Novel: The Blind Assassin
Overview
An aging woman named Iris Griffin narrates a life shaped by class, passion and a scandal that haunts her family. Her memoir alternates recollection with a strange, sensational science-fiction novella that was published anonymously and famously linked to her younger sister, Laura. The two tales, one domestic and patient, the other lurid and dreamlike, gradually intertwine until the boundary between fiction and reality collapses.
The narrative unfolds as both confession and excavation, as Iris unspools the betrayals and accidents that transformed private sorrow into public spectacle. What begins as the account of a single family becomes a study of reputation, power and the stories people tell to hide or justify themselves.
Structure and Narrative
The novel is formally daring: a frame narrative of reminiscence punctuated by the embedded pulp tale, which reads like a mythic parable. The embedded story is presented without authorial commentary at first, drawing readers into its uncanny world and then prompting a second reading when its parallels to the "real" plot become clear. Time shifts and withheld detail create suspense while emphasizing the slipperiness of memory.
Iris's voice is wry, precise and sometimes evasive; revelations arrive in increments and often by implication. The narrative thus becomes a showcase for unreliable narration, what is omitted weighs as heavily as what is revealed, so the reader must piece together motives and events from fragments, gossip and buried documents.
Plot and Characters
Iris and Laura grow up in a family marked by social ambition and fragile affections; Laura is luminous and quiet, Iris more pragmatic and constrained by survival. Laura's short life undergoes a posthumous metamorphosis when the lurid novella appears and a scandal erupts, suggesting illicit relationships and moral transgressions. The circumstances of Laura's death are obscured by public rumor and private concealment, and Iris devotes herself to disentangling the truth while confronting her own complicity and the compromises that preserved her material comfort.
Central figures include the powerful men whose decisions shape the sisters' fates and the various servants and neighbors whose testimonies surface as the narrative proceeds. The interplay of love, jealousy and economic dependency drives the plot toward a series of painful reckonings: revelations of betrayal, an exposure of how stories are used to protect reputations, and a final accounting that is less tidy than it is devastating.
Themes and Motifs
Atwood explores how narrative constructs identity and how fiction can both reveal and conceal moral reality. The nested story functions as allegory, a genre piece that refracts the novel's domestic tragedies into mythic terms; its sensational elements comment on the appetite for scandal that corrodes private grief. Gender and power are central motifs: women's voices are marginalized, histories erased or misread, and survival often demands silence or compromise.
Memory, guilt and the ethics of telling are recurring preoccupations. Iris's attempt to set the record straight is also an attempt to make sense of the past and of the choices, her own among them, that allowed harm to continue. The novel refuses simple redemption and instead asks what it means to inherit stories that are both lies and the only available truth.
Impact and Reception
Published in 2000, the novel won major acclaim and was awarded the Booker Prize, praised for its moral complexity, structural ambition and linguistic precision. Critics and readers have admired its blending of genres, its dark humor and its capacity to make a private family saga speak to broader social questions.
The Blind Assassin is often regarded as one of Margaret Atwood's most accomplished novels: a layered, elegiac work that interrogates storytelling itself while delivering a gripping, emotionally resonant portrait of loss, culpability and the fraught power of words.
An aging woman named Iris Griffin narrates a life shaped by class, passion and a scandal that haunts her family. Her memoir alternates recollection with a strange, sensational science-fiction novella that was published anonymously and famously linked to her younger sister, Laura. The two tales, one domestic and patient, the other lurid and dreamlike, gradually intertwine until the boundary between fiction and reality collapses.
The narrative unfolds as both confession and excavation, as Iris unspools the betrayals and accidents that transformed private sorrow into public spectacle. What begins as the account of a single family becomes a study of reputation, power and the stories people tell to hide or justify themselves.
Structure and Narrative
The novel is formally daring: a frame narrative of reminiscence punctuated by the embedded pulp tale, which reads like a mythic parable. The embedded story is presented without authorial commentary at first, drawing readers into its uncanny world and then prompting a second reading when its parallels to the "real" plot become clear. Time shifts and withheld detail create suspense while emphasizing the slipperiness of memory.
Iris's voice is wry, precise and sometimes evasive; revelations arrive in increments and often by implication. The narrative thus becomes a showcase for unreliable narration, what is omitted weighs as heavily as what is revealed, so the reader must piece together motives and events from fragments, gossip and buried documents.
Plot and Characters
Iris and Laura grow up in a family marked by social ambition and fragile affections; Laura is luminous and quiet, Iris more pragmatic and constrained by survival. Laura's short life undergoes a posthumous metamorphosis when the lurid novella appears and a scandal erupts, suggesting illicit relationships and moral transgressions. The circumstances of Laura's death are obscured by public rumor and private concealment, and Iris devotes herself to disentangling the truth while confronting her own complicity and the compromises that preserved her material comfort.
Central figures include the powerful men whose decisions shape the sisters' fates and the various servants and neighbors whose testimonies surface as the narrative proceeds. The interplay of love, jealousy and economic dependency drives the plot toward a series of painful reckonings: revelations of betrayal, an exposure of how stories are used to protect reputations, and a final accounting that is less tidy than it is devastating.
Themes and Motifs
Atwood explores how narrative constructs identity and how fiction can both reveal and conceal moral reality. The nested story functions as allegory, a genre piece that refracts the novel's domestic tragedies into mythic terms; its sensational elements comment on the appetite for scandal that corrodes private grief. Gender and power are central motifs: women's voices are marginalized, histories erased or misread, and survival often demands silence or compromise.
Memory, guilt and the ethics of telling are recurring preoccupations. Iris's attempt to set the record straight is also an attempt to make sense of the past and of the choices, her own among them, that allowed harm to continue. The novel refuses simple redemption and instead asks what it means to inherit stories that are both lies and the only available truth.
Impact and Reception
Published in 2000, the novel won major acclaim and was awarded the Booker Prize, praised for its moral complexity, structural ambition and linguistic precision. Critics and readers have admired its blending of genres, its dark humor and its capacity to make a private family saga speak to broader social questions.
The Blind Assassin is often regarded as one of Margaret Atwood's most accomplished novels: a layered, elegiac work that interrogates storytelling itself while delivering a gripping, emotionally resonant portrait of loss, culpability and the fraught power of words.
The Blind Assassin
A layered novel mixing a dying 20th-century woman's memoir with a sensationalist embedded science-fiction tale; it unfolds family secrets, love, betrayal and the blurred line between fiction and life.
- Publication Year: 2000
- Type: Novel
- Genre: Literary, Metafiction
- Language: en
- Awards: Man Booker Prize (2000)
- Characters: Iris Chase, Laura Chase
- View all works by Margaret Atwood on Amazon
Author: Margaret Atwood
Margaret Atwood covering her life, major works, themes from survival to speculative fiction, awards, and selected quotes.
More about Margaret Atwood
- Occup.: Novelist
- From: Canada
- Other works:
- Double Persephone (1961 Poetry)
- The Edible Woman (1969 Novel)
- Surfacing (1972 Novel)
- Lady Oracle (1976 Novel)
- Dancing Girls and Other Stories (1977 Collection)
- Life Before Man (1979 Novel)
- Bodily Harm (1981 Novel)
- The Handmaid's Tale (1985 Novel)
- Cat's Eye (1988 Novel)
- The Robber Bride (1993 Novel)
- Alias Grace (1996 Novel)
- Negotiating with the Dead: A Writer on Writing (2002 Non-fiction)
- Oryx and Crake (2003 Novel)
- The Penelopiad (2005 Novella)
- Payback: Debt and the Shadow Side of Wealth (2008 Non-fiction)
- The Year of the Flood (2009 Novel)
- MaddAddam (2013 Novel)
- Hag-Seed (2016 Novel)
- The Testaments (2019 Novel)