Novel: The Class
Overview
Erich Segal's novel follows five Harvard roommates from the class of 1958 across three decades, moving from youthful promise through the trials and compromises of middle age to their fiftieth reunion. The book traces how Ivy League education, personal choices, historical events and shifting social mores shape careers, families and friendships. It serves as both a character-driven drama and a panoramic social commentary on American life from the late 1950s through the early 1980s.
Narrative and structure
The narrative is episodic and panoramic, shifting attention among the principal characters to illuminate differing trajectories shaped by ambition, talent, luck and misfortune. Segal uses linked vignettes that return frequently to college memories as a touchstone, letting the impact of time and history, Vietnam, civil rights, cultural revolutions, economic shifts, emerge through personal consequences. The pacing alternates intimate domestic detail with broader scenes of public life, giving a sense of both private interiority and societal change.
Principal lives and conflicts
Each protagonist embodies distinctive hopes and vulnerabilities that play out over decades. Some achieve professional success but discover that accomplishment does not resolve loneliness or moral compromise. Others face setbacks that force reassessment of values and priorities, and several characters wrestle with the strains of marriage, infidelity, and the challenge of parenthood. The interplay of friendship and rivalry recurs: college bonds sometimes survive and sometimes fray under the pressures of jealousy, differing political views and divergent definitions of honor and achievement.
Themes
Friendship and memory are core concerns, with college years serving as a mythic reference point whose glow both unites and distorts later lives. Social mobility, the price of ambition, and the tension between public persona and private reality recur throughout. Segal examines masculinity and changing sexual politics, as well as race, class and religion, showing how institutional privilege and personal prejudice influence outcomes. The novel also probes the compromises people make to secure stability or influence, asking whether moral concessions can ever be fully redeemed.
Tone and style
Segal writes with a blend of sympathy and moral scrutiny, often favoring emotional resonance and clear plot mechanics over experimental form. Dialogue and observation lean toward the accessible and occasionally melodramatic, aiming to draw readers into characters' dilemmas rather than to puzzle them. The prose balances broad social observation with moments of intimate detail, creating a readable, at times sentimental, account of lives shaped by history.
Reception and significance
The book found an audience among readers who appreciated Segal's gift for human-scale drama and his eye for social detail, while critics were divided over its sentimentality and narrative scope. It stands as a portrait of a generation coming of age at the midpoint of the twentieth century, interested less in solving social ills than in depicting how individual destinies intersect with wider cultural shifts. As both a chronicle of friendship and a commentary on American success and failure, the novel offers a reflective, character-centered examination of ambition, regret and the endurance of shared memory.
Erich Segal's novel follows five Harvard roommates from the class of 1958 across three decades, moving from youthful promise through the trials and compromises of middle age to their fiftieth reunion. The book traces how Ivy League education, personal choices, historical events and shifting social mores shape careers, families and friendships. It serves as both a character-driven drama and a panoramic social commentary on American life from the late 1950s through the early 1980s.
Narrative and structure
The narrative is episodic and panoramic, shifting attention among the principal characters to illuminate differing trajectories shaped by ambition, talent, luck and misfortune. Segal uses linked vignettes that return frequently to college memories as a touchstone, letting the impact of time and history, Vietnam, civil rights, cultural revolutions, economic shifts, emerge through personal consequences. The pacing alternates intimate domestic detail with broader scenes of public life, giving a sense of both private interiority and societal change.
Principal lives and conflicts
Each protagonist embodies distinctive hopes and vulnerabilities that play out over decades. Some achieve professional success but discover that accomplishment does not resolve loneliness or moral compromise. Others face setbacks that force reassessment of values and priorities, and several characters wrestle with the strains of marriage, infidelity, and the challenge of parenthood. The interplay of friendship and rivalry recurs: college bonds sometimes survive and sometimes fray under the pressures of jealousy, differing political views and divergent definitions of honor and achievement.
Themes
Friendship and memory are core concerns, with college years serving as a mythic reference point whose glow both unites and distorts later lives. Social mobility, the price of ambition, and the tension between public persona and private reality recur throughout. Segal examines masculinity and changing sexual politics, as well as race, class and religion, showing how institutional privilege and personal prejudice influence outcomes. The novel also probes the compromises people make to secure stability or influence, asking whether moral concessions can ever be fully redeemed.
Tone and style
Segal writes with a blend of sympathy and moral scrutiny, often favoring emotional resonance and clear plot mechanics over experimental form. Dialogue and observation lean toward the accessible and occasionally melodramatic, aiming to draw readers into characters' dilemmas rather than to puzzle them. The prose balances broad social observation with moments of intimate detail, creating a readable, at times sentimental, account of lives shaped by history.
Reception and significance
The book found an audience among readers who appreciated Segal's gift for human-scale drama and his eye for social detail, while critics were divided over its sentimentality and narrative scope. It stands as a portrait of a generation coming of age at the midpoint of the twentieth century, interested less in solving social ills than in depicting how individual destinies intersect with wider cultural shifts. As both a chronicle of friendship and a commentary on American success and failure, the novel offers a reflective, character-centered examination of ambition, regret and the endurance of shared memory.
The Class
The experiences of five Harvard roommates from the class of 1958, following their lives from college to their fiftieth reunion. Exploring their successes, failures, and relationships, the novel is a social commentary on American society during the period.
- Publication Year: 1985
- Type: Novel
- Genre: Drama, Historical fiction
- Language: English
- Characters: Andrew Eliot, Daniel Rossi, Theodore Lambros, Jason Gilbert, George Keller
- View all works by Erich Segal on Amazon
Author: Erich Segal

More about Erich Segal
- Occup.: Novelist
- From: USA
- Other works:
- Yellow Submarine (1968 Screenplay)
- Love Story (1970 Novel)
- Oliver's Story (1977 Novel)
- Man, Woman and Child (1980 Novel)
- Doctors (1988 Novel)
- Acts of Faith (1992 Novel)
- Prizes (1995 Novel)