Novel: The Golden Age
Overview
The Golden Age is a historical novel by Gore Vidal published in 2000 and forms one of the later volumes in his Narratives of Empire sequence. The novel canvasses mid-20th-century America, moving through the years around World War II and into the early Cold War, and stages a panoramic reexamination of political life, celebrity culture, and national mythmaking. Vidal mixes fiction and reportage to unsettle received narratives and to insist on the interplay between private motives and public deeds.
Setting and Plot
The action ranges from Washington corridors of power to Hollywood studios and the drawing rooms of influential families, tracking how wartime mobilization, the rise of mass media, and postwar anxieties reshape institutions and personalities. Rather than following a single tightly plotted storyline, the book is episodic and accumulative: events, conversations, and set pieces accumulate into a portrait of an era. Legal maneuvers, political maneuvers, public spectacles and private intrigues are presented as interconnected phenomena that drive shifts in public life and private fortunes.
Characters and Perspective
Vidal returns to families and social circles that recur across the Narratives of Empire novels, using them as touchstones to explore continuity and change in American elites. Real historical figures mingle with fictional personages, and the novelist repeatedly adopts the posture of an amused, sharp-eyed chronicler who delights in exposing vanity, hypocrisy and theatricality. The narrative voice is urbane, opinionated and often caustic, privileging barbed judgments and anecdotal evidence over reverent distance.
Themes and Style
The Golden Age interrogates power, performance and memory. It examines how political legitimacy is manufactured through rhetoric, spectacle and selective forgetting, and how celebrity culture shapes political possibility. The book is also a study of American self-fashioning: the ascendancy of mass entertainment reshapes politics while political imperatives in turn transform culture. Stylistically Vidal blends elegant, epigrammatic prose with long, digressive scenes that mimic the way gossip and policy circulate in the same networks. Satire and erudition sit side by side, and the novel favors sharp characterization, witty aphorisms and a panoramic register over intimate psychological excavation.
Reception and Legacy
Critics and readers responded to The Golden Age with mixed admiration and critique. Many praised Vidal's erudition, wit and panoramic ambition, noting how the book consolidates themes and concerns developed throughout the Narratives of Empire series. Others found the novel's polemical thrust heavy-handed and its moral judgments unsubtle, with character sketches that sometimes read more as types than as fully rounded people. As a late-career statement, the book functions as both a history lesson and a provocation: it continues Vidal's project of challenging official memory and reminding readers that public narratives are composed as much of theater as of truth.
Why it matters
The Golden Age offers a corrective to complacent or hagiographic accounts of mid-century America by insisting on the performative elements of politics and culture. It remains valuable for readers interested in historical fiction as revisionist commentary, for those who want a satirical and learned perspective on the intersections of Hollywood and Washington, and for anyone curious about how a novelist with a capacious memory of American elites rewrites the familiar into a rigorous, often caustic story of power.
The Golden Age is a historical novel by Gore Vidal published in 2000 and forms one of the later volumes in his Narratives of Empire sequence. The novel canvasses mid-20th-century America, moving through the years around World War II and into the early Cold War, and stages a panoramic reexamination of political life, celebrity culture, and national mythmaking. Vidal mixes fiction and reportage to unsettle received narratives and to insist on the interplay between private motives and public deeds.
Setting and Plot
The action ranges from Washington corridors of power to Hollywood studios and the drawing rooms of influential families, tracking how wartime mobilization, the rise of mass media, and postwar anxieties reshape institutions and personalities. Rather than following a single tightly plotted storyline, the book is episodic and accumulative: events, conversations, and set pieces accumulate into a portrait of an era. Legal maneuvers, political maneuvers, public spectacles and private intrigues are presented as interconnected phenomena that drive shifts in public life and private fortunes.
Characters and Perspective
Vidal returns to families and social circles that recur across the Narratives of Empire novels, using them as touchstones to explore continuity and change in American elites. Real historical figures mingle with fictional personages, and the novelist repeatedly adopts the posture of an amused, sharp-eyed chronicler who delights in exposing vanity, hypocrisy and theatricality. The narrative voice is urbane, opinionated and often caustic, privileging barbed judgments and anecdotal evidence over reverent distance.
Themes and Style
The Golden Age interrogates power, performance and memory. It examines how political legitimacy is manufactured through rhetoric, spectacle and selective forgetting, and how celebrity culture shapes political possibility. The book is also a study of American self-fashioning: the ascendancy of mass entertainment reshapes politics while political imperatives in turn transform culture. Stylistically Vidal blends elegant, epigrammatic prose with long, digressive scenes that mimic the way gossip and policy circulate in the same networks. Satire and erudition sit side by side, and the novel favors sharp characterization, witty aphorisms and a panoramic register over intimate psychological excavation.
Reception and Legacy
Critics and readers responded to The Golden Age with mixed admiration and critique. Many praised Vidal's erudition, wit and panoramic ambition, noting how the book consolidates themes and concerns developed throughout the Narratives of Empire series. Others found the novel's polemical thrust heavy-handed and its moral judgments unsubtle, with character sketches that sometimes read more as types than as fully rounded people. As a late-career statement, the book functions as both a history lesson and a provocation: it continues Vidal's project of challenging official memory and reminding readers that public narratives are composed as much of theater as of truth.
Why it matters
The Golden Age offers a corrective to complacent or hagiographic accounts of mid-century America by insisting on the performative elements of politics and culture. It remains valuable for readers interested in historical fiction as revisionist commentary, for those who want a satirical and learned perspective on the intersections of Hollywood and Washington, and for anyone curious about how a novelist with a capacious memory of American elites rewrites the familiar into a rigorous, often caustic story of power.
The Golden Age
A later volume in the Narratives of Empire series that explores mid-20th-century America, covering Hollywood, politics and cultural transformation. Vidal continues his fictionalized reappraisal of U.S. history and public personalities.
- Publication Year: 2000
- Type: Novel
- Genre: Historical fiction
- Language: en
- View all works by Gore Vidal on Amazon
Author: Gore Vidal
Gore Vidal covering his life, literary career, political involvement, essays, plays, and notable quotations.
More about Gore Vidal
- Occup.: Novelist
- From: USA
- Other works:
- Williwaw (1946 Novel)
- The City and the Pillar (1948 Novel)
- Dark Green, Bright Red (1950 Novel)
- The Judgment of Paris (1952 Novel)
- Messiah (1954 Novel)
- The Best Man (1960 Play)
- Julian (1964 Novel)
- Myra Breckinridge (1968 Novel)
- An Evening With Richard Nixon (as if He Were Dead) (1972 Play)
- Burr (1973 Novel)
- Myron (1974 Novel)
- 1876 (1976 Novel)
- Lincoln (1984 Novel)
- Empire (1987 Novel)
- Hollywood (1990 Novel)
- Live from Golgotha (1992 Novel)
- United States: Essays 1952–1992 (1993 Collection)
- Palimpsest: A Memoir (1995 Memoir)
- Dreaming War: Blood for Oil and the Cheney-Bush Junta (2002 Non-fiction)