Novel: The Nowhere City
Overview
Alison Lurie's The Nowhere City follows a young couple who relocate from the East Coast to Los Angeles and discover a city whose attractions, anxieties and social codes unsettle the assumptions they brought with them. The novel is a gently satirical study of place and personality, observing how a change of setting refracts relationships, ambitions and moral calculations. Lurie's eye for social detail and ironic distance gives the narrative a brisk, amused voice that balances warmth and critique.
Plot
The story centers on the couple's arrival in Los Angeles and the steady accumulation of small, revealing encounters that map their adjustment. They confront a series of cultural contrasts: the informal pragmatism and image-consciousness of West Coast life, the prominence of entertainment and publicity, and the different professional expectations that challenge their East Coast identities. Interactions with neighbors, colleagues and new acquaintances gradually expose tensions in their marriage and prompt private doubts about career, belonging and fidelity.
As the couple negotiates social events, job pressures and the lure of a more glamorous world, personal ambitions and insecurities come into focus. The narrative does not hinge on a single dramatic upheaval but rather on a sequence of lived moments, awkward parties, misread signals, small compromises, that accumulate into a decisive reappraisal of what each partner wants from life. By the end, choices are made that suggest both loss and pragmatic acceptance, leaving readers to reflect on the costs and consolations of adaptation.
Characters
The central figures are portrayed with psychological nuance rather than schematic types. The husband is often shown wrestling with professional identity and masculine expectations in a place where visibility and self-promotion matter more than he anticipated. The wife navigates social opportunity and personal restlessness, responding to the city's possibilities in ways that reveal both resilience and vulnerability. Secondary characters, co-workers, neighbors and social rivals, serve as mirrors and foils, sharpening the couple's differences and illuminating the city's social hierarchies.
Lurie's characters are not caricatures; even when she satirizes attitudes or fashions she preserves empathy. The comic elements arise from character-driven misunderstandings and the clash between aspiration and reality, so that even the most broadly drawn figures retain depth and human unpredictability.
Themes and Tone
Major themes include displacement, the malleability of identity, and the tension between ideals and compromise. Los Angeles functions as a character in its own right: a dispersed, image-conscious metropolis that rewards fluidity and reinvention while exposing fragilities. Lurie explores how place shapes desire and how social environments can both liberate and estrange. Her tone is wry and observant, combining social satire with genuine sympathy for people who are trying, often haltingly, to remake their lives.
Humor is central but never cruel; it often serves to reveal self-deception rather than to mock misfortune. The novel's irony is tempered by a humane curiosity about why people act as they do when the rules of belonging change.
Significance
The Nowhere City stands as a compact yet incisive portrait of mid-20th-century urban transition and cultural contrast. It anticipates later American fiction that probes regional differences and the interplay of culture and identity, while exemplifying Lurie's skill at blending social commentary with intimate character study. Its focus on the small emotional economies of marriage and career makes it a quietly powerful exploration of how place reshapes possibility and limits, and why even modest compromises can feel like transformations.
Alison Lurie's The Nowhere City follows a young couple who relocate from the East Coast to Los Angeles and discover a city whose attractions, anxieties and social codes unsettle the assumptions they brought with them. The novel is a gently satirical study of place and personality, observing how a change of setting refracts relationships, ambitions and moral calculations. Lurie's eye for social detail and ironic distance gives the narrative a brisk, amused voice that balances warmth and critique.
Plot
The story centers on the couple's arrival in Los Angeles and the steady accumulation of small, revealing encounters that map their adjustment. They confront a series of cultural contrasts: the informal pragmatism and image-consciousness of West Coast life, the prominence of entertainment and publicity, and the different professional expectations that challenge their East Coast identities. Interactions with neighbors, colleagues and new acquaintances gradually expose tensions in their marriage and prompt private doubts about career, belonging and fidelity.
As the couple negotiates social events, job pressures and the lure of a more glamorous world, personal ambitions and insecurities come into focus. The narrative does not hinge on a single dramatic upheaval but rather on a sequence of lived moments, awkward parties, misread signals, small compromises, that accumulate into a decisive reappraisal of what each partner wants from life. By the end, choices are made that suggest both loss and pragmatic acceptance, leaving readers to reflect on the costs and consolations of adaptation.
Characters
The central figures are portrayed with psychological nuance rather than schematic types. The husband is often shown wrestling with professional identity and masculine expectations in a place where visibility and self-promotion matter more than he anticipated. The wife navigates social opportunity and personal restlessness, responding to the city's possibilities in ways that reveal both resilience and vulnerability. Secondary characters, co-workers, neighbors and social rivals, serve as mirrors and foils, sharpening the couple's differences and illuminating the city's social hierarchies.
Lurie's characters are not caricatures; even when she satirizes attitudes or fashions she preserves empathy. The comic elements arise from character-driven misunderstandings and the clash between aspiration and reality, so that even the most broadly drawn figures retain depth and human unpredictability.
Themes and Tone
Major themes include displacement, the malleability of identity, and the tension between ideals and compromise. Los Angeles functions as a character in its own right: a dispersed, image-conscious metropolis that rewards fluidity and reinvention while exposing fragilities. Lurie explores how place shapes desire and how social environments can both liberate and estrange. Her tone is wry and observant, combining social satire with genuine sympathy for people who are trying, often haltingly, to remake their lives.
Humor is central but never cruel; it often serves to reveal self-deception rather than to mock misfortune. The novel's irony is tempered by a humane curiosity about why people act as they do when the rules of belonging change.
Significance
The Nowhere City stands as a compact yet incisive portrait of mid-20th-century urban transition and cultural contrast. It anticipates later American fiction that probes regional differences and the interplay of culture and identity, while exemplifying Lurie's skill at blending social commentary with intimate character study. Its focus on the small emotional economies of marriage and career makes it a quietly powerful exploration of how place reshapes possibility and limits, and why even modest compromises can feel like transformations.
The Nowhere City
Alison Lurie explores the culture and lifestyle of Los Angeles through the eyes of a young couple who move there from New York.
- Publication Year: 1965
- Type: Novel
- Genre: Fiction
- Language: English
- Characters: Paul Cattleman, Katherine Cattleman
- View all works by Alison Lurie on Amazon
Author: Alison Lurie

More about Alison Lurie
- Occup.: Novelist
- From: USA
- Other works:
- Love and Friendship (1962 Novel)
- Imaginary Friends (1967 Novel)
- Real People (1969 Novel)
- The War Between the Tates (1974 Novel)
- Only Children (1979 Novel)
- Foreign Affairs (1984 Novel)
- The Truth About Lorin Jones (1988 Novel)
- Women and Ghosts (1994 Short Story Collection)
- The Last Resort (1998 Novel)
- Truth and Consequences (2005 Novel)