Novel: Pigs in Heaven
Overview
Barbara Kingsolver returns to the life of Taylor Greer and the girl she rescued, Turtle, in a story that moves from Arizona to the Cherokee Nation in Oklahoma. The narrative follows their flight from danger, the fragile security of their new family, and the legal and cultural conflicts that arise when Turtle's biological relatives assert their rights. The book balances courtroom drama and intimate domestic scenes, exploring how law, kinship, and cultural identity intersect.
Plot
Taylor has built a modest but stable life caring for Turtle, whose real name is Dwayne Ray, after adopting her in The Bean Trees. Their peace is shattered when representatives of Turtle's Cherokee grandmother appear and begin legal proceedings to reclaim custody. Taylor seeks help from family and friends while grappling with the emotional and practical implications of keeping Turtle versus returning her to her heritage. The story moves between tense legal maneuvers and quieter moments of parenting, culminating in a mediated resolution that tries to honor both Turtle's safety and her cultural lineage.
Characters
Taylor remains a fiercely pragmatic, compassionate protagonist whose growth is measured in small acts of responsibility and vulnerability. Turtle is bright, resilient, and increasingly curious about the identity that connects her to a people and a history she barely knows. Supporting figures, such as Taylor's close friends and the Cherokee relatives, are drawn with nuance; their motivations are complex, oscillating between love, fear, pride, and the need for justice. Few characters are wholly villainous or heroic; instead, Kingsolver emphasizes moral ambiguity and human frailty.
Themes
The novel probes the meaning of family beyond legal definitions, asking whether caregiving, shared history, or cultural belonging most determines a child's identity. Questions of who gets to claim a child, and on what grounds, are complicated by histories of displacement and assimilation affecting Native communities. Justice and compassion are set against one another, as characters seek solutions that acknowledge Turtle's best interests while respecting Cherokee sovereignty and traditions.
Setting and Cultural Context
The move from the desert landscapes of Arizona to the rolling, communal spaces of Oklahoma provides a backdrop that highlights contrasts in place and perspective. Kingsolver pays careful attention to Cherokee culture, rituals, and the political realities surrounding tribal jurisdiction and adoption. That attention frames the custody dispute as not only a private crisis but also a flashpoint for broader conversations about indigenous rights and cultural survival.
Style and Tone
Kingsolver's prose is warm, observant, and often wry, mixing domestic detail with ethical inquiry. Dialogue and interior monologue reveal character motives without heavy-handed exposition, and recurring images of home, food, and small domestic rituals anchor the more abstract legal and cultural debates. The pacing alternates between brisk courtroom scenes and slower, reflective stretches that allow for emotional reckoning.
Reception and Significance
The novel received praise for its sympathetic portrayal of cross-cultural conflict and its insistence on portraying Native characters with dignity and complexity. Critics and readers appreciated Kingsolver's commitment to social justice themes woven into an accessible, character-driven narrative. While some debates arose about representation and authorial perspective, the book remains notable for extending Taylor's story into questions of belonging and for prompting readers to consider the tangled ethics of adoption, identity, and cultural stewardship.
Barbara Kingsolver returns to the life of Taylor Greer and the girl she rescued, Turtle, in a story that moves from Arizona to the Cherokee Nation in Oklahoma. The narrative follows their flight from danger, the fragile security of their new family, and the legal and cultural conflicts that arise when Turtle's biological relatives assert their rights. The book balances courtroom drama and intimate domestic scenes, exploring how law, kinship, and cultural identity intersect.
Plot
Taylor has built a modest but stable life caring for Turtle, whose real name is Dwayne Ray, after adopting her in The Bean Trees. Their peace is shattered when representatives of Turtle's Cherokee grandmother appear and begin legal proceedings to reclaim custody. Taylor seeks help from family and friends while grappling with the emotional and practical implications of keeping Turtle versus returning her to her heritage. The story moves between tense legal maneuvers and quieter moments of parenting, culminating in a mediated resolution that tries to honor both Turtle's safety and her cultural lineage.
Characters
Taylor remains a fiercely pragmatic, compassionate protagonist whose growth is measured in small acts of responsibility and vulnerability. Turtle is bright, resilient, and increasingly curious about the identity that connects her to a people and a history she barely knows. Supporting figures, such as Taylor's close friends and the Cherokee relatives, are drawn with nuance; their motivations are complex, oscillating between love, fear, pride, and the need for justice. Few characters are wholly villainous or heroic; instead, Kingsolver emphasizes moral ambiguity and human frailty.
Themes
The novel probes the meaning of family beyond legal definitions, asking whether caregiving, shared history, or cultural belonging most determines a child's identity. Questions of who gets to claim a child, and on what grounds, are complicated by histories of displacement and assimilation affecting Native communities. Justice and compassion are set against one another, as characters seek solutions that acknowledge Turtle's best interests while respecting Cherokee sovereignty and traditions.
Setting and Cultural Context
The move from the desert landscapes of Arizona to the rolling, communal spaces of Oklahoma provides a backdrop that highlights contrasts in place and perspective. Kingsolver pays careful attention to Cherokee culture, rituals, and the political realities surrounding tribal jurisdiction and adoption. That attention frames the custody dispute as not only a private crisis but also a flashpoint for broader conversations about indigenous rights and cultural survival.
Style and Tone
Kingsolver's prose is warm, observant, and often wry, mixing domestic detail with ethical inquiry. Dialogue and interior monologue reveal character motives without heavy-handed exposition, and recurring images of home, food, and small domestic rituals anchor the more abstract legal and cultural debates. The pacing alternates between brisk courtroom scenes and slower, reflective stretches that allow for emotional reckoning.
Reception and Significance
The novel received praise for its sympathetic portrayal of cross-cultural conflict and its insistence on portraying Native characters with dignity and complexity. Critics and readers appreciated Kingsolver's commitment to social justice themes woven into an accessible, character-driven narrative. While some debates arose about representation and authorial perspective, the book remains notable for extending Taylor's story into questions of belonging and for prompting readers to consider the tangled ethics of adoption, identity, and cultural stewardship.
Pigs in Heaven
A sequel to The Bean Trees, this novel continues Taylor Greer's story as she and Turtle confront legal and cultural battles over the child's adoption. The narrative considers family, identity, and the complexities of cross-cultural custody and belonging.
- Publication Year: 1993
- Type: Novel
- Genre: Fiction, Literary Fiction
- Language: en
- Characters: Taylor Greer, Turtle
- View all works by Barbara Kingsolver on Amazon
Author: Barbara Kingsolver
Barbara Kingsolver biography with life, major novels, awards, environmental advocacy, themes, and notable quotes for readers and researchers.
More about Barbara Kingsolver
- Occup.: Novelist
- From: USA
- Other works:
- The Bean Trees (1988 Novel)
- Homeland and Other Stories (1989 Collection)
- Homeland and Other Stories (Reissue/Notable story "The Woman in the Garden") (1989 Short Story)
- Animal Dreams (1990 Novel)
- High Tide in Tucson: Essays from Now or Never (1995 Essay)
- The Poisonwood Bible (1998 Novel)
- Prodigal Summer (2000 Novel)
- Animal, Vegetable, Miracle: A Year of Food Life (2007 Non-fiction)
- The Lacuna (2009 Novel)
- Flight Behavior (2012 Novel)
- Unsheltered (2018 Novel)
- Demon Copperhead (2022 Novel)