Novel: Sanctuary
Overview
Sanctuary is a stark, Southern Gothic novel that follows the violent unraveling of a young woman and the moral collapse surrounding her. Set in Faulkner's invented Yoknapatawpha County, the story moves from the fringes of college life into the seedy underworld of bootleggers and brothels, exposing social hypocrisies and the corrosive effects of power, desire, and lawlessness. The novel's spare, sometimes brutal narrative style intensifies its portrait of corruption and victimhood, making it one of Faulkner's most notorious early works.
Plot sketch
The narrative begins with the disquieted lawyer Horace Benbow, who drifts back to the county seeking order and purpose. His life brushes against Temple Drake, a coquettish college student whose curiosity and privilege lead her into danger. During an outing in Memphis she is abducted by violent criminals led by the chilling, enigmatic figure Popeye. Temple is subjected to repeated sexual violation and becomes entangled with the criminal world that holds her, while events spiral into a crime for which blame and responsibility are contested.
As the story progresses, consequences ripple outward: loyalties fracture, the legal system and local society struggle to make sense of the atrocity, and characters wrestle with shame, denial, and complicity. Faulkner keeps readers near the psychological wreckage rather than offering tidy answers, closing the novel on an atmosphere of moral ambiguity and damaged lives rather than resolution.
Main characters
Temple Drake is central as both victim and symbol: impulsive, privileged, and later shattered by violence and compromised choices. Horace Benbow represents a kind of ethical bewilderment, a man who wants to do right but finds institutions and his own limitations thwarting him. Popeye functions as a grim, almost elemental force of cruelty and perverse sexuality whose presence exposes the vulnerability and failure of those around him. A cast of supporting figures, lawyers, bootleggers, and local citizens, populate the margins and reveal how community structures either protect or betray the vulnerable.
Themes and style
Sanctuary interrogates themes of sexual violence, moral decay, and the failure of social and legal systems to protect or deliver justice. Faulkner's prose alternates between clinical detachment and lyric intensity, using tight, often jagged sentences to register trauma and social rot. The novel's Southern Gothic sensibility turns domestic and communal spaces into sites of menace, and Faulkner examines how class, gender, and power intersect to produce complicity and silence as much as blame.
Reception and legacy
Upon publication the novel shocked readers and critics with its unflinching depiction of sexual violence and moral depravity, prompting debate about realism, sensationalism, and artistic responsibility. Sanctuary helped establish Faulkner's reputation as a provocative talent willing to probe the Southern psyche's darkest corners. The book has remained controversial yet influential, studied for its thematic intensity, its psychological complexity, and its raw portrayal of the consequences when law, desire, and social order break down.
Citation Formats
APA Style (7th ed.)
Sanctuary. (2025, August 28). FixQuotes. https://fixquotes.com/works/sanctuary/
Chicago Style
"Sanctuary." FixQuotes. August 28, 2025. https://fixquotes.com/works/sanctuary/.
MLA Style (9th ed.)
"Sanctuary." FixQuotes, 28 Aug. 2025, https://fixquotes.com/works/sanctuary/. Accessed 12 Feb. 2026.
Sanctuary
A dark, controversial novel dealing with kidnapping, rape and moral corruption in the South; it provoked strong reactions and led Faulkner to revise aspects of his style in later works.
- Published1931
- TypeNovel
- GenreSouthern Gothic, Crime
- Languageen
- CharactersTemple Drake, Gavin Stevens, Popeye
About the Author

William Faulkner
William Faulkner covering life, major works, themes, Yoknapatawpha, and selected quotes.
View Profile- OccupationNovelist
- FromUSA
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Other Works
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- Mosquitoes (1927)
- The Sound and the Fury (1929)
- Sartoris (1929)
- A Rose for Emily (1930)
- As I Lay Dying (1930)
- These 13 (1931)
- Light in August (1932)
- Absalom, Absalom! (1936)
- The Unvanquished (1938)
- Barn Burning (1939)
- The Hamlet (1940)
- The Bear (1942)
- Go Down, Moses (1942)
- Intruder in the Dust (1948)
- A Fable (1954)
- The Town (1957)
- The Mansion (1959)
- The Reivers (1962)