Play: The Good-Humoured Ladies
Overview
Carlo Goldoni's The Good-Humoured Ladies (1748) is a brisk Venice-set comedy that follows a circle of lovers, spouses, and servants as their romantic plans collide and realign through a steady succession of misunderstandings, disguises, and clever talk. The play moves with the comic economy of commedia tradition while replacing its mask-bound archetypes with characters given clear motives and domestic concerns. The result is a warm, human comedy that delights in social detail as much as in plotting surprises.
Principal Figures
Rather than rely on stock masks, the play assembles a cast of recognisable social types: spirited women who steer their own affairs, oft-baffled men whose pride or jealousy creates complications, and quick-witted servants who nudge events toward resolution. Lovers of different ages and temperaments intersect, and a few elder characters provide authority and comic resistance. The characters' differences in temperament, prudence versus impulsiveness, candour versus affectation, drive the play's conflicts and comic reversals.
Plot Summary
The action pivots around entangled affections and a set of mistaken assumptions that carry the plot from one scene to the next. Courting schemes and secret attachments repeatedly collide; a plausible engagement is threatened, rival suitors appear, and letters or overheard remarks are misread in ways that seem disastrous until a revealing moment restores clarity. Disguises and small deceptions are used not to harm but to test fidelity and expose pretension, and the play repeatedly resets the audience's expectations by letting characters discover truth through dialogue rather than by dramatic revelation alone. When final pairings are agreed, reconciliation feels earned rather than contrived.
Themes and Style
Goldoni foregrounds the comedy of manners, exploring marriage as both social contract and personal arrangement shaped by temperament and wit. The play treats love as a collaborative project in which communication, humour, and mutual respect matter more than rigid convention or patriarchal control. Stylistically, the dialogue is bright and idiomatic; Goldoni pares back the improvisatory excesses of commedia dell'arte in favour of clearer motivation and more plausible domestic situations. The humour is often gentle and humanizing, with satire directed at self-deception and social posturing rather than at cruelty.
Historical Context and Legacy
Written during Goldoni's early career, The Good-Humoured Ladies exemplifies his project of modernising Italian comedy by making characters more psychologically coherent and by anchoring plots in urban life. Set in Venice, the play reflects contemporary social mores and the bustling world of public promenade and private intrigue. Its success helped establish Goldoni's reputation and influenced the development of 18th-century European theatre, offering a model for comedy that balances liveliness and realism while keeping the audience's sympathies with ordinary people navigating love and social expectation.
Carlo Goldoni's The Good-Humoured Ladies (1748) is a brisk Venice-set comedy that follows a circle of lovers, spouses, and servants as their romantic plans collide and realign through a steady succession of misunderstandings, disguises, and clever talk. The play moves with the comic economy of commedia tradition while replacing its mask-bound archetypes with characters given clear motives and domestic concerns. The result is a warm, human comedy that delights in social detail as much as in plotting surprises.
Principal Figures
Rather than rely on stock masks, the play assembles a cast of recognisable social types: spirited women who steer their own affairs, oft-baffled men whose pride or jealousy creates complications, and quick-witted servants who nudge events toward resolution. Lovers of different ages and temperaments intersect, and a few elder characters provide authority and comic resistance. The characters' differences in temperament, prudence versus impulsiveness, candour versus affectation, drive the play's conflicts and comic reversals.
Plot Summary
The action pivots around entangled affections and a set of mistaken assumptions that carry the plot from one scene to the next. Courting schemes and secret attachments repeatedly collide; a plausible engagement is threatened, rival suitors appear, and letters or overheard remarks are misread in ways that seem disastrous until a revealing moment restores clarity. Disguises and small deceptions are used not to harm but to test fidelity and expose pretension, and the play repeatedly resets the audience's expectations by letting characters discover truth through dialogue rather than by dramatic revelation alone. When final pairings are agreed, reconciliation feels earned rather than contrived.
Themes and Style
Goldoni foregrounds the comedy of manners, exploring marriage as both social contract and personal arrangement shaped by temperament and wit. The play treats love as a collaborative project in which communication, humour, and mutual respect matter more than rigid convention or patriarchal control. Stylistically, the dialogue is bright and idiomatic; Goldoni pares back the improvisatory excesses of commedia dell'arte in favour of clearer motivation and more plausible domestic situations. The humour is often gentle and humanizing, with satire directed at self-deception and social posturing rather than at cruelty.
Historical Context and Legacy
Written during Goldoni's early career, The Good-Humoured Ladies exemplifies his project of modernising Italian comedy by making characters more psychologically coherent and by anchoring plots in urban life. Set in Venice, the play reflects contemporary social mores and the bustling world of public promenade and private intrigue. Its success helped establish Goldoni's reputation and influenced the development of 18th-century European theatre, offering a model for comedy that balances liveliness and realism while keeping the audience's sympathies with ordinary people navigating love and social expectation.
The Good-Humoured Ladies
Original Title: Le donne di buon umore
The Good-Humoured Ladies is a comedy play that tells the story of various couples whose love lives intersect and get entangled, leading to humorous misunderstandings and witty twists of fate.
- Publication Year: 1748
- Type: Play
- Genre: Comedy
- Language: Italian
- Characters: Donna Eleonora, Donna Antonia, Donna Fulvia, Donna Laura, Don Fabrizio, Don Benedetto, Don Filippo, Pantalone, Flaminio, Tiberio
- View all works by Carlo Goldoni on Amazon
Author: Carlo Goldoni

More about Carlo Goldoni
- Occup.: Playwright
- From: Italy
- Other works:
- The Servant of Two Masters (1746 Play)
- The Venetian Twins (1747 Play)
- Mirandolina (1753 Play)
- The Fan (1765 Play)