Play: The Great Broxopp
Overview
A. A. Milne’s 1923 play The Great Broxopp is a witty, humane comedy about class, identity, and the strange power of advertising. Best known today for Winnie-the-Pooh, Milne was in the 1910s and 1920s a leading West End dramatist, and this play exemplifies his deft blend of satire and sentiment. It follows a self-made businessman whose surname has become a household brand, and explores the personal cost of success when a family’s private life is shaped, and distorted, by public reputation. Light in tone yet pointed in its observations, the play offers a timeless look at how names, money, and status intersect.
Plot Summary
At the center is Mr. Broxopp, an entrepreneur who builds an empire by turning his own name into a ubiquitous brand through shrewd advertising. His ingenuity makes him wealthy and “great” in the commercial sense, but it also means that Broxopp is no longer merely a family name; it is a product, a slogan, a national joke and a boast. This triumph, initially a source of pride, becomes awkward when Broxopp’s grown son falls in love with a young woman from a socially elevated family. To them, “Broxopp” connotes trade, posters, and shopfronts, everything they politely consume but do not wish to marry.
The conflict hinges on whether the son should keep his father’s famous name or shed it for the sake of acceptance. Mr. Broxopp, wounded yet loving, must decide if he will hold fast to the identity he forged or sacrifice it for his son’s future. In a characteristic Milne turn, the father’s solution is simultaneously comic and magnanimous: he is prepared to dismantle, rename, or otherwise neutralize the brand if it will free his son from social stigma. The ripple effects expose the hypocrisies of those who enjoy the fruits of commerce while despising its makers, and test the family’s affections. Ultimately, reconciliation arrives not through humiliation but through recognition of Broxopp’s true greatness, his generosity, wit, and refusal to be bitter, leading the young couple and their elders to a more honest accommodation.
Characters and Dynamics
- Mr. Broxopp: The energetic, self-made founder whose name has become a commodity; proud, inventive, and disarmingly kind.
- Mrs. Broxopp: Practical and sympathetic, she balances her husband’s theatrical flair with domestic wisdom.
- The Son: Earnest and torn between love and loyalty, he embodies the pull of social aspiration.
- The Fiancée and Her Family: Courteous but snobbish, they provide the play’s social pressure and its satiric targets.
Themes and Motifs
Milne probes the collision between commerce and gentility, asking what a name means when it is both heritage and logo. The play satirizes class prejudice while acknowledging the allure of acceptance. Advertising functions as a motif for modernity’s power to rebrand reality, and the family becomes the arena where public image meets private feeling. At heart, it is a story about parental love: Broxopp’s willingness to give up his triumphs to secure his son’s happiness defines his “greatness.”
Style and Significance
The Great Broxopp showcases Milne’s hallmark qualities: nimble dialogue, gentle irony, and a refusal to turn characters into mere caricatures. Its critique of branding and status remains contemporary, while its warmth prevents cynicism. As a snapshot of interwar British theater, the play confirms Milne’s gift for making social comedy both entertaining and emotionally true.
A. A. Milne’s 1923 play The Great Broxopp is a witty, humane comedy about class, identity, and the strange power of advertising. Best known today for Winnie-the-Pooh, Milne was in the 1910s and 1920s a leading West End dramatist, and this play exemplifies his deft blend of satire and sentiment. It follows a self-made businessman whose surname has become a household brand, and explores the personal cost of success when a family’s private life is shaped, and distorted, by public reputation. Light in tone yet pointed in its observations, the play offers a timeless look at how names, money, and status intersect.
Plot Summary
At the center is Mr. Broxopp, an entrepreneur who builds an empire by turning his own name into a ubiquitous brand through shrewd advertising. His ingenuity makes him wealthy and “great” in the commercial sense, but it also means that Broxopp is no longer merely a family name; it is a product, a slogan, a national joke and a boast. This triumph, initially a source of pride, becomes awkward when Broxopp’s grown son falls in love with a young woman from a socially elevated family. To them, “Broxopp” connotes trade, posters, and shopfronts, everything they politely consume but do not wish to marry.
The conflict hinges on whether the son should keep his father’s famous name or shed it for the sake of acceptance. Mr. Broxopp, wounded yet loving, must decide if he will hold fast to the identity he forged or sacrifice it for his son’s future. In a characteristic Milne turn, the father’s solution is simultaneously comic and magnanimous: he is prepared to dismantle, rename, or otherwise neutralize the brand if it will free his son from social stigma. The ripple effects expose the hypocrisies of those who enjoy the fruits of commerce while despising its makers, and test the family’s affections. Ultimately, reconciliation arrives not through humiliation but through recognition of Broxopp’s true greatness, his generosity, wit, and refusal to be bitter, leading the young couple and their elders to a more honest accommodation.
Characters and Dynamics
- Mr. Broxopp: The energetic, self-made founder whose name has become a commodity; proud, inventive, and disarmingly kind.
- Mrs. Broxopp: Practical and sympathetic, she balances her husband’s theatrical flair with domestic wisdom.
- The Son: Earnest and torn between love and loyalty, he embodies the pull of social aspiration.
- The Fiancée and Her Family: Courteous but snobbish, they provide the play’s social pressure and its satiric targets.
Themes and Motifs
Milne probes the collision between commerce and gentility, asking what a name means when it is both heritage and logo. The play satirizes class prejudice while acknowledging the allure of acceptance. Advertising functions as a motif for modernity’s power to rebrand reality, and the family becomes the arena where public image meets private feeling. At heart, it is a story about parental love: Broxopp’s willingness to give up his triumphs to secure his son’s happiness defines his “greatness.”
Style and Significance
The Great Broxopp showcases Milne’s hallmark qualities: nimble dialogue, gentle irony, and a refusal to turn characters into mere caricatures. Its critique of branding and status remains contemporary, while its warmth prevents cynicism. As a snapshot of interwar British theater, the play confirms Milne’s gift for making social comedy both entertaining and emotionally true.
The Great Broxopp
A comedy about a self-made advertising magnate whose success collides with family pride and romantic complications.
- Publication Year: 1923
- Type: Play
- Genre: Comedy, Social Satire
- Language: English
- Characters: Broxopp
- View all works by A. A. Milne on Amazon
Author: A. A. Milne

More about A. A. Milne
- Occup.: Author
- From: England
- Other works:
- The Day's Play (1910 Essay Collection)
- The Holiday Round (1912 Essay Collection)
- Once a Week (1914 Essay Collection)
- Wurzel-Flummery (1917 One-act play)
- Once on a Time (1917 Novel)
- Belinda (1918 Play)
- Not That It Matters (1919 Essay Collection)
- Mr. Pim Passes By (1919 Play)
- The Romantic Age (1920 Play)
- If I May (1920 Essay Collection)
- The Sunny Side (1921 Essay Collection)
- The Truth About Blayds (1921 Play)
- The Dover Road (1921 Play)
- The Red House Mystery (1922 Novel)
- The Man in the Bowler Hat (1923 One-act play)
- When We Were Very Young (1924 Poetry Collection)
- A Gallery of Children (1925 Short Story Collection)
- Winnie-the-Pooh (1926 Children's book)
- Now We Are Six (1927 Poetry Collection)
- The House at Pooh Corner (1928 Children's book)
- The Fourth Wall (1928 Play)
- Toad of Toad Hall (1929 Play (adaptation))
- The Ivory Door (1929 Play)
- By Way of Introduction (1929 Essay Collection)
- Michael and Mary (1930 Play)
- Two People (1931 Novel)
- Peace With Honour (1934 Book)
- It's Too Late Now: The Autobiography of a Writer (1939 Autobiography)
- War With Honour (1940 Book)
- The Ugly Duckling (1941 One-act play)
- Year In, Year Out (1952 Miscellany)