Poetry: The Cook's Tale
Overview
"The Cook's Tale" is one of Geoffrey Chaucer's most fragmentary contributions to the Canterbury Tales, traditionally dated to the late 14th century. The surviving portion sketches the quick, riotous life of a young apprentice called Perkyn Revelour, whose appetite for dancing, tavern company, and loose living propels the beginning of the narrative. The tale breaks off almost as soon as it begins, leaving an evocative glimpse of urban pleasure-seeking rather than a full story with resolution or moralizing closure.
Plot
The existing lines introduce Perkyn as a lively apprentice who grows weary of the sober obligations of his trade and is drawn instead to revelry. He frequents taverns, keeps late hours, and gives himself over to music and dancing, preferring the company of loose companions and the pleasures of the town to steady labor. The fragment emphasizes sensory detail, the clatter of feet, the bustle of the tavern, the transactions and flirtations of a nightlife that is both attractive and disorderly.
The narrative halts abruptly after only a few dozen lines, before any conventional consequences or lessons emerge. Manuscript traditions sometimes display divergent attempts to fill the gap: a few copies pair the Cook with other tales or even substitute different materials, but nothing survives that is demonstrably Chaucerian and complete. The fragmentary state leaves the plot suspended in midswing, offering atmosphere and character rather than narrative closure.
Main Character
Perkyn Revelour is sketched as a type rather than a fully rounded individual: the archetypal young reveler, impatient of apprenticeship and eager for immediate pleasure. He embodies youthful excess, social ambition of a particular urban flavor, and a heedlessness that courts financial and moral peril. The Cook's storytelling voice, when present, seems amused and unsentimental, presenting Perkyn's appetite for gaiety with a mix of comic relish and implicit warning.
The Cook himself, as narrator-figure, is significant: his choice to tell a tale of tavern life aligns with his role among the pilgrims as a worldly, earthy character. The tale's fragments hint at sympathetic knowledge of popular entertainments and the apprentice subculture, suggesting an observer comfortable in the noisy, convivial spaces he describes.
Themes and Tone
Tone leans toward the carnivalistic and bawdy, celebrating sensory pleasures while remaining keenly aware of their social cost. Themes suggested by the fragment include youth versus responsibility, the pull of urban leisure, and the social world of apprentices and tavern culture in late medieval England. Rather than moralizing in a straightforward way, the surviving lines emphasize scene and character, presenting vice and mirth with equal vividness.
Chaucer's broader interest in social types and the texture of everyday life is evident: the fragment captures the tension between economic duty and the temptations of a pleasure economy, and it does so with irony and a comic eye. The abrupt stopping point intensifies the impression of a lively slice of life rather than a didactic fable.
Manuscript History and Legacy
The Cook's Tale survives only in brief scraps within the manuscript tradition of the Canterbury Tales. Its unfinished condition has prompted editorial decisions and scholarly debate: some manuscripts insert other materials after the fragment, while many modern editions print only the extant lines with notes about the lacuna. Questions of authorship for any later additions and the intended shape of the tale remain unsettled.
Despite, or because of, its incompleteness, the fragment has attracted interest as a revealing artifact of Chaucer's method and of medieval urban culture. It contributes to the Canterbury Tales' portrait gallery of social types and remains a tantalizing instance of narrative interruption, offering a lively, if incomplete, window onto late medieval revelry and the poet's ear for street-level detail.
"The Cook's Tale" is one of Geoffrey Chaucer's most fragmentary contributions to the Canterbury Tales, traditionally dated to the late 14th century. The surviving portion sketches the quick, riotous life of a young apprentice called Perkyn Revelour, whose appetite for dancing, tavern company, and loose living propels the beginning of the narrative. The tale breaks off almost as soon as it begins, leaving an evocative glimpse of urban pleasure-seeking rather than a full story with resolution or moralizing closure.
Plot
The existing lines introduce Perkyn as a lively apprentice who grows weary of the sober obligations of his trade and is drawn instead to revelry. He frequents taverns, keeps late hours, and gives himself over to music and dancing, preferring the company of loose companions and the pleasures of the town to steady labor. The fragment emphasizes sensory detail, the clatter of feet, the bustle of the tavern, the transactions and flirtations of a nightlife that is both attractive and disorderly.
The narrative halts abruptly after only a few dozen lines, before any conventional consequences or lessons emerge. Manuscript traditions sometimes display divergent attempts to fill the gap: a few copies pair the Cook with other tales or even substitute different materials, but nothing survives that is demonstrably Chaucerian and complete. The fragmentary state leaves the plot suspended in midswing, offering atmosphere and character rather than narrative closure.
Main Character
Perkyn Revelour is sketched as a type rather than a fully rounded individual: the archetypal young reveler, impatient of apprenticeship and eager for immediate pleasure. He embodies youthful excess, social ambition of a particular urban flavor, and a heedlessness that courts financial and moral peril. The Cook's storytelling voice, when present, seems amused and unsentimental, presenting Perkyn's appetite for gaiety with a mix of comic relish and implicit warning.
The Cook himself, as narrator-figure, is significant: his choice to tell a tale of tavern life aligns with his role among the pilgrims as a worldly, earthy character. The tale's fragments hint at sympathetic knowledge of popular entertainments and the apprentice subculture, suggesting an observer comfortable in the noisy, convivial spaces he describes.
Themes and Tone
Tone leans toward the carnivalistic and bawdy, celebrating sensory pleasures while remaining keenly aware of their social cost. Themes suggested by the fragment include youth versus responsibility, the pull of urban leisure, and the social world of apprentices and tavern culture in late medieval England. Rather than moralizing in a straightforward way, the surviving lines emphasize scene and character, presenting vice and mirth with equal vividness.
Chaucer's broader interest in social types and the texture of everyday life is evident: the fragment captures the tension between economic duty and the temptations of a pleasure economy, and it does so with irony and a comic eye. The abrupt stopping point intensifies the impression of a lively slice of life rather than a didactic fable.
Manuscript History and Legacy
The Cook's Tale survives only in brief scraps within the manuscript tradition of the Canterbury Tales. Its unfinished condition has prompted editorial decisions and scholarly debate: some manuscripts insert other materials after the fragment, while many modern editions print only the extant lines with notes about the lacuna. Questions of authorship for any later additions and the intended shape of the tale remain unsettled.
Despite, or because of, its incompleteness, the fragment has attracted interest as a revealing artifact of Chaucer's method and of medieval urban culture. It contributes to the Canterbury Tales' portrait gallery of social types and remains a tantalizing instance of narrative interruption, offering a lively, if incomplete, window onto late medieval revelry and the poet's ear for street-level detail.
The Cook's Tale
A short, fragmentary tale originally intended for The Canterbury Tales, recounting the exploits of a young apprentice who indulges in dancing and tavern life; survives only in brief fragments and is unfinished.
- Publication Year: 1384
- Type: Poetry
- Genre: Fragment, Fabliau, Narrative Poetry
- Language: en (Middle English)
- Characters: Perkyn (the apprentice)
- View all works by Geoffrey Chaucer on Amazon
Author: Geoffrey Chaucer
Geoffrey Chaucer covering his life, works, travels, and legacy, including notable quotes and excerpts.
More about Geoffrey Chaucer
- Occup.: Poet
- From: England
- Other works:
- The Book of the Duchess (1369 Poetry)
- Complaint to His Purse (Chaucer's Complaint to His Purse) (1370 Poetry)
- Anelida and Arcite (1370 Poetry)
- The Romaunt of the Rose (1372 Poetry)
- The House of Fame (1374 Poetry)
- Parlement of Foules (Parliament of Fowls) (1382 Poetry)
- Troilus and Criseyde (1385 Poetry)
- The Legend of Good Women (1386 Poetry)
- The Squire's Tale (1386 Poetry)
- The Nun's Priest's Tale (1387 Poetry)
- The Pardoner's Tale (1387 Poetry)
- The Wife of Bath's Tale (1387 Poetry)
- The Miller's Tale (1387 Poetry)
- The Knight's Tale (1387 Poetry)
- The Canterbury Tales (1390 Collection)
- A Treatise on the Astrolabe (1391 Non-fiction)