Play: Oklahoma!
Overview
Oklahoma! is the landmark 1943 musical by Richard Rodgers and Oscar Hammerstein II that reshaped American musical theatre. Set on a turn-of-the-century Oklahoma farm community, it blends a straightforward rural romance with sharper social tensions and a distinctive mix of song, dance, and drama. Its opening image of a bright Midwestern morning and its concluding unifying anthem made the piece an emblem of optimistic American life while also revealing the complexities beneath that surface.
Plot and Characters
The central storyline follows Laurey Williams and Curly McLain, two young people whose mutual attraction drives the romantic core of the piece. Laurey is independent-minded and a little headstrong; Curly is confident and charming. A darker counterpoint comes in the figure of Jud Fry, a brooding farmhand whose possessive obsession with Laurey creates a dangerous triangle that erupts into violence. A comic subplot involves Ado Annie, torn between flirtations and the steady Will Parker, and the Persian peddler Ali Hakim, whose roguish humor lights lighter moments and social friction. Aunt Eller stands as the pragmatic community elder, holding together the social fabric with equal parts toughness and warmth.
Music, Dance, and Innovation
Music and choreography are integral to action and character, not just decorative interludes. Songs like "Oh, What a Beautiful Mornin'," "People Will Say We're in Love," and the rousing title number "Oklahoma!" express mood and motivation while advancing plot. The inclusion of a fully staged dream ballet, choreographed by Agnes de Mille, was revolutionary: it uses dance to explore Laurey's subconscious fears and desires, turning a typically ornamental segment into psychological and narrative exposition. That seamless blending of score, book, and movement established a model for the integrated musical that became a standard in subsequent decades.
Themes and Tone
The musical balances buoyant optimism with darker undertones, juxtaposing community celebration and frontier hope against jealousy, violence, and the struggle for social order. Questions about belonging, the transition from territory to statehood, and the negotiation between individual will and communal norms run throughout. Humor and romance cushion the tense moments, but the presence of Jud's menace and the violent climax give the story real stakes, allowing emotion to land with surprising gravity alongside moments of pure gaiety.
Legacy and Impact
Oklahoma! was a theatrical turning point: its commercial and artistic success helped popularize the idea that musical numbers should spring organically from character and circumstance. It enjoyed long runs onstage, inspired a major 1950s film adaptation, and has remained a staple of professional and community theatres worldwide. Its influence reaches beyond its melodies; it changed how storytellers conceive musical drama, demonstrating that popular entertainment could also offer psychological depth and a cohesive dramatic arc.
Oklahoma! is the landmark 1943 musical by Richard Rodgers and Oscar Hammerstein II that reshaped American musical theatre. Set on a turn-of-the-century Oklahoma farm community, it blends a straightforward rural romance with sharper social tensions and a distinctive mix of song, dance, and drama. Its opening image of a bright Midwestern morning and its concluding unifying anthem made the piece an emblem of optimistic American life while also revealing the complexities beneath that surface.
Plot and Characters
The central storyline follows Laurey Williams and Curly McLain, two young people whose mutual attraction drives the romantic core of the piece. Laurey is independent-minded and a little headstrong; Curly is confident and charming. A darker counterpoint comes in the figure of Jud Fry, a brooding farmhand whose possessive obsession with Laurey creates a dangerous triangle that erupts into violence. A comic subplot involves Ado Annie, torn between flirtations and the steady Will Parker, and the Persian peddler Ali Hakim, whose roguish humor lights lighter moments and social friction. Aunt Eller stands as the pragmatic community elder, holding together the social fabric with equal parts toughness and warmth.
Music, Dance, and Innovation
Music and choreography are integral to action and character, not just decorative interludes. Songs like "Oh, What a Beautiful Mornin'," "People Will Say We're in Love," and the rousing title number "Oklahoma!" express mood and motivation while advancing plot. The inclusion of a fully staged dream ballet, choreographed by Agnes de Mille, was revolutionary: it uses dance to explore Laurey's subconscious fears and desires, turning a typically ornamental segment into psychological and narrative exposition. That seamless blending of score, book, and movement established a model for the integrated musical that became a standard in subsequent decades.
Themes and Tone
The musical balances buoyant optimism with darker undertones, juxtaposing community celebration and frontier hope against jealousy, violence, and the struggle for social order. Questions about belonging, the transition from territory to statehood, and the negotiation between individual will and communal norms run throughout. Humor and romance cushion the tense moments, but the presence of Jud's menace and the violent climax give the story real stakes, allowing emotion to land with surprising gravity alongside moments of pure gaiety.
Legacy and Impact
Oklahoma! was a theatrical turning point: its commercial and artistic success helped popularize the idea that musical numbers should spring organically from character and circumstance. It enjoyed long runs onstage, inspired a major 1950s film adaptation, and has remained a staple of professional and community theatres worldwide. Its influence reaches beyond its melodies; it changed how storytellers conceive musical drama, demonstrating that popular entertainment could also offer psychological depth and a cohesive dramatic arc.
Oklahoma!
Rodgers and Hammerstein's breakthrough collaboration. A rural American musical that blends song, dance, and story to explore romance and community tensions on a turn-of-the-century Oklahoma farm. It advanced the integration of musical numbers into dramatic action. Famous songs include "Oh, What a Beautiful Mornin'," "People Will Say We're in Love," and "Oklahoma!"
- Publication Year: 1943
- Type: Play
- Genre: Musical, Folk
- Language: en
- Characters: Curly McLain, Laurey Williams, Jud Fry, Aunt Eller, Will Parker, Ado Annie Carnes
- View all works by Oscar Hammerstein on Amazon
Author: Oscar Hammerstein
Oscar Hammerstein II, his collaborations with Kern and Rodgers, and his lasting influence on American musical theater.
More about Oscar Hammerstein
- Occup.: Writer
- From: USA
- Other works:
- Show Boat (1927 Play)
- Carousel (1945 Play)
- Allegro (1947 Play)
- South Pacific (1949 Play)
- The King and I (1951 Play)
- Me and Juliet (1953 Play)
- Pipe Dream (1955 Play)
- Flower Drum Song (1958 Play)
- The Sound of Music (1959 Play)