and the limits of political recognition. At the same time, assemblies can reproduce exclusions and hierarchies, prompting reflection on who is able to claim public visibility and under what terms.
Democratic Possibilities and Political Risks
Butler is attentive to both the emancipatory potential and the dangers of assembly. Gatherings can create new forms of collective power, challenge entrenched norms, and open space for transformative politics. Yet assemblies are also vulnerable to criminalization, co-optation, and internal tensions that can replicate domination. The book closes by urging protections for the freedom to appear and act together, while calling for critical vigilance about how assemblies are framed, policed, and integrated into larger political struggles. The argument ultimately reframes assembly as a crucial, precarious technology of democratic life that both exposes and has the potential to counter the conditions that make some lives less visible and less grievable.
Judith Butler offers a sustained argument about the political and ethical significance of public gatherings, arguing that assemblies are not merely expressions of preexisting political subjects but are practices that help constitute collective political life. She extends her earlier work on performativity to the spatial and embodied dynamics of protest, contending that assembly is a form of doing that brings into being a "public" through repeated, embodied actions. The book treats the visible congregation of bodies as both a site of contestation over who counts as a political subject and a modality through which new forms of collective agency can emerge.
Performativity and the Making of a Public
Butler reconceives performativity away from the individual utterance and toward the collective, showing how gatherings enact political claims through bodily presence, posture, movement, and speech. Assemblies function like utterances: by appearing, occupying space, and persisting, participants repeat and cite prior forms of contestation while potentially innovating new ones. The emphasis is on repetition and citation as the mechanisms by which a public comes into being, meaning that political agency is neither fully pre-given nor simply the sum of individuals, but an emergent effect of coordinated, situated performances.
Norms, Frames, and the Limits of Visibility
Attention to norms and frames is central. Butler analyzes how laws, public narratives, media representations, and spatial regulations shape which assemblies are legible, legitimate, and protected. Frames determine how bodies are recognized or rendered invisible, and legal regimes often both enable and curtail the right to assemble by defining permissible forms of protest. The book explores how normative grammars, what counts as a proper political actor or a reasonable form of dissent, constrain the capacity of some bodies to be seen as grievable or as bearers of political claims.
Space, Materiality, and the Body
Public space is treated as contested and produced through both material architecture and social practice. Streets, squares, and borders are not neutral backdrops but agents in the production of political life, with urban design, policing, and surveillance affecting how bodies gather and act. Butler stresses embodiment: vulnerability, injury, exhaustion, and pain are not merely incidental but form part of how assemblies communicate urgency and make moral claims. The corporeal dimensions of protest, sleeping in encampments, blocking roads, collective chanting, are strategies for remaking public attention and altering the sensorium of political life.
Precarity, Grievability, and Ethical Stakes
A persistent ethical thread runs through the analysis: assemblies reveal and respond to precariousness. Butler links the visibility of lives to the possibility of mourning and moral recognition, arguing that public gatherings can insist on the grievability of lives that institutions or publics would otherwise ignore. This ethical demand calls for responsiveness from bystanders, institutions, and the state, and it raises questions about solidarity, responsibility, and the limits of political recognition. At the same time, assemblies can reproduce exclusions and hierarchies, prompting reflection on who is able to claim public visibility and under what terms.
Democratic Possibilities and Political Risks
Butler is attentive to both the emancipatory potential and the dangers of assembly. Gatherings can create new forms of collective power, challenge entrenched norms, and open space for transformative politics. Yet assemblies are also vulnerable to criminalization, co-optation, and internal tensions that can replicate domination. The book closes by urging protections for the freedom to appear and act together, while calling for critical vigilance about how assemblies are framed, policed, and integrated into larger political struggles. The argument ultimately reframes assembly as a crucial, precarious technology of democratic life that both exposes and has the potential to counter the conditions that make some lives less visible and less grievable.
Notes Toward a Performative Theory of Assembly
Develops a theory of political assembly and collective action through the lens of performativity, addressing how bodies gather in public space, the norms that shape assemblies, and the ethical stakes of protest and public demonstration.
- Publication Year: 2015
- Type: Book
- Genre: Political theory, Social theory, Critical theory
- Language: en
- View all works by Judith Butler on Amazon
Author: Judith Butler

More about Judith Butler
- Occup.: Philosopher
- From: USA
- Other works:
- Subjects of Desire: Hegelian Reflections in Twentieth-Century France (1987 Book)
- Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory (1988 Essay)
- Gender Trouble: Feminism and the Subversion of Identity (1990 Book)
- Bodies That Matter: On the Discursive Limits of Sex (1993 Book)
- The Psychic Life of Power: Theories in Subjection (1997 Book)
- Excitable Speech: A Politics of the Performative (1997 Book)
- Antigone's Claim: Kinship Between Life and Death (2000 Book)
- Undoing Gender (2004 Book)
- Precarious Life: The Powers of Mourning and Violence (2004 Book)
- Giving an Account of Oneself (2005 Book)
- Frames of War: When Is Life Grievable? (2009 Book)
- Parting Ways: Jewishness and the Critique of Zionism (2012 Book)
- Senses of the Subject (2015 Book)
- The Force of Nonviolence: An Ethico-Political Bind (2020 Book)