Shikasta (Canopus in Argos: Shikasta)
Overview
Shikasta is an expansive, genre-blending novel that imagines Earth as a planet called Shikasta, shaped by interventions from distant galactic civilizations. Narrated as a mosaic of official reports, letters, myths and historical documents produced by superior intelligences, the story maps a long decline from an original state of harmony into fragmentation and moral decay. The novel treats history as the outcome of cosmic politics as well as human agency, using speculative fiction to probe social, political and spiritual failure.
Structure and Narrative
The narrative is assembled largely from the archives of Canopus, a benevolent galactic polity, with counterpoints from rival agencies and fragments of human records. This documentary form creates an effect of distance and authority: readers move through dispatches, memoranda and translated myths rather than a continuous, personal viewpoint. The tonal shifts, from bureaucratic reports to intimate human snippets, reinforce the book's central premise that Earth's story can be interpreted at both cosmic and mundane scales.
Plot Arc
The novel traces three broad phases: a formative alignment with Canopus that fosters human flourishing; the arrival of disruptive forces that sever Shikasta's higher connections and initiate a long process of degeneration; and Canopus's efforts to intervene, heal and re-establish order. Key events include the setting of a metaphysical "Lock" that isolates the planet, a centuries-long erosion of social and ecological health, and a twentieth-century unraveling marked by colonial exploitation, war and cultural breakdown. Into this breach Canopus sends envoys, directives and a human intermediary to revive memory and restore a more balanced relation between human beings and cosmic influence.
Themes
Colonialism and cultural decline are central concerns, treated both as specific historical processes and as symptoms of a deeper metaphysical disconnection. The novel reads modernity, industrialization, capitalism, imperial expansion, as accelerating forces of fragmentation that mirror the planetary "malfunction" described by the galactic agencies. Questions of responsibility, free will and moral repair recur: can outside intervention correct human self-destruction, and what are the limits of benevolent power when faced with entrenched human choices? Lessing also explores the nature of history and truth, suggesting that what is recorded and what is lived are often at odds.
Characters and Cosmic Agencies
Human characters are often sketched through documents and testimonies rather than as fully rounded psychological portraits; the book's protagonists are as much ideas and social trends as individuals. Canopus functions as a quasi-parental power advocating cooperation, healing and evolutionary guidance. Other agencies, some rival and more manipulative, play antagonistic roles, their interventions producing ecological and moral harm. The interplay among these forces gives the novel its dramatic friction: human history becomes the arena where cosmic ethics are tested.
Style and Significance
Stylistically daring, Shikasta mixes satire, allegory and myth within a speculative framework, challenging the conventions of realist fiction. Its fragmentary, forensic presentation asks readers to assemble meaning from disparate evidences, mirroring the characters' struggle to comprehend their own decline. The novel provoked strong reactions on publication for its ambitious scope and moral urgency and remains a provocative meditation on power, negligence and the possibility of renewal. It stands as one of Doris Lessing's most audacious attempts to grapple with global and metaphysical questions through the novel form.
Shikasta is an expansive, genre-blending novel that imagines Earth as a planet called Shikasta, shaped by interventions from distant galactic civilizations. Narrated as a mosaic of official reports, letters, myths and historical documents produced by superior intelligences, the story maps a long decline from an original state of harmony into fragmentation and moral decay. The novel treats history as the outcome of cosmic politics as well as human agency, using speculative fiction to probe social, political and spiritual failure.
Structure and Narrative
The narrative is assembled largely from the archives of Canopus, a benevolent galactic polity, with counterpoints from rival agencies and fragments of human records. This documentary form creates an effect of distance and authority: readers move through dispatches, memoranda and translated myths rather than a continuous, personal viewpoint. The tonal shifts, from bureaucratic reports to intimate human snippets, reinforce the book's central premise that Earth's story can be interpreted at both cosmic and mundane scales.
Plot Arc
The novel traces three broad phases: a formative alignment with Canopus that fosters human flourishing; the arrival of disruptive forces that sever Shikasta's higher connections and initiate a long process of degeneration; and Canopus's efforts to intervene, heal and re-establish order. Key events include the setting of a metaphysical "Lock" that isolates the planet, a centuries-long erosion of social and ecological health, and a twentieth-century unraveling marked by colonial exploitation, war and cultural breakdown. Into this breach Canopus sends envoys, directives and a human intermediary to revive memory and restore a more balanced relation between human beings and cosmic influence.
Themes
Colonialism and cultural decline are central concerns, treated both as specific historical processes and as symptoms of a deeper metaphysical disconnection. The novel reads modernity, industrialization, capitalism, imperial expansion, as accelerating forces of fragmentation that mirror the planetary "malfunction" described by the galactic agencies. Questions of responsibility, free will and moral repair recur: can outside intervention correct human self-destruction, and what are the limits of benevolent power when faced with entrenched human choices? Lessing also explores the nature of history and truth, suggesting that what is recorded and what is lived are often at odds.
Characters and Cosmic Agencies
Human characters are often sketched through documents and testimonies rather than as fully rounded psychological portraits; the book's protagonists are as much ideas and social trends as individuals. Canopus functions as a quasi-parental power advocating cooperation, healing and evolutionary guidance. Other agencies, some rival and more manipulative, play antagonistic roles, their interventions producing ecological and moral harm. The interplay among these forces gives the novel its dramatic friction: human history becomes the arena where cosmic ethics are tested.
Style and Significance
Stylistically daring, Shikasta mixes satire, allegory and myth within a speculative framework, challenging the conventions of realist fiction. Its fragmentary, forensic presentation asks readers to assemble meaning from disparate evidences, mirroring the characters' struggle to comprehend their own decline. The novel provoked strong reactions on publication for its ambitious scope and moral urgency and remains a provocative meditation on power, negligence and the possibility of renewal. It stands as one of Doris Lessing's most audacious attempts to grapple with global and metaphysical questions through the novel form.
Shikasta (Canopus in Argos: Shikasta)
Original Title: Shikasta: Re: Colonised Planet 5, Shikasta
The best-known volume of Lessing's Canopus in Argos sequence. An ambitious work of speculative fiction portraying the rise and fall of a planet called Shikasta (Earth), narrated through cosmic agencies and documents and exploring colonialism, degeneration and metaphysical intervention.
- Publication Year: 1979
- Type: Novel
- Genre: Science Fiction, Speculative Fiction, Allegory
- Language: en
- View all works by Doris Lessing on Amazon
Author: Doris Lessing
Doris Lessing (1919-2013) was a Nobel Prize winning novelist whose work spans colonial Africa, feminist fiction, speculative novels and candid memoirs.
More about Doris Lessing
- Occup.: Writer
- From: England
- Other works:
- The Grass Is Singing (1950 Novel)
- Martha Quest (1952 Novel)
- A Proper Marriage (1954 Novel)
- A Ripple from the Storm (1958 Novel)
- The Golden Notebook (1962 Novel)
- Landlocked (1965 Novel)
- The Four-Gated City (1969 Novel)
- Briefing for a Descent into Hell (1971 Novel)
- The Marriages Between Zones Three, Four and Five (1980 Novel)
- The Making of the Representative for Planet 8 (1982 Novella)
- The Good Terrorist (1985 Novel)
- The Fifth Child (1988 Novella)
- Under My Skin: Volume One of My Autobiography (1919–1949) (1994 Autobiography)
- Walking in the Shade: Volume Two of My Autobiography (1949–1962) (1997 Autobiography)
- Ben, in the World (2000 Novel)
- The Sweetest Dream (2001 Novel)
- Time Bites: Views and Reviews (2004 Essay)
- The Cleft (2007 Novel)
- Alfred and Emily (2008 Novel)