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Novel: The Double Tongue

Overview
The Double Tongue is a posthumously published novel by William Golding set in the ancient Greek world. It follows the life and career of a woman who becomes an oracle figure, charting her uneasy navigation of religious duty, public expectation, and personal conscience. The narrative examines how authority is built and sustained when truth is mediated through ritual, language, and institutional power.

Plot and Setting
The story is anchored in a classical Mediterranean landscape where temple, city and court intersect. A young woman is drawn into the orbit of a powerful oracle and gradually assumes a public role that confers influence as well as constraint. Her prophetic utterances, private doubts, and the administrative machinery that surrounds divination form the backbone of the plot, which traces episodes of counsel, manipulation, and the slow unravelling of certainty.
Golding stages scenes of sacrifice, ceremony and political negotiation to show how prophecy is both spectacle and instrument. Rulers seek guidance, priests manage access, and the prophetess must learn the performance that gives voice its authority. Conflicts arise when competing interests read different meanings into the same pronouncements and when personal integrity clashes with institutional demands.

Themes and Motifs
Power and voice are the central preoccupations. The novel probes how authority accrues to those who can speak with persuasive charisma, and how language becomes a battleground where truth is contested. Prophecy in the book functions as a mirror: it reflects social anxieties, legitimates political actions, and reveals the fragility of claims to certainty.
Ambiguity is a persistent motif. Golding explores the slipperiness of interpretation, how a single utterance can be read in divergent, even contradictory, ways. The tension between private interiority and public role highlights questions about authenticity and performance. Themes of gender and constraint surface as the protagonist's position as a female seer compels her to navigate patriarchal structures that both exploit and fear her authority.

Style and Tone
Golding employs spare, controlled prose that foregrounds psychological observation and moral complexity. The tone balances solemnity with ironic distance, allowing moments of ritual drama to reveal quieter, troubling insights about human motives. Dialogues and set pieces emphasize the ritualized nature of speech, and the narrative voice often lingers on the texture of utterance, hesitation, repetition, and the force of articulation.
Rather than relying on historical reconstruction for its own sake, the novel uses classical trappings to focus on universal questions: how communities create meaning, how leaders manipulate belief, and how individuals reconcile conscience with consequence. The classical setting amplifies the timelessness of these dilemmas without reducing them to allegory.

Legacy and Interpretation
The Double Tongue is frequently read as a late-career meditation on language, authority and the ethical burdens of leadership. Critics note how the book complements Golding's broader concerns with power, violence and the precariousness of civility, while also offering a more narrowly focused inquiry into religious institutions and the performative nature of truth-telling.
Readers drawn to historical fiction, philosophical novels, or character studies of moral ambiguity will find the book compelling. Its insistence on the uncertain relation between voice and fact makes it a thought-provoking exploration of how societies organize belief and how individuals survive within those arrangements.
The Double Tongue

A posthumously published novel set in the ancient Greek world concerning a female prophet and the religious and political complexities surrounding oracular institutions. Themes include power, prophecy, and the ambiguities of voice and truth.


Author: William Golding

William Golding biography with life, major works, themes, awards, and notable quotes for scholars, students, and readers.
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